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6,591 stories from Stage and Cinema

Los Angeles Theater Review: ALL MY SONS (Matrix Theatre) by Barnaby Hughes

AN ANACHRONISTIC LOOK AT RACE IN AMERICA There’s no doubt that Arthur Miller’s 1947 play All My Sons is an astonishing piece of theatre. Not only is the writing brilliant, but th…

SOURCE: Stage and Cinema at 10:44am on October 28, 2011

Los Angeles Theater Review: PEACE IN OUR TIME by Noël Coward (Antaeus Company at Deaf West Theatre " "Stubbs Special" Cast) by Tony Frankel

A COWARD IN PEACETIME [Undelivered letter to Noël Coward discovered in North Hollywood:] My Darling Noël: Sir Anthony here, writing to you from the palm-drenched regions of Los Angeles…

SOURCE: Stage and Cinema at 7:12pm on October 27, 2011

Off Broadway Theater Review: ASUNCION (Rattlestick Playwrights Theater @ Cherry Lane) by Thomas Antoinne

ASUNCION DESCENDING Conventional wisdom in Hollywood says that after you get an Oscar nomination, for the next five years everyone will return your phone calls.  It seems Jesse Eisenberg …

SOURCE: Stage and Cinema at 10:47am on October 27, 2011

Los Angeles Theater Review: GROUNDLINGS SCIENCE FAIR (The Groundlings Theatre) by Tony Frankel

THIS FAIR IS JUST THAT: FAIR Science Fairs are an opportunity for students to apply scientific methods to an experiment and present them at a competition. The best way to take first prize fr…

SOURCE: Stage and Cinema at 9:46am on October 27, 2011

Los Angeles Theater Review: BUSTING OUT! (The Hayworth Theatre) by John Topping

THE REALLY BIGGIE TITTY COMMITTEE What's the first thing that comes to mind when you're told that you're going to see a show with two women (Emma Powell and Mandi Lodge) who are going to dis…

SOURCE: Stage and Cinema at 8:15pm on October 22, 2011

Bay Area Theater Review: BELLWETHER (Marin Theatre Company in Mill Valley) by Stacy Trevenon

AN UNFORGETTABLE FAIRY TALE FOR GROWN-UPS Just in time for Halloween, Marin Theatre Company’s Bellwether takes its audiences into a deliciously spooky fairy tale world they won’t…

SOURCE: Stage and Cinema at 7:43pm on October 22, 2011

Los Angeles Theater Review: THE ROBBER BRIDEGROOM (International Center Theatre in Long Beach) by Tony Frankel

A BRIDEGROOM ROBBED OF ITS CHARM Anxiously anticipating The Robber Bridegroom at International City Theatre (ICT), I felt like an excited bride who had already slept with her soon-to-be husb…

SOURCE: Stage and Cinema at 9:38pm on October 21, 2011

Off Broadway Theater Review: THE DUMB WAITER (National Asian American Theater Company) by Victoria Linchong

WAITING FOR PINTER National Asian American Theater Company (NAATCO) takes a steampunk spin on The Dumb Waiter, Harold Pinter's classic absurdist thriller.  Director Andrew Pang makes grea…

SOURCE: Stage and Cinema at 8:31pm on October 21, 2011

Chicago Theater Review: FOLLIES (Chicago Shakespeare Theater) by Tony Frankel

'TIS FOLLY TO OVERPRAISE FOLLIES The buzz in the lobby of Chicago Shakespeare Theater (CST) on opening night of Stephen Sondheim's landmark 1971 musical Follies was palpable; people from aro…

SOURCE: Stage and Cinema at 7:43pm on October 21, 2011

Off Broadway Theater Review: SONS OF THE PROPHET (Roundabout at Laura Pels Theatre) by Thomas Antoinne

LOVE, FONTANA, COMPASSION One of the joys of seeing theatre in New York City Off Broadway is that, every so often, you get to see a special star-of-the-future appear in the firmament and wat…

SOURCE: Stage and Cinema at 4:51pm on October 21, 2011

Off Broadway Theater Interview: SANTINO FONTANA in SONS OF THE PROPHET (Roundabout's Laura Pels Theatre) by Gregory Fletcher

HIS BRILLIANT CAREER (SO FAR) Still in his twenties, Santino Fontana has performed in quite a respectable number of productions that many actors would hope to accomplish in a life time:  …

SOURCE: Stage and Cinema at 4:51pm on October 21, 2011

Regional Theater Review: MIXTAPE (Lamb's Players Theatre at Horton Grand Theater in San Diego) by Milo Shapiro

A SWEET TRIP BACK IN TIME Some shows really make you think.  Others are designed to move you to tears.  And then there’s miXtape, which is pretty much two full hours of cleverly-…

SOURCE: Stage and Cinema at 3:09am on October 20, 2011

Off Broadway Theater Review: BAIT N' SWISH (Stage Left Studio) by Gary Larcan

GAYER TUNA In "Bait" " the first of the two interconnected one-acts in Bait n' Swish " we meet Charlie and Justin, best friends looking for Mr. Right at Gay Bait, a gay speed-dating event in…

SOURCE: Stage and Cinema at 2:42am on October 20, 2011

Chicago Theater Review: THE DOYLE AND DEBBIE SHOW (The Royal George Theatre) by Dan Zeff

COUNTRY MUSIC PARODY BETTER THAN COUNTRY MUSIC ITSELF Country music can be whiney, right wing, corny, and macho. In the case of The Doyle and Debbie Show, it is also hilarious. I am no lover…

SOURCE: Stage and Cinema at 11:34pm on October 18, 2011

Chicago Theater Review: BUS STOP (The Raven Theatre) by Dan Zeff

CHARACTER PORTRAYALS BRING BUS STOP TO LIFE William Inge was a hot American playwright during the 1950's, but in the turbulent 1960's and beyond, his realistic studies of small town Midweste…

SOURCE: Stage and Cinema at 11:27pm on October 18, 2011

Off Broadway Theater Review: BLAME IT ON BECKETT (Abingdon Theatre Company) by Charles Day

INTERN(AL) AFFAIRS We all know that having sexual relations with an intern will get you in a heap of trouble, be it in the Oval Office or at a fictitious regional theatre company. Blame It O…

SOURCE: Stage and Cinema at 9:17pm on October 17, 2011

Chicago Theater Review: CLYBOURNE PARK (Steppenwolf Theatre) by Tony Frankel

TWO PLAYS IN ONE What is the purpose of theater? Some say that it is to reflect reality while being entertaining, enlightening, and/or educating. Yet when Shakespeare wrote that theatre is d…

SOURCE: Stage and Cinema at 8:33pm on October 17, 2011

Chicago Theater Review: THE SHADOW OF A GUNMAN (Seanachaí Theatre Company at the Irish American Heritage Center) by Tony Frankel

THE SHADOW OF A GREAT PLAY The birth of the Irish Republic occurred around Dublin in 1916. Aiming to end British rule, Irish Volunteers staged an insurrection known as the Easter Rising, a r…

SOURCE: Stage and Cinema at 11:29pm on October 15, 2011

Bay Area Theater Review: ONCE IN A LIFETIME (American Conservatory Theatre in San Francisco) by Stacy Trevenon

ONCE IN A LIFETIME IS A ROMP FOR AN ERA When the "talkies" trumpeted a new era in American living rooms, a bevy of entertainers stampeded to get in on the ground floor of this opportunity, a…

SOURCE: Stage and Cinema at 6:21pm on October 15, 2011

Los Angeles Theater Review: THE DINOSAUR WITHIN (The Theatre @ Boston Court) by Sarah Taylor Ellis

ACCESS YOUR INNER DINOSAUR The Dinosaur Within digs up some curious storylines, but these fragments fail to cohere into a compelling narrative. In its West Coast premiere at Boston Court, Jo…

SOURCE: Stage and Cinema at 4:27pm on October 13, 2011

Los Angeles Theater Review: I'VE NEVER BEEN SO HAPPY (The Rude Mechs) by Sarah Taylor Ellis

A WILD WEST PARTY IN CULVER CITY The Rude Mechs' I've Never Been So Happy works overtime to please. This Western extravaganza spills into the Kirk Douglas Theater's lobby for an interactive …

SOURCE: Stage and Cinema at 4:25pm on October 12, 2011

Los Angeles Theater Review: IRIS (Cirque du Soliel) by Barnaby Hughes

CIRQUE DU CINEMA When Quebec-based artistic troupe Cirque du Soleil creates a new resident production, they typically design the building to fit the show. Not so with Cirque du Soleil’…

SOURCE: Stage and Cinema at 3:28pm on October 12, 2011

Chicago Theater Review: THE REAL THING (Writers' Theatre in Glencoe) by Tony Frankel

WHO IS TO SAY WHAT IS REAL? Tom Stoppard is the thinking person's playwright. Ever since his breakout hit Rosencrantz and Guildenstern are Dead in 1967, the erudite scribe has been earmarked…

SOURCE: Stage and Cinema at 5:51pm on October 11, 2011

Chicago Theater Review: SNAPSHOTS: A MUSICAL SCRAPBOOK (Northlight Theatre in Skokie) by Tony Frankel

WHAT WE FIND IN THE ATTIC IS A CASE OF THE CUTES It was a privilege to witness Snapshots: A Musical Scrapbook at Northlight Theatre, for this reviewer has never seen anything like it before.…

SOURCE: Stage and Cinema at 5:37pm on October 11, 2011

Chicago Theater Review: BRAND by Henrik Ibsen (Red Tape Theatre Company at St. James Episcopal Church) by Tony Frankel

LITERATURE NOT MEANT TO BE STAGED Halfway through the first act of Brand at Red Tape theatre, it occurred to me that I had no idea what was going on. First of all, it can be argued that Henr…

SOURCE: Stage and Cinema at 5:19pm on October 11, 2011
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