DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

Las Vegas Theater Review: ABSINTHE (Caesars Palace) by Dan Zeff

DRINK PLENTY OF ABSINTHE BEFORE YOU ATTEND THIS FRAT PARTY Absinthe " an uneasy cross between terrific variety acts and a stag party " takes place near the entrance to Caesars Palace Hotel, …

SOURCE: Stage and Cinema at 1:35am on January 23, 2012

Las Vegas / National Tour Theater Review: MICHAEL JACKSON THE IMMORTAL WORLD TOUR by Dan Zeff

OH, WHAT FOOL THIS IMMORTAL BE After a short run in Las Vegas, Cirque du Soleil's Michael Jackson THE IMMORTAL World Tour begins its 48-city North American excursion that will last through A…

SOURCE: Stage and Cinema at 1:28am on January 23, 2012

Las Vegas Theater Review: V " THE ULTIMATE VARIETY SHOW (V Theater at Planet Hollywood Resort) by Dan Zeff

A VIRTUAL VOLCANO OF VISCERALLY VIVACIOUS VARIETY Not every rewarding entertainment experience in Las Vegas tries to blow audiences' minds with a massive cast, dazzling special effects, and …

SOURCE: Stage and Cinema at 1:19am on January 23, 2012

Los Angeles Theater Review: OUR TOWN (The Broad Stage in Santa Monica) by Tony Frankel

THE VALUE IN SIMPLICITY The purposefully simplistic proceedings of David Cromer's production of Our Town may seem bold and innovative to some, especially to those weaned on Broadway spectacl…

SOURCE: Stage and Cinema at 5:12pm on January 22, 2012

Los Angeles Theater Review: RED HOT PATRIOT: THE KICK-ASS WIT OF MOLLY IVINS (Geffen Playhouse) by Harvey Perr

WILL THE REAL MOLLY IVINS PLEASE STAND UP? Molly Ivins was a ballsy Texas-based reporter who became a legend in her own time by calling a spade a spade (or, more succinctly, calling George W…

SOURCE: Stage and Cinema at 11:21pm on January 21, 2012

Los Angeles Theater Review: JACKIE FIVE-OH! (The Renberg Theatre at the L.A. Gay & Lesbian Center) by Tony Frankel

OWNING HER INNER KVETCH In Michael Wex's treatise Born to Kvetch, he asserts that Kvetching (complaining) is not only a pastime for Jews " it's a way of life. Kvetching can be applied indiff…

SOURCE: Stage and Cinema at 2:24pm on January 21, 2012

Los Angeles Theater Review: O(H) (casebolt and smith) by Sarah Taylor Ellis

NOT YOUR ORDINARY EVENING OF DANCE Liz Casebolt and Joel Smith's long-term friendship shapes their every move as a duo dance company. Such a partnership between a straight woman and gay man …

SOURCE: Stage and Cinema at 1:07am on January 20, 2012

Los Angeles Theater Review: THE BEAUTY QUEEN OF LEENANE (The Production Company) by Tony Frankel

BLACK COMEDY AND KITCHEN SINK DRAMA: AN IRISH STEW While the horror and suspense merely simmer in The Beauty Queen of Leenane " Martin McDonagh's 1996 black comedy " the dark humor, bleaknes…

SOURCE: Stage and Cinema at 11:53pm on January 18, 2012

Los Angeles Theater Review: TROILUS AND CRESSIDA (Porters of Hellsgate) by Jason Rohrer

WARLIKE FROTTAGE The Porters of Hellsgate’s production of Shakespeare’s Trojan War essay, Troilus and Cressida, begins promisingly.  A shifting tableau establishes characters …

SOURCE: Stage and Cinema at 11:11pm on January 18, 2012

Off Broadway Theater Review: KISSING SID JAMES (Brits Off Broadway at 59E59) by Sarah Taylor Ellis

THE SOUND OF TWO BRITS KISSING Stationary sales executive Eddie and sexy casino worker Crystal fumble through their first weekend trip together in Robert Farquhar's Kissing Sid James. This p…

SOURCE: Stage and Cinema at 6:11pm on January 6, 2012

Bay Area Theater Review: THE WILD BRIDE (Berkeley Repertory Theatre) by Tony Frankel

GO TO THE DEVIL Within the manifesto of Kneehigh " an avant-garde, world-class theater company based in Cornwall, England " is a simple but mighty statement: Kneehigh tells stories.  By r…

SOURCE: Stage and Cinema at 12:58pm on January 6, 2012

Off Broadway Theater Review: APOLOGIES (AND OTHER GREY AREAS) (The Paper Industry) by Sarah Taylor Ellis

OUR APOLOGIES FOR TELLING YOU TOO LATE Something is happening in New York theater. With their latest "ugly opera" Apologies (And Other Grey Areas), The Paper Industry explores the uncertaint…

SOURCE: Stage and Cinema at 5:52pm on December 23, 2011

National Tour Theater Review: FELA! (starting at the Ahmanson Theatre in Los Angeles)) by Harvey Perr

SING A SONG OF AFRICA Fela! is a scorcher. On these chilly nights in December and January, everyone (with a vested interest in the continuing power of musical theater) should retreat to the …

SOURCE: Stage and Cinema at 2:34pm on December 18, 2011

Regional Theater Review: SOME LOVERS (The Old Globe in San Diego) by Tony Frankel

ALL I WANT FOR CHRISTMAS IS A GOOD STORY After winning two Tony awards in 2007 for book and lyrics of Spring Awakening, Steven Sater teamed up with the one-and-only Burt Bacharach to write s…

SOURCE: Stage and Cinema at 2:38pm on December 16, 2011

Off Broadway Theater Review: THE MYTHS WE NEED " OR " HOW TO BEGIN (Purple Rep) by Sarah Taylor Ellis

ONE OF MANY GENESIS STORIES TO COME Creating a fresh twist on the Biblical tale of Adam and Eve is no small feat. Unfortunately, Larry Kunofsky's The Myths We Need – or – How to …

SOURCE: Stage and Cinema at 2:02pm on December 13, 2011

Chicago Theater Review: PENELOPE (Steppenwolf Theatre) by Tony Frankel

SUITORS SUIT ILL-FITTING SUITS Enda Walsh, scribe of The Walworth Farce and The New Electric Ballroom, is one of the great polarizing writers in modern theater:  his admirers love the Eng…

SOURCE: Stage and Cinema at 4:37pm on December 12, 2011

Chicago Theater Review: ELIZABETH REX (Chicago Shakespeare Theater) by Dan Zeff

MEET THE QUEEN Timothy Findley's Elizabeth Rex confines Queen Elizabeth I and William Shakespeare inside a royal barn one wintry night in February 1601.  The placement of the two most lum…

SOURCE: Stage and Cinema at 12:42pm on December 9, 2011

Los Angeles Theater Review: THE NIGHT WATCHER (Kirk Douglas Theatre) by Harvey Perr

TELL US A STORY, AUNTIE CHARLAYNE If I were a child, I would want Auntie Charlayne to tuck me in and tell me a story. Why? Because Auntie Charlayne "  that’s Charlayne Woodard " …

SOURCE: Stage and Cinema at 1:12am on December 4, 2011

Chicago Theater Review: IT'S A WONDERFUL LIFE (American Theater Company) by Dan Zeff

IT'S A WONDERFUL PRODUCTION A stage adaptation of the movie classic It's a Wonderful Life premiered in Connecticut in 1997 and, before long, the adaptation became a staple of the regional th…

SOURCE: Stage and Cinema at 12:57am on December 4, 2011

Chicago Theater Review: A CHRISTMAS CAROL (Goodman Theatre) by Dan Zeff

A CAROL FOR THE PAST, PRESENT, AND FUTURE The Goodman Theatre is the custodian of the most popular tradition in Chicagoland holiday entertainment, Charles Dickens' A Christmas Carol. The 201…

SOURCE: Stage and Cinema at 12:52am on December 4, 2011

Los Angeles Theater Review: DESIRE UNDER THE ELMS (A Noise Within) by Harvey Perr

TWISTED LITTLE PASSIONS IN THE SUBURBS Now that A Noise Within "  the Southern California repertory theater company dedicated to the classics " has gotten a snazzy new suburban theater in…

SOURCE: Stage and Cinema at 12:48am on December 4, 2011

Los Angeles/Chicago Theater Review: Joffrey Ballet's THE NUTCRACKER (Dorothy Chandler Pavilion in LA; Auditorium Theatre of Roosevelt University in by John Topping

EVEN WITH A FEW CRACKS, THIS HOLIDAY CHESTNUT STILL DELIGHTS It is a testament to the vision of Robert Joffrey that his 1987 version of Pyotr Illyich Tchaikovsky's perennial ballet The Nutcr…

SOURCE: Stage and Cinema at 5:04pm on December 3, 2011

Broadway Tickets by John Topping

Theatergoers buying Broadway Tickets can find valuable information on Broadway shows in The Stage and Cinema Guide to Theatergoing in New York.

SOURCE: Stage and Cinema at 3:06pm on December 2, 2011

Upcoming Los Angeles Theater: ALLEGRO (Perpetual Surrey at the Met Theatre in Hollywood " One Night Only) by Tony Frankel

UNAPPRECIATED MASTERPIECE OR ABJECT FAILURE? Richard Rodgers and Oscar Hammerstein began the Golden Era of Broadway with two musicals that reimagined the previous form of musical comedies " …

SOURCE: Stage and Cinema at 10:55am on December 1, 2011

Chicago Theater Review: CHANGES OF HEART (presented by Remy Bumppo at Greenhouse Theater Center) by Dan Zeff

THE 1700s MEET THE 60s Back in the early 1700's, Pierre Marivaux was a major playwright in France, but his romantic comedies never made much of an impact on the American stage until the 1990…

SOURCE: Stage and Cinema at 11:30am on November 30, 2011
« Previous 25   Page 254 of 264   Next 25 »