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6,591 stories from Stage and Cinema

Los Angeles Theater Review: TAKE ME OUT (Sky Lounge in North Hollywood) by Barnaby Hughes

BLACK BOX BASEBALL Rise Above Theatre Movement has proved once again that it is not afraid of performing difficult material. In the young theatre company’s first show, The Last Days of…

SOURCE: Stage and Cinema at 3:08pm on June 9, 2012

Off Broadway Theater Review: THE GOLDEN VEIL (The Kitchen) by Dmitry Zvonkov

THEATER AS COLLECTIVE DREAM The band is already playing, the show underway, as we enter The Kitchen Theatre by way of the stage, which is set up like the parlor of a mystic or a fortunetelle…

SOURCE: Stage and Cinema at 2:19pm on June 8, 2012

Los Angeles Theater Review: LOS OTROS (Mark Taper Forum) by Tony Frankel

¿POR QUÉ? I have been trying to figure out sixty ways from Sunday's opening of Los Otros just exactly how to approach a critique. The new one-act musical by composer Michael John LaCh…

SOURCE: Stage and Cinema at 12:33pm on June 6, 2012

Los Angeles Theater Review: VERY STILL & HARD TO SEE (Lex Theatre in Hollywood) by Tony Frankel

VERY IMPERVIOUS AND HARD TO GET, OR WHAT THE HELL..? I'm debating whether or not to tell you to go to Hell. Should you choose to go, playwright Steve Yockey will take you there in the world …

SOURCE: Stage and Cinema at 2:41am on June 5, 2012

Los Angeles Theater Review: WHERE THE GREAT ONES RUN (Rogue Machine) by Eve Meadows

RUN The Rogue Machine is one of the best theatre companies in Los Angeles, producing some of the finest productions anywhere. Sadly, their latest effort Where the Great Ones Run wandered off…

SOURCE: Stage and Cinema at 10:00pm on June 4, 2012

Chicago Theater Review: [TITLE OF SHOW] (Northlight Theatre in Skokie) by Paul Kubicki

[title of review] The Northlight Theatre decided to step off of the beaten path this season, putting on the relatively unknown cult musical [title of show]. The simple premise has two writer…

SOURCE: Stage and Cinema at 8:48pm on June 4, 2012

Chicago Theater Review: CAMELOT (Light Opera Works in Evanston) by Dan Zeff

THE LIBRETTO NEVER REALLY WORKS, BUT THIS PRODUCTION SURE DOES Camelot is a good musical that should be better. After all, it was composed by the team of Lerner and Loewe, of My Fair Lady…

SOURCE: Stage and Cinema at 3:58pm on June 4, 2012

San Francisco Theater Review: THE FULL MONTY (Ray of Light Theatre) by Stacy Trevenon

BARED SOULS AND BARE FLESH The huge production of Ray of Light Theatre’s The Full Monty may be packed into the tiny Eureka Theater (opening night was squirming-room-only), but it as…

SOURCE: Stage and Cinema at 3:18pm on June 4, 2012

Chicago Theater Review: THE BLOND, THE BRUNETTE, AND THE VENGEFUL REDHEAD (Writers' Theater in Glencoe) by Dan Zeff

GO FOR THE PERFORMANCE, NOT THE SCRIPT Like most one-actor plays, the new show at the Writers' Theatre is more satisfying as a performing showcase than as a drama. The play carries the tanta…

SOURCE: Stage and Cinema at 2:51am on June 2, 2012

Los Angeles Theater Review: Sandra Bernhard: SANDROLOGY (REDCAT) by Jason Rohrer

A MESS IN BIG POCKETS Imagine yourself not exactly as JFK cheerleader Arthur Schlesinger Jr., but at least a 40ish New Deal Democrat, attending a John F. Kennedy rally in New York City in th…

SOURCE: Stage and Cinema at 9:01pm on June 1, 2012

Chicago Theater Review: MY KIND OF TOWN (TimeLine Theatre in Chicago) by Dan Zeff

BAD COP GOOD COP The cynical title My Kind of Town acknowledges the pop song that celebrates Chicago but also a likely culture of police brutality. This is the work of investigative journali…

SOURCE: Stage and Cinema at 5:35pm on June 1, 2012

Los Angeles Theater Review: SYNESTHESIA (Bootleg Theater) by Tony Frankel

PIECE OF EIGHT Conceived by Ashlin Halfnight and Melanie Sylvan at New York's Electric Pear Productions, Synesthesia can easily be classified in the "Why Didn't I Think of That?" Department.…

SOURCE: Stage and Cinema at 7:40pm on May 29, 2012

Off-Broadway Theater Review: MY CHILDREN! MY AFRICA! (Signature Theatre) by Dmitry Zvonkov

CHILDREN OF HOPE AND SORROW We enter the theater, which has been configured thrust-style like an amphitheater, and take our seats. The tiny stage below has an unfinished cement floor, a smal…

SOURCE: Stage and Cinema at 8:23pm on May 28, 2012

Los Angeles Theater Review: STONEFACE (Sacred Fools in Hollywood) by Tony Frankel

TOO MUCH TRAGEDY SPOILS CLEVER CONCEIT Prior to curtain at Sacred Fools' production of Stoneface, the packed house watched samplings of Buster Keaton's films, projected on a screen center st…

SOURCE: Stage and Cinema at 7:12pm on May 28, 2012

Los Angeles Theater Review: IT IS DONE (Pig 'N Whistle in Hollywood) by Tony Frankel

IT IS (BUT SHOULDN'T BE) DONE There was something that felt particularly showcase-y about It Is Done, which can best be described as a 22-minute episode of The Twilight Zone laboriously stre…

SOURCE: Stage and Cinema at 3:27pm on May 26, 2012

Off-Broadway Theater Review: FEBRUARY HOUSE (The Public Theater) by Dmitry Zvonkov

THE HOUSE OF LOVE AND MUSIC Many artists, being generally unsuited for life in normal society, have often dreamed of a place where they could be with others of their ilk. Where they would be…

SOURCE: Stage and Cinema at 1:00am on May 26, 2012

Off Broadway Theater Review: THE COMMON PURSUIT (Roundabout Theatre Company) by Dmitry Zvonkov

IN PURSUIT OF DRAMA Beneath the stairwell sign assuring guests that all cigarettes smoked on stage are herbal, the following sign might as well have been posted regarding The Roundabout's ne…

SOURCE: Stage and Cinema at 10:01pm on May 24, 2012

Regional Theater Review: THE SCOTTSBORO BOYS (Old Globe in San Diego) by Tony Frankel

AN AMERICAN TRAGEDY BECOMES A MUSICAL COMEDY 1931 was a crossroads in American history. With no economic recovery in sight, the Depression had people edgy, and when Americans are edgy, they …

SOURCE: Stage and Cinema at 6:16pm on May 24, 2012

Los Angeles Theater Review: ANNIE (Glendale Centre Theatre in Glendale) by Jason Rohrer

COMMUNION If the Ahmanson Theater is akin to a cathedral (elevated rules of decorum apply, and a certain dress code, and it’s expensive and showy in such a way as to invite your tithe …

SOURCE: Stage and Cinema at 4:22pm on May 24, 2012

Los Angeles Theater Review: SIDEWAYS THE PLAY (Ruskin Group Theatre in Santa Monica) by Barnaby Hughes

THE PERFECT PINOT PAIRING Pinot Noir is presently one of the most popular wine varietals in California thanks to Sideways. First published as a novel by Rex Pickett in 2004 before being made…

SOURCE: Stage and Cinema at 3:27pm on May 24, 2012

Los Angeles Theater Review: NOBODY LOVES YOU (Old Globe in San Diego) by Tony Frankel

MUSICAL TAKES ON REALITY TV What better place than the stage to examine the phenomenon of Reality TV? One would hope that by now, Americans would be wise to the fact that these shows, whethe…

SOURCE: Stage and Cinema at 3:23pm on May 23, 2012

Chicago Theater Review: THE MARVIN GAYE STORY (Black Ensemble Theater in Chicago) by Dan Zeff

WHAT’S GOING ON WITH THE STORY? The tortured elements in the life of the great rhythm and blues artist Marvin Gaye would be fascinating fodder for a powerfully tragic stage pl…

SOURCE: Stage and Cinema at 6:46pm on May 21, 2012

Chicago Theater Review: THE LIGHT IN THE PIAZZA (Theo Ubique in Chicago) by Dan Zeff

AN INCREDIBLY BRIGHT LIGHT The Light in the Piazza opened on March 12 at Theo Ubique and has now been extended into midsummer, and counting. It's gathered a sheaf of rave reviews and the tin…

SOURCE: Stage and Cinema at 5:29pm on May 21, 2012

Los Angeles Theater Review: CAMP LOGAN (Los Angeles Theatre Center) by Tony Frankel

BONA FIDE ACTING FUELS DIDACTIC SCRIPT At about the same time that the United States entered WWI, units of the 24th Infantry Regiment, one of the Army's four black regiments, set up camp on …

SOURCE: Stage and Cinema at 4:13pm on May 21, 2012

Los Angeles Theater Review: THE TURN OF THE SCREW (Underground Theater in Hollywood) by Jason Rohrer

OF GOOD TURNS AND SCREWINGS All emotional reaction comes filtered through prerequisite knowledge: the sound of a crying baby is annoying, unless it’s your baby, in which case that soun…

SOURCE: Stage and Cinema at 12:41pm on May 20, 2012
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