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35,709 stories from The Guardian

A Russian view of Patriots, Peter Morgan's play about Boris Berezovsky by Alex Goldfarb

As someone who knew Boris well, I can say Tom Hollander's portrayal of the oligarch who fled Putin is accurate and brilliant Russia's invasion of Ukraine has elevated Vladimir Putin from the…

SOURCE: The Guardian at 11:18am on July 15, 2022

No joke! Edinburgh festival satirists race to keep up with events by Nadia Khomami Arts and Culture Correspondent

Dramatic resignation of Boris Johnson and subsequent leadership race prove a challenge for standup comedians 'People are taking their comedians seriously, and their politicians as a joke," t…

SOURCE: The Guardian at 11:18am on July 15, 2022

True West review " Sam Shepard's fraternal face-off gains new resonance by Helen Meany

Town Hall theatre, GalwaySteppenwolf's staging at Galway International Arts festival has a smart political and racial awareness as it unpicks the American myth Sam Shepard's story of two war…

SOURCE: The Guardian at 8:03am on July 15, 2022

Rhod Gilbert announces he is being treated for cancer by Nadeem Badshah

Welsh comedian becomes patient at Velindre Cancer Centre in Cardiff, where he is a patron Rhod Gilbert, the comedian and television presenter, has announced he is being treated for cancer. T…

SOURCE: The Guardian at 3:42am on July 15, 2022

'Horror and comedy were a saving grace': facing her anger gave Elf Lyons the last laugh by Elf Lyons

Scary movies can exorcise the audience's own demons but silliness can also help you process rage, says the comedian "Stop being hysterical!" "You are over-reacting!" "Put that watermelon dow…

SOURCE: The Guardian at 3:42am on July 15, 2022

Jack Absolute Flies Again review " wartime comedy of manners fails to take off by Arifa Akbar

Olivier theatre, LondonThe razor sharp social critique of the original is replaced by nostalgia and strained gags in this toothless transposition of The Rivals Jack Absolute is the comically…

SOURCE: The Guardian at 9:07pm on July 14, 2022

A Pretty Sh*tty Love review " powerful exploration of domestic abuse by Gareth LlÅ·r Evans

Theatr ClwydBoth actors excel in Katherine Chandler's fictionalised account of the attempted murder of a Swansea woman in 2015 Carl walks into a cafe in Swansea where Hayley works as a waitr…

SOURCE: The Guardian at 7:54am on July 14, 2022

Around the World in 80 Days review " Phileas Fogg's adventure goes alfresco by Mark Fisher

Pitlochry festival theatre, ScotlandA touch more peril might help an otherwise playful retelling of the Jules Verne voyage with a cast full of bounce and brio A big plus point in going outdo…

SOURCE: The Guardian at 6:48am on July 14, 2022

Peaky Blinders: The Rise review " immersed in a criminally flimsy plot by Arifa Akbar

Camden Garrison, LondonFans of the TV series may enjoy the period detail and atmosphere, but this immersive show is frustratingly light on story and drama It is 1921 and the Shelby clan have…

SOURCE: The Guardian at 2:33am on July 14, 2022

Patriots review " Peter Morgan's compelling study of Russian dissidence by Arifa Akbar

Almeida theatre, LondonTom Hollander stars as Boris Berezovsky in The Crown creator's new drama, which has a show-stealing performance by Will Keen as Vladimir Putin While the urgent real-li…

SOURCE: The Guardian at 7:03am on July 13, 2022

Bugsy Malone review " splurge guns at the ready for a twinkling revival by Miriam Gillinson

Theatre Royal BathWith charismatic performances and playful effects, Sean Holmes' slick touring production is escapist fun Here is a chance to press pause on the difficult business of being …

SOURCE: The Guardian at 7:03am on July 13, 2022

Never fear! Mo Willems' spectacularly unscary monster is gobbled up by kids by Miriam Gillinson

Manual Cinema's stage version of Leonardo the Terrible Monster is heading for the Edinburgh fringe " and its adaptors hope it inspires audiences to create their own creatures Mo Willems' chi…

SOURCE: The Guardian at 4:42pm on July 12, 2022

Avignon festival review " hit the timewarp gym and dive into a trippy Chekhov by Andrew Todd

There are epic and uneven shows from Olivier Py and Simon Falguières but Kirill Serebrennikov and Miet Warlop prove to be essential theatre voices The 2022 Avignon festival begins with show…

SOURCE: The Guardian at 8:03am on July 12, 2022

Celya AB: 'I got a couple of laughs and couldn't think about anything else for weeks' by Interview By Liam Pape

The standup on who makes her laugh, what she misses most about home, and learning to tune out bad advice from drunk people What is your new comedy show about?Moving from Paris to Birmingham …

SOURCE: The Guardian at 4:42am on July 12, 2022

Horrible Histories: Terrible Thames review " behold the poop deck! by Chris Wiegand

Tower Bridge Quay, LondonA teacher and his unruly student host a family tour of the capital's river with scatological gags and gory stories aplenty They've conquered cinema, telly and stages…

SOURCE: The Guardian at 4:42am on July 12, 2022

No strings attached: new wave of puppetry storming London's West End by Miriam Gillinson

Sophisticated productions of Life of Pi and 101 Dalmatians are pushing the art of puppetry into new and sometimes surprisingly dark directions The Olivier-award-winning puppets in the new st…

SOURCE: The Guardian at 5:42am on July 11, 2022

'Someone's making money but it's not us' " the comics spurning the Edinburgh fringe by Rachael Healy

Standups used to think they'd never make it if they didn't play the festival. But it's leaving many saddled with debt, stuck in squalid flats and even suicidal. Refuseniks tell us why they'r…

SOURCE: The Guardian at 2:24am on July 11, 2022

The Anarchist review " an innocent sense of humour amid political unrest by Miriam Gillinson

Jermyn Street theatre, LondonThe first winner of the Woven Voices prize for migrant playwrights is an open-hearted play that layers a Belarusian woman's past and present Leather jackets and …

SOURCE: The Guardian at 2:24am on July 11, 2022

Rebecca Humphries: 'I felt as if I had a voice again. Maybe one that mattered' by Michael Hogan

The actor's breakup with comedian Seann Walsh went viral after he cheated on her with his dance partner and she responded with a tweet. Now she's written an unflinching, very funny memoir Re…

SOURCE: The Guardian at 7:42am on July 10, 2022

The week in theatre: The Seagull; The Southbury Child; Richard III by Susannah Clapp

Harold Pinter; Bridge, London; RSC, Stratford-upon-AvonThe action's all in the detail in Jamie Lloyd's spellbound Chekhov; Alex Jennings excels as a vicar refusing to find the common touch; …

SOURCE: The Guardian at 7:42am on July 10, 2022

Clownts review " three maestros compete in a celebration of anarchic hilarity by Brian Logan

Soho theatre, LondonArmed with cherry tomatoes, paper boats and a leaf-blower, Julia Masli, Viggo Venn and Sami Abu Wardeh brought the London clown festival to an uproarious close 'I hate cl…

SOURCE: The Guardian at 7:42am on July 10, 2022

The Climbers review " disappointingly flat Everest play by Clare Brennan

Theatre by the Lake, KeswickThe opening is great, but with characters as thin as the air at high altitude, Carmen Nasr's new mountaineering drama is downhill from there The location is perfe…

SOURCE: The Guardian at 7:42am on July 10, 2022

Operation Black Door review " immersive wartime show is a damp squib by Kate Wyver

Churchill War Rooms, LondonPoor storytelling and a clunky app-based interface mean that this time-travel adventure may well be the audience's darkest hour Chaotic and disappointing, this app…

SOURCE: The Guardian at 7:42am on July 10, 2022

Shechter II: Contemporary Dance 2.0 review " uplifting and strangely emotional by Sarah Crompton

Arts Depot, London; and touringThe young dancers nurtured by Hofesh Shechter rise to the challenge of his teasing 2019 work with irresistible confidence In the history of British dance, the …

SOURCE: The Guardian at 5:37am on July 10, 2022

The Lesson review " Ionesco's sinister comedy still shocks by Arifa Akbar

Southwark Playhouse, LondonIt can feel exasperating at times but this well-performed 1951 drama offers a smart balance of discomfort and laughs Eugène Ionesco's single-act play, about a les…

SOURCE: The Guardian at 11:18am on July 8, 2022
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