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3,488 stories from The Arts Desk

4000 Miles, Chichester Minerva Theatre, review - brilliant Atkins in a tender play by Ismene Brown

4000 MILES, CHICHESTER Brilliant Eileen Atkins at 88 in a tender, classy play A classy evening with authentic characters and Dame Eileen in a transparent blouse Of all the theatrical dames, …

SOURCE: The Arts Desk at 7:18am on May 13, 2023

The Circle, Orange Tree Theatre review - acerbic reflections on the price paid for love by Gary Naylor

★★★★ THE CIRCLE, ORANGE TREE THEATRE Acerbic reflections on the price paid for love Jane Asher leads an ensemble cast in Somerset Maugham's comedy of manners Tom Lit…

SOURCE: The Arts Desk at 5:18am on May 12, 2023

Operation Mincemeat, Fortune Theatre review - high-octane musical comedy hits the big time by Helen Hawkins

Five actors plus loads of silly hats and accents add up to a hilarious evening It's back yet again, Operation Mincemeat, a gift of a story that goes on giving. It surfaced as the 1956 film T…

SOURCE: The Arts Desk at 6:12am on May 11, 2023

Ghosts, Abbey Theatre, Dublin review - creating tension from desolation by David Nice

Cathy Belton's devastating economy steers Mark O'Rowe's quietly stunning Ibsen Church and law are enemies of promise in Ibsen's tragedy-without-catharis. You can see why this devastating att…

SOURCE: The Arts Desk at 7:06am on May 10, 2023

Gravity & Other Myths: Out of Chaos, Brighton Festival 2023 review - eye-boggling acrobatics by Thomas H. Green

Australian circus troupe combine high art presentation with a few laughs With acrobatics at this level, they make it all look so easy, it's possible for an audience to become complacent.

SOURCE: The Arts Desk at 6:06am on May 10, 2023

The Motive and the Cue, National Theatre review - theatrical titans face off by Matt Wolf

Play about a onetime Broadway smash surely has Broadway in its sights Plays about the theatre are many and varied, from Gypsy and Noises Off to the numerous Shakespeare works that absorb the…

SOURCE: The Arts Desk at 10:18am on May 8, 2023

August in England, Bush Theatre review - Lenny Henry monologue lands a painful one-two by Helen Hawkins

The Windrush scandal embodied with wrenching power Reggae hits are already playing over the speaker system at the Bush when the audience enters, some jigging to the sounds as they find their…

SOURCE: The Arts Desk at 2:36am on May 8, 2023

The Vortex, Chichester Festival Theatre, review - naturalism clogs up Coward's pipes by Ismene Brown

★★THE VORTEX, CHICHESTER Coward's drama about damaged mother and son needs Dyno-rodding Noel Coward's play about damaged mother and son needs Dyno-rodding Sometimes I go outsi…

SOURCE: The Arts Desk at 9:18am on May 5, 2023

It's a Motherf**king Pleasure, Soho Theatre review - disability-led comedy hits hard by Gary Naylor

FlawBored's meta-theatrical show comforts and then goes in for the kill Just when you've relaxed a little, privileged duly checked and confident that you won't be guilt-tripped for nipping i…

SOURCE: The Arts Desk at 4:48am on May 1, 2023

A Play for the Living in a Time of Extinction, Barbican Theatre review - eco-touring play doesn't travel well by Helen Hawkins

Bizarre directorial choices derail the play's serious content There was a jolting eco-themed work onstage in London recently, but sadly A Play for the Living in a Time of Extinction, a Headl…

SOURCE: The Arts Desk at 3:36am on April 29, 2023

Jules and Jim, Jermyn Street Theatre review - a bohemian love triangle ends badly by Gary Naylor

Classy new stage adaptation of 1950s French novel proves intellectually rewarding It's apt that this new play, with characters moving in and out of Paris either side of World War I, is stag…

SOURCE: The Arts Desk at 6:42am on April 27, 2023

Dixon and Daughters, National Theatre review - cold discomfort harm by Aleks.sierz

Trauma play about domestic abuse raises questions about the role of theatre Men are bastards. Okay, not all of us, but enough to make the lives of millions of women a misery. This we know, …

SOURCE: The Arts Desk at 4:36pm on April 26, 2023

The Secret Life of Bees, Almeida Theatre review - stirringly delivered musical about civil rights by Helen Hawkins

Lynn Nottage and a faultless cast offer a story that's a hymn to hope The cast of The Secret Life of Bees first parade onto the Almeida stage hefting big glass storage jars full of a golden …

SOURCE: The Arts Desk at 3:54am on April 25, 2023

The Good Person of Szechwan, Lyric Hammersmith review - wild ride in hyperreality slides by by Gary Naylor

Frenetic take on Brecht's tale of doing good in a bad world loses focus As the UK undergoes yet another political convulsion, this time concerning the threshold for ministers being shitty to…

SOURCE: The Arts Desk at 4:54am on April 24, 2023

Dancing at Lughnasa, National Theatre review - largely ravishing Brian Friel revival by Matt Wolf

Modern-day classic returns to the building where it was first seen in London It's saying a lot when a production lives up to its gasp-inducing set. That's the happy case with Josie Rourke's …

SOURCE: The Arts Desk at 3:48am on April 24, 2023

The Meaning of Zong, Barbican review - didactic tale based on the 1781 massacre of 132 slaves by Helen Hawkins

Giles Terera delivers a dramatic lecture on the legacy of slavery There's a moment in the opening stretch of Giles Terera's The Meaning of Zong where you think the former Hamilton star has …

SOURCE: The Arts Desk at 8:12am on April 22, 2023

Ain't Too Proud, Prince Edward Theatre review - Temptations musical is none too tempting by Gary Naylor

American show is lost in the West End with only the hits to save it Ain't Too Proud? Ain't too good either I'm afraid. Which is a shame as there's plenty of the raw material here that powers…

SOURCE: The Arts Desk at 6:06am on April 22, 2023

Private Lives, Donmar Warehouse review - Coward revival cuts to the quick by Matt Wolf

Comedy classic plays up the pain that comes with pleasure It's not often with Private Lives that you feel Amanda and Elyot are one step away from a visit to A&E. But such is the startli…

SOURCE: The Arts Desk at 8:12am on April 20, 2023

Life is a Dream, Cheek by Jowl, Barbican Theatre review - savouring the Spanish of a singular masterpiece by David Nice

A suitably phantasmagoical vision in strong teamwork by Calderón's compatriots Dream versus reality, fate and free will, love and death, nature versus nurture: they're all here in Calder�…

SOURCE: The Arts Desk at 6:12am on April 15, 2023

Vardy v Rooney: The Wagatha Christie Trial, Ambassadors Theatre review - courtroom drama hits the back of the net by Veronica Lee

Sparky adaptation of legal spat "Wagatha Christie" " I salute the bright spark who coined the term " describes, for those who don't follow such fripperies, the social media spat between foot…

SOURCE: The Arts Desk at 7:36pm on April 12, 2023

The Dry House, Marylebone Theatre review - fine performances in Irish three-hander by Helen Hawkins

Eugene O'Hare treads familiar ground with his confessional about alcoholism Eugene O'Hare's The Dry House is the kind of spare but oddly lyrical three-hander that would have made a good Wedn…

SOURCE: The Arts Desk at 5:06am on April 8, 2023

Betty Blue Eyes, Union Theatre review - musical revival pigs out on nostalgia by Gary Naylor

New production of the West End show based on the Alan Bennett film is perhaps near its sell-by date People can't find the food they want in the shops. Nobody has enough money. Public service…

SOURCE: The Arts Desk at 6:24am on April 7, 2023

First Person: playwright Joe White on how he came to write his Hampstead Theatre hit by Joe White

Olivier-nominated two-hander resumes performances at the Hampstead, this time promoted to the mainstage Before I knew " or realised " I wanted to write about alcoholism in my pl…

SOURCE: The Arts Desk at 6:24am on April 7, 2023

Sea Creatures, Hampstead Theatre review " mysterious and allusive by Aleks.sierz

New play about family trauma and loss is an experiment in poetic drama Is it possible to successfully challenge naturalism in British theatre today? At a time when audiences crave feelgood d…

SOURCE: The Arts Desk at 4:18pm on April 6, 2023

A Little Life, Harold Pinter Theatre review - unrelenting trauma by Aleks.sierz

Ivo van Hove's stage version of Hanya Yanagihara's bestseller is a real misery fest Wow! James Norton naked! Wow! New play by Ivo van Hove. Wow! It's four hours long. Wow! Wow! Wow! The much…

SOURCE: The Arts Desk at 1:03am on April 6, 2023
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