A regrettable step toward the marginalization of critics within the New York theatrical community.
The show makes modest gains, but it does so with confidence and brio.
If you critique a mass-marketed brand and your attack is obvious and tedious, does that effectively make you an advertisement for said product?
The performers' substantial imaginations, charm and pantomime skills do the work of a dozen set dressers.
The French auteur captures time.
Can Sarah make a smooth (and profitable!) transition from the Great White North to the Great White Way? You betcha!