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1,908 stories from The New Yorker

Chains | The New Yorker by Ken Marks

This welcome Mint production, the first back in the company's Forty-second Street home in nearly two and a half years, is a refined affair, though there's no lack of desperation seething jus…

SOURCE: The New Yorker Subscription at 10:50am on June 24, 2022

The 2022 Tony Awards: How Broadway Got Its Groove Back by Michael Schulman

Ariana DeBose shined as the host, Michael R. Jackson's "A Strange Loop" was deservedly awarded, and the night was high-spirited fun.

SOURCE: The New Yorker Subscription at 12:39pm on June 13, 2022

The Revelations of Thom Gunn's Letters by Hilton Als

The late poet's letters are a primer not only on literature but on the man himself.

SOURCE: The New Yorker Subscription at 6:00am on May 30, 2022

Austin Pendleton Is Still on Broadway, Still a Babe Magnet by Henry Alford

The actor and director hangs at the lounge of Studio 54, where he is performing in "The Minutes," to discuss sixty years in the theatre, casting a young Laurie Metcalf and John Malkovich, an…

SOURCE: The New Yorker Subscription at 6:00am on May 16, 2022

Summer Dance Preview by Marina Harss

New ballets at American Ballet Theatre, the return of the Paul Taylor Dance Company, the tap artist Dormeshia, and more.

SOURCE: The New Yorker Subscription at 6:00am on May 6, 2022

Summer Contemporary-Music Preview by Sheldon Pearce

HAIM plays Madison Square Garden, J Balvin hits Barclays Center, Beach House heads to Kings Theatre, and more.

SOURCE: The New Yorker Subscription at 6:00am on May 6, 2022

Summer Theatre Preview by Michael Schulman

Danai Gurira plays Richard III at Shakespeare in the Park, "The Kite Runner" opens on Broadway, Elevator Repair Service adapts Chekhov for "Seagull," and more.

SOURCE: The New Yorker Subscription at 6:00am on May 6, 2022

Sondheim's Wise "Into the Woods"

Encores! stages the Stephen Sondheim"James Lapine musical from 1987, with an all-star cast that includes Ann Harada, Denée Benton, Sara Bareilles, and Neil Patrick Harris.

SOURCE: The New Yorker Subscription at 6:00am on April 29, 2022

A "Hamilton" for the Suffrage Movement by Alexandra Schwartz

Shaina Taub's new musical follows Alice Paul's tireless quest to win American women the vote.

SOURCE: The New Yorker Subscription at 6:00am on April 11, 2022

"The Skin of Our Teeth," Reinterpreted

In Lincoln Center Theatre's revival of Thornton Wilder's allegorical comedy, which tells the story of human history through the Antrobuses of New Jersey, the Everyman family embodies the Bla…

SOURCE: The New Yorker Subscription at 6:00am on April 8, 2022

Husbands and Wives in "Plaza Suite" by Vinson Cunningham

The real-life spouses Sarah Jessica Parker and Matthew Broderick play three different couples in a new Broadway production of Neil Simon's trio of one-act plays, from 1968, at the Hudson The…

SOURCE: The New Yorker Subscription at 6:00am on April 4, 2022

Neverland Comes to Broadway by Michael Schulman

Meet the parents who thought it was a good idea to have their kids audition to play young Michael Jackson.

SOURCE: The New Yorker Subscription at 6:00am on March 21, 2022

Sunday Reading: Luminaries of the Theatre by Erin Overbey

From the magazine's archive: a selection of pieces about the theatrical experience.

SOURCE: The New Yorker Subscription at 6:00am on March 20, 2022

Spring Theatre Preview by Michael Schulman

Michael R. Jackson's salty musical "A Strange Loop," Beanie Feldstein in "Funny Girl," Daniel Craig and Ruth Negga in "Macbeth," and more.

SOURCE: The New Yorker Subscription at 6:00am on March 4, 2022

Band Camp on Broadway by Sarah Larson

Blake Lively and Seth Meyers came out to salute the première of "The Music Man"; so did forty-five New York teen-agers armed with clarinets and sousaphones.

SOURCE: The New Yorker Subscription at 6:00am on February 28, 2022

Aleshea Harris Stages Black Life by Hilton Als

The playwright explores the myths of community, love, and violence.

SOURCE: The New Yorker Subscription at 6:00am on February 21, 2022

Stephen Sondheim's Lasting Wisdom by D. T. Max

As he worked on his final musical, the legendary composer discussed the ideas he'd abandoned, the minutiae of his technique, and the lesson that any artist must learn.

SOURCE: The New Yorker Subscription at 6:00am on February 14, 2022

Black Thought Takes the Stage

The legendary rapper of the Roots turns to musical theatre with "Black No More," which is based on a novel from the Harlem Renaissance.

SOURCE: The New Yorker Subscription at 6:00pm on February 7, 2022

Black Thought Takes the Stage

The legendary rapper of the Roots turns to musical theatre with "Black No More," based on a novel from the Harlem Renaissance. Plus, Lee Child on Jack Reacher.

SOURCE: The New Yorker Subscription at 4:00pm on February 4, 2022

A Sense of Where He's Been by Thomas Beller

Bill Bradley, a staid member of the rarefied (the Rhodes Scholarship), the very rarefied (the U.S. Senate), and the super-rarefied (the Knicks' two championship teams), premières his …

SOURCE: The New Yorker Subscription at 6:00am on January 17, 2022

The Metaphysical World of Apichatpong Weerasethakul's Movies by Hilton Als

The Thai director knows how to find the visually uncanny in the mundane.

SOURCE: The New Yorker Subscription at 6:00am on January 10, 2022

David Byrne Does Broadway on the Fly by Rich Benjamin

When COVID sidelined cast and crew of "American Utopia," Byrne offered ticket-holders a refund or the option to attend a reimagined performance with whatever cast members could cook up in a …

SOURCE: The New Yorker Subscription at 10:00am on January 8, 2022

Joan Didion and the Voice of America by Hilton Als

She knew that her country was built on exclusion and shame.

SOURCE: The New Yorker Subscription at 6:00am on December 29, 2021

Losing It All, on Broadway by Sheelah Kolhatkar

The cast of "Skeleton Crew," Dominique Morisseau's play about Black auto-plant workers facing rumors of a shutdown, takes a field trip to check out the set.

SOURCE: The New Yorker Subscription at 6:00am on December 27, 2021

The Special Panic of Singing Sondheim by Tavi Gevinson

Performing in the new revival of "Assassins," I've become acquainted with the particular nerves that singing Stephen Sondheim's complex songs can inspire.

SOURCE: The New Yorker Subscription at 7:54am on December 23, 2021
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