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6,591 stories from Stage and Cinema

Chicago/National Tour Theater Review: MEMPHIS (Cadillac Palace Theatre) by Dan Zeff

MEMPHIS PROVIDES RHYTHM BUT ULTIMATELY GIVES YOU THE BLUES Kicking off its national tour, Memphis blew into Chicago trying to sell itself as a romping, stomping celebration of rhythm and blu…

SOURCE: Stage and Cinema at 11:31am on November 25, 2011

Chicago Theater Review: THE JACKIE WILSON STORY (Black Ensemble Theater) by Dan Zeff

THE JACKIE TAYLOR STORY TAKES PRECEDENCE OVER THE JACKIE WILSON STORY Jackie Taylor is a happy lady these days, and everyone with a fondness to Chicagoland theater should rejoice with her. T…

SOURCE: Stage and Cinema at 11:07pm on November 22, 2011

Chicago Theater Review: SEASON'S GREETINGS (Northlight Theatre in Skokie) by Dan Zeff

HO HO HUM Alan Ayckbourn's Season's Greetings is an anti-holiday-cheer comedy which should be appropriate for audiences ready for an excursion into the dark side of the Christmas season. The…

SOURCE: Stage and Cinema at 10:54pm on November 22, 2011

Chicago Theater Review: AN ILIAD (Court Theatre) by Dan Zeff

A HOMER RUN One-actor shows are by their nature demanding, but Timothy Edward Kane's volcanic storytelling in An Iliad is a stunning marvel. This retelling of the famous epic The Iliad " att…

SOURCE: Stage and Cinema at 10:48pm on November 22, 2011

Los Angeles Theater Review: I LOVE LUCY®: LIVE ON STAGE (Greenway Court Theatre) by Jeanne Hartman

BLACK AND WHITE MEMORIES IN LIVING COLOR Whether you had viewed the original airings of I Love Lucy®: Live On Stage or discovered the show during the thousands of reruns, it is undeniable…

SOURCE: Stage and Cinema at 10:36pm on November 22, 2011

Los Angeles Theater Review: BABY DOLL (Elephant Theatre Company) by Barnaby Hughes

A TENNESSEE WILLIAMS CARICATURE A number of theatres in Los Angeles have marked the 100th anniversary of Tennessee Williams’ birth by staging productions of his plays. Following upon t…

SOURCE: Stage and Cinema at 10:31pm on November 22, 2011

Los Angeles Theater Review: HOSEA NOVA: A JEALOUS AND VIOLENT MAN (Zombie Joe's Underground Theatre Group) by Harvey Perr

THE BLIND LEADING THE HALF BLIND “It’s The Devils meets Marat/Sade.” someone said to me. “Yes,” I responded. “As performed by the Marx Brothers!” We…

SOURCE: Stage and Cinema at 8:20pm on November 19, 2011

Chicago Theater Review: THE BAKER'S WIFE (Circle Theatre) by Dan Zeff

STILL WAITING TO SEE IF THIS DOUGH WILL EVER RISE The Baker's Wife never made it to Broadway. The musical folded in Washington. D.C. in 1976 before reaching New York City but has since gaine…

SOURCE: Stage and Cinema at 7:53pm on November 19, 2011

Off Broadway Theater Reviews: KUTSUKAKE TOKIJIRO and SHE KILLS MONSTERS (both at The Flea) by Victoria Linchong

UPSTAIRS/DOWNSTAIRS AT THE FLEA The Flea Theater is currently providing New York theater audiences an interesting illustration of the cultural gap between Asian-Americans and Asians from Asi…

SOURCE: Stage and Cinema at 7:26pm on November 19, 2011

Chicago Theater Review: THE CARETAKER (Writers' Theatre in Glencoe) by Dan Zeff

TAKING CARE TO CREATE EXCELLENT THEATER The plot of Harold Pinters' The Caretaker is uncomplicated on the surface and densely complex in its subtexts; it is a melding of realism and theatre-…

SOURCE: Stage and Cinema at 6:57pm on November 19, 2011

Regional Theater Review: THE GREAT AMERICAN TRAILER PARK MUSICAL (San Diego Repertory Theatre at the Lyceum Theatre) by Milo Shapiro

CORNED BEEF TRASH The Great American Trailer Park Musical has a misleading superlative. The show mirrors A Tuna Christmas and Sordid Lives, in that it takes a humorous look at the goings-on …

SOURCE: Stage and Cinema at 6:39pm on November 19, 2011

Los Angeles Theater Reviews: AS IS, RADIANCE, and PEACE IN OUR TIME by Harvey Perr

SHORT TAKES ON CURRENT LOS ANGELES THEATER AS IT WAS: As Is, written by William M. Hoffman in 1984, when so many of our contemporaries were dying of the AIDS epidemic, still maintains its po…

SOURCE: Stage and Cinema at 8:37pm on November 18, 2011

Off Broadway Theater Review: BURNING (The New Group) by Thomas Antoinne

BURNING BRADSHAW Post-modern theater has yet to live up to the hype.  Whether deconstructing established forms or employing historical eclecticism, American playwrights writing within a p…

SOURCE: Stage and Cinema at 6:58pm on November 18, 2011

Off Broadway Theater Review: STANDING ON CEREMONY: THE GAY WEDDING PLAYS (Minetta Lane Theatre) by Gary Larcan

THE FEEL GAY HIT OF THE SEASON If you're pro gay marriage, come see this show.  If you're ambivalent on the topic, come see this show.  And if you're against gay marriage, come see thi…

SOURCE: Stage and Cinema at 6:37pm on November 18, 2011

Off Broadway Theater Review: HORSEDREAMS (Rattlestick Playwrights Theater) by Thomas Antoinne

HORSEDREAMS AND NIGHTMARES A few years ago, Dael Orlandersmith made a splash with Beauty's Daughter and Yellowman, winning an Obie Award and being a Pulitzer Finalist.  Her work was large…

SOURCE: Stage and Cinema at 3:01pm on November 18, 2011

Off-Broadway Interview: TOM WOJTUNIK, director of IT IS DONE by Gregory Fletcher

WOJTUNIK IS FAR FROM DONE You're in Times Square for a night of theater.  You turn down 47th Street and pass the Ethel Barrymore Theatre where An Evening With Patti LuPone and Mandy Patin…

SOURCE: Stage and Cinema at 12:54am on November 18, 2011

Off Broadway Theater Review: A MAD PERSON'S CHRONICLE OF A MISERABLE MARRIAGE (Stage Left Studio) by John Topping

WAR, BUT NO PEACE John Andert so captivates the audience in Sinan Ünel's play A Mad Person's Chronicle of a Miserable Marriage that you don't want the play to end.  Whether he is the d…

SOURCE: Stage and Cinema at 10:50am on November 17, 2011

Off Broadway Interview: SINAN ÜNEL " writer and director of A MAD PERSON'S CHRONICLE OF A MISERABLE MARRIAGE by Gregory Fletcher

THE LONG TERM RELATIONSHIPS OF SINAN ÜNEL AND LEO TOLSTOY Cheryl King's intimate Stage Left Studio on Manhattan's West 30th Street specializes in showcasing one-to-two-person plays.  T…

SOURCE: Stage and Cinema at 12:54am on November 17, 2011

Los Angeles Theater Review: THE ROMANCE OF MAGNO RUBIO ([Inside] the Ford) by Barnaby Hughes

A FOOL-IPINO FOR LOVE Just as the "problem" of immigration continues to be debated by our politicians, so does it continue to be presented in our theaters. Earlier this year, in the springti…

SOURCE: Stage and Cinema at 11:42pm on November 16, 2011

Los Angeles Theater Review: THE COMEDY OF ERRORS (Shakespeare's Globe Theatre at The Broad Stage in Santa Monica) by Tony Frankel

AN ERROR IN COMEDY One of Shakespeare's earliest plays, The Comedy of Errors, is also his shortest and most farcical. In fact, while scholars argue over the classification of other Bard work…

SOURCE: Stage and Cinema at 3:30pm on November 15, 2011

LA/National Tour Theater Review: BRING IT ON: THE MUSICAL (Ahmanson Theatre) by Sarah Taylor Ellis

PREPPY IS THE NEW SUBVERSIVE When the development of Bring It On: The Musical was announced, I rolled my eyes. The commercial viability of yet another mediocre movie-to-musical had lured Ton…

SOURCE: Stage and Cinema at 12:04pm on November 15, 2011

Broadway Theater Reviews: RELATIVELY SPEAKING and THE MOUNTAINTOP by Harvey Perr

THEATER IN NEW YORK: THE ACTING’S THE THING (BROADWAY) You may go to see Relatively Speaking in the hope of seeing three bright comedies by some of our funniest comic writers – E…

SOURCE: Stage and Cinema at 10:32pm on November 12, 2011

Regional Theater Review: CHITA RIVERA: MY BROADWAY (Samueli Theatre at Segerstrom Center for the Arts in Costa Mesa) by Tony Frankel

QUEEN OF THE GYPSIES It's a relief that Chita Rivera, one of the last great holdovers from the Golden Age of Broadway still performing today, told the audience in Costa Mesa that she doesn't…

SOURCE: Stage and Cinema at 7:49pm on November 12, 2011

Chicago Theater Review: ASSISTED LIVING (Profiles Theatre Second Stage) by Dan Zeff

PROFILES OF A DREARY EXISTENCE The Profiles Theatre has carved out an essential niche for itself on the local Chicagoland theater scene with sexy, violent, and edgy modern dramas. Recently, …

SOURCE: Stage and Cinema at 6:21pm on November 12, 2011

Chicago Theater Review: MAESTRO: THE ART OF LEONARD BERNSTEIN (Royal George Theatre) by Dan Zeff

BERNSTEIN IN SOME OF HIS GLORY Older spectators will remember Leonard Bernstein not just as a conductor, composer, and pianist, but as one of the most vivid personalities and astonishingly e…

SOURCE: Stage and Cinema at 1:50pm on November 12, 2011
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