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35,709 stories from The Guardian

Batting for Godot: the play about Beckett and Pinter teaming up for a game of cricket by Michael Billington

The two titans of modern drama were both cricket obsessives. What if they had faced the fast bowlers together? Playwright Shomit Dutta explains why he made it happen " with darkly comic dram…

SOURCE: The Guardian at 3:54am on August 8, 2022

Seann Walsh review " an eye-opening and bitterly funny show by Brian Logan

Stand Comedy Club, EdinburghThe standup delivers a compelling show that reflects on his Strictly Come Dancing notoriety and harsh childhood experiences Many may struggle to sympathise " far…

SOURCE: The Guardian at 1:42am on August 8, 2022

Midsummer Mechanicals review " the Dream's rude players deliver more merriment by Chris Wiegand

Sam Wanamaker Playhouse, LondonBottom, Quince, Flute and Patience make the young audience feel right at home in this affably silly show that puts Shakespeare in a spin Last summer, Shakespea…

SOURCE: The Guardian at 1:42am on August 8, 2022

Sikisa review " a sparkling comedy party by Brian Logan

Pleasance Courtyard, EdinburghSikisa Bostwick-Barnes's ebullience carries her through a debut solo show that's punctuated with dance breaks You can see why Sikisa Bostwick-Barnes themed her …

SOURCE: The Guardian at 3:42pm on August 7, 2022

Every Word Was Once an Animal review " this is head-spinning theatre by Mark Fisher

Zoo Southside, EdinburghOntroerend Goed's new show is funny, self-referential and confusing in equal parts This is not the start of the review. The start will come later. This bit is to grab…

SOURCE: The Guardian at 3:42pm on August 7, 2022

Bogeyman review " Haiti and the price of revolution by Mark Fisher

Pleasance Dome, EdinburghThe first country to abolish slavery has been demonised and minimised, as Emily Aboud's alternately fascinating and frustrating play reveals "Europe has erased the H…

SOURCE: The Guardian at 1:37pm on August 7, 2022

Boom review " powerful, humane circus collaboration by Róisín O'Brien

Underbelly, EdinburghTwo young Ukrainian companies share acrobatic skills and stories, taking in Gen Z life and the impact of war There's something special about Boom. In March 2022, young a…

SOURCE: The Guardian at 10:24am on August 7, 2022

Please, Feel Free to Share review " living the lie online by Anya Ryan

Pleasance Courtyard, EdinburghRóisín Bevan is irresistible in Rachel Causer's comedy drama about an influencer's unhealthy relationship with the truth Everyone lies sometimes, right? A…

SOURCE: The Guardian at 10:24am on August 7, 2022

Brown Boys Swim review " friends stay afloat against a tide of racism by Anya Ryan

Pleasance Dome, EdinburghTwo Asian boys learn how to swim and navigate intolerance and social expectations in Karim Khan's funny, subtle drama Like lots of South Asian teenagers, Kash and Mo…

SOURCE: The Guardian at 8:12am on August 7, 2022

Burn review " Alan Cumming is extraordinary as Scotland's rockstar poet by Mark Fisher

King's theatre, EdinburghCummings' daring evocation in movement of the life of Robert Burns goes way beyond the biscuit-tin "And still my motto is: I dare," says Alan Cumming at the end of …

SOURCE: The Guardian at 7:07am on August 7, 2022

Finding Home review " Idi Amin's expulsions remembered by Clare Brennan

Curve, LeicesterFifty years on, these specially commissioned pieces movingly and unflinchingly reflect the experiences of Ugandan refugees in Britain Eleanor Field's set suggests impermanenc…

SOURCE: The Guardian at 7:07am on August 7, 2022

The week in theatre: Closer, The Tempest, The Darkest Part of the Night " review by Kate Kellaway

Lyric Hammersmith; Shakespeare's Globe; Kiln, LondonPatrick Marber's four-way passion play still adds up; Sean Holmes takes enjoyable liberties with his party island Tempest; and the heartfe…

SOURCE: The Guardian at 6:07am on August 7, 2022

Frankie Thompson review " all the feline feels with a magnetic performer by Rachael Healy

Pleasance Courtyard, EdinburghLeaving no cat-related reference unlicked, Thompson's show is artfully clownish and funny The stage is set with a treadmill, yoga mat, step-up box and a big sil…

SOURCE: The Guardian at 1:42am on August 7, 2022

Troy Hawke review " TikTok's raffish fop puzzles out modernity by Brian Logan

Underbelly Bristo Square, EdinburghMilo McCabe's matinee-idol character initially feels at odds with his material, but it's hard not to be won over by his enthusiasm Milo McCabe performed as…

SOURCE: The Guardian at 6:03pm on August 6, 2022

Ania Magliano review " skilled off-key laughs from affable rising star by Rachael Healy

Pleasance Courtyard, EdinburghA properly fresh take on quarter-century living, Magliano's is a charismatic debut moving through divorce, sexuality and cat-buying with ease Absolutely No Wor…

SOURCE: The Guardian at 4:54pm on August 6, 2022

Leo Reich review " uproarious Gen-Z narcissist blazes through by Brian Logan

Pleasance Courtyard, EdinburghReich's flouncing, self-obsessed comedy is a brittle skewering of irony and anxiety " and a must-see One of countless acts this fringe whose Covid-delayed debut…

SOURCE: The Guardian at 1:37pm on August 6, 2022

Black Sheep review " circus-song memoir of Black experience by Anya Ryan

Assembly Rooms, EdinburghLivia Kojo Alour's compellingly performed map of her life is part-poetry, part-musical, part-circus, but it doesn't hang together First, a warning. Black Sheep is a …

SOURCE: The Guardian at 12:33pm on August 6, 2022

Sara Pascoe looks back: 'I often tell myself I am funnier the uglier I look' by Harriet Gibsone

The comedian recreates a photo of her first time on stage and looks back at her shaky path to stardom Born in Dagenham in 1981 and raised in Romford, Sara Pascoe is one of the UK's leading s…

SOURCE: The Guardian at 11:24am on August 6, 2022

Svengali review " absorbing gender-swap power play by Mark Fisher

Pleasance Courtyard, EdinburghChloe-Ann Tylor is excellent as a monstrous male tennis coach in Eve Nicol's drama examining control and manipulation How do you represent male power on stage …

SOURCE: The Guardian at 11:24am on August 6, 2022

Ballet Freedom review " slapstick, generic dance cabaret by Róisín O'Brien

Pleasance at EICC, EdinburghUnfortunately, the Ukrainian dance company's attempts to be sexy and interesting end up incoherent and crude There is plenty of sex at the fringe. Late-night burl…

SOURCE: The Guardian at 9:12am on August 6, 2022

I made a name for myself with 'sex-positive' comedy. Then I was raped on a night out. Would my openness be used against me? by Grace Campbell

I've never held back when it comes to talking about sex. But after an attack while on holiday in Las Vegas, going to the police didn't feel like an option Last November, after a string of re…

SOURCE: The Guardian at 7:07am on August 6, 2022

Happy Meal review " romance blooms online and IRL by Mark Fisher

Traverse, EdinburghTabby Lamb's delightful two-hander is both a sweet comedy and an astute exploration of digital relationships and gender identity Is it coincidence that the increasing acce…

SOURCE: The Guardian at 7:07am on August 6, 2022

'Fuelled by anger': politics loom larger than ever at Edinburgh fringe by Miranda Bryant

Scandals, an outgoing PM and a Tory leadership race " comics seeking material are spoilt for choice Politics always plays a big role at the Edinburgh fringe. But with an outgoing prime minis…

SOURCE: The Guardian at 4:48am on August 6, 2022

Tall stories: performers on their wildest Edinburgh moments by Tim Key, Sindhu Vee, Jayde Adams, Flo & Joan, Arthur Smith, Reginald D Hunter, Paul Foot, Tim Crouch, Nina Conti, Simon Munnery, Bilal Zafar, Lou Sanders, Matt Forde, Fascinating Aïda, La Clique

Standup in a swimming pool, naked tractor driving, heart attacks, heckles, walkouts, rain and an onstage marriage proposal " as the fringe turns 75, this year's performers on the memories th…

SOURCE: The Guardian at 4:48am on August 6, 2022

Mock the Week was never part of the culture wars. We only fought for laughs | Dara Ó Briain by Dara Ó Briain

If there's one lesson I draw looking back on it all, it's this: people have taken our nonsense waaaayyyy too seriously Well, I guess my time hosting a Rorschach test on the telly is almost o…

SOURCE: The Guardian at 4:48am on August 6, 2022
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