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2,260 stories from Chicago Theater Beat

Review: The Christmas Schooner (Mercury Theater, 2014) by Scotty Zacher

Nineteen years after its advent, this show has become as essential to a Chicago Christmas as the lights on the Magnificent Mile. But it's especially crucial when it comes to the central sym…

SOURCE: Chicago Theater Beat at 6:12pm on December 6, 2014☆⚑

Review: Titanic (Griffin Theatre) by Scotty Zacher

Big musical about a big ship works in this small package as Director Scott Weinstein and his talented design team have created a theatrical world where your imagination fills in the details.…

SOURCE: Chicago Theater Beat at 1:58pm on November 30, 2014☆⚑

Review: The Testament of Mary (Victory Gardens Theater) by Scotty Zacher

For anyone who's ever wondered what Jesus' mother felt like while watching her son's brutal murder at the hands of a corrupt government, this script is ultimately very rewarding. Chock full …

SOURCE: Chicago Theater Beat at 5:40pm on November 29, 2014☆⚑

Review: Mud, River, Stone (Eclipse Theatre) by Scotty Zacher

Nottage's story seems to aspire to shine a light on the unfairly desperate straits endured by Africans struggling to navigate a racist and classist societal structure that's both toxic and a…

SOURCE: Chicago Theater Beat at 10:59pm on November 28, 2014☆⚑

Review: Porgy and Bess (Lyric Opera of Chicago, 2014) by Scotty Zacher

An unmissable American classic! By the end of Lyric's Porgy and Bess, I was flabbergasted by how moved I was not just by the stellar quality of the music itself but the humanity of those in…

SOURCE: Chicago Theater Beat at 6:33pm on November 22, 2014☆⚑

Review: Annie (Broadway in Chicago) by Scotty Zacher

The latest national tour of Annie the Musical, directed by the musical's lyricist Martin Charnin for the umpteenth time, at times feels a bit stale, but show-stealing performances and lovabl…

SOURCE: Chicago Theater Beat at 3:44pm on November 20, 2014☆⚑

Review: Lotto Fever in the Sucker State (Saint Sebastian Players) by Scotty Zacher

Lotto Fever's main issue is its source material. Not the setting or time period, not the characters, but a script that can't effectively straddle the line between pathos and belly laughs. Dr…

SOURCE: Chicago Theater Beat at 6:49pm on November 16, 2014☆⚑

Review: Frederick (Chicago Children's Theatre) by Scotty Zacher

The world premier of Leo Lionni's classic children's picture book Frederick is an example of good theater for children that isn't JUST for children. So many little touches throughout this mu…

SOURCE: Chicago Theater Beat at 5:58pm on November 15, 2014☆⚑

Review: A Bright Room Called Day (Spartan Theatre) by Scotty Zacher

A Bright Room is timely viewing for liberals after the recent mid-term elections. Kushner's morality fable on the dangers of complacency is a clarion call to rally against its dangers - we m…

SOURCE: Chicago Theater Beat at 8:38pm on November 13, 2014☆⚑

Review: Great Expectations (Strawdog Theatre, 2014) by Scotty Zacher

Since this is a Charles Dickens adaption, it feels perfectly right for the holidays, so thoroughly have his novels stamped the season. But, seasonal relevance aside, the play, like the book,…

SOURCE: Chicago Theater Beat at 6:20pm on November 12, 2014☆⚑

Review: Watch on the Rhine (The Artistic Home) by Scotty Zacher

Lillian Hellman's story is a solid American classic that remains as timely now as it was more than 60 years ago. But at the Artistic Home, that story hits the ear with such inauthenticity he…

SOURCE: Chicago Theater Beat at 11:58pm on November 9, 2014☆⚑

Review: Welcome to America (Prologue Theatre) by Scotty Zacher

As our understanding of the human condition increases, our ability to lay blame becomes more nuance. Getting passed that difficult, visceral desire to hate without contemplation is not at al…

SOURCE: Chicago Theater Beat at 10:04pm on November 7, 2014☆⚑

Review: Animal Farm (Steppenwolf Theatre) by Scotty Zacher

Thanks to tight direction of a solid adaptation, starkly effective production values and spot-on character development, this Animal Farm is a brutal, thought-provoking journey for students a…

SOURCE: Chicago Theater Beat at 8:58pm on November 3, 2014☆⚑

Review: King Lear (Chicago Shakespeare Theater) by Scotty Zacher

With Barbara Gaines at the directing helm, the powerful, entertaining performances of this cast roll over the few missteps mentioned. The production is a great chance to catch up on one of S…

SOURCE: Chicago Theater Beat at 2:12pm on November 2, 2014☆⚑

Review: The Frozen on the Square, 1982 (Akvavit Theatre) by Scotty Zacher

Akvavit Theatre once again mounts a challenging Nordic play and cultivates interesting moments that might not be obvious from a simple reading of the text. But this time they don't do quite …

SOURCE: Chicago Theater Beat at 12:39am on November 2, 2014☆⚑

Review: Whatever We Want (Vivarium Theatre) by Scotty Zacher

At its best, Megan Johns' new work Whatever We Want is a contemplative reflection on how early experiences shape who we become. But one needs to clear away the cliches and stock characters t…

SOURCE: Chicago Theater Beat at 7:15pm on November 1, 2014☆⚑

Review: Both Your Houses (Remy Bumppo Theatre) by Scotty Zacher

The prescient Both Your Houses attempts to skewer the sausage-making process of churning out legislation. But despite its inherent timeliness, the production has all drama of an 8th grade pr…

SOURCE: Chicago Theater Beat at 4:52pm on November 1, 2014☆⚑

Review: Bethany (The Gift Theatre) by Scotty Zacher

There's no doubt that Laura Marks' Bethany will strike a chord with a wide range of audiences. Answering the question of what seemingly good people are capable of doing when they are despera…

SOURCE: Chicago Theater Beat at 9:01pm on October 31, 2014☆⚑

Review: Amazing Grace (Broadway in Chicago) by Scotty Zacher

The producers have hired some of the best in the business and these actors and designers give us their "A" game. Nonetheless, a musical's gotta have music you want to hear again and again, a…

SOURCE: Chicago Theater Beat at 9:39pm on October 29, 2014☆⚑

Review: Bingo's Birthday (Emerald City Theatre) by Scotty Zacher

while aimed at small children, Bingo's Birthday never talks down to them. By approaching children with respect, this show is not only bearable for adults, but actually fun to witness. If you…

SOURCE: Chicago Theater Beat at 1:45pm on October 27, 2014☆⚑

Review: Hack/Slash (Strangeloop Theatre and Chemically Imbalanced Comedy) by Scotty Zacher

As a theatrical production, Hack/Slash needs both more and less. More elements that tie the story together, more violence, more action, and less drawn-out moments, transitions and dragging s…

SOURCE: Chicago Theater Beat at 7:02pm on October 26, 2014☆⚑

Review: Don Giovanni (Lyric Opera of Chicago) by Scotty Zacher

Technically flawless and, of course, brilliantly composed, Don Giovanni ranks near the top of any opera lover's must-see list. This production is a luscious interpretation from vocals to vis…

SOURCE: Chicago Theater Beat at 9:44pm on October 24, 2014☆⚑

Review: Swan Lake (Joffrey Ballet Chicago) by Scotty Zacher

Sumptuous, unexpected and breathtaking, Joffrey Ballet's Swan Lake is a sublimely executed and unexpected interpretation of the classic ballet. In Christopher Wheeldon's telling of the tragi…

SOURCE: Chicago Theater Beat at 9:14am on October 23, 2014☆⚑

Review: The Wild Party (Bailiwick Chicago) by Scotty Zacher

Bailiwick's revival of Michael John LaChiusa's The Wild Party succeeds in doing what a great party should do - you leave exhilarated, excited, and more than a little exhausted. Director-chor…

SOURCE: Chicago Theater Beat at 9:37pm on October 20, 2014☆⚑

Review: John Doe (Trap Door Theatre) by Scotty Zacher

Trap Door Theatre's John Doe is a remarkable effort, one an uninitiated audience in avant-garde can enjoy. Though the production is decidedly imperfect, it's oddly compelling and represents …

SOURCE: Chicago Theater Beat at 6:55pm on October 18, 2014☆⚑
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