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6,591 stories from Stage and Cinema

Off-Broadway Theater Review: DOGFIGHT (Second Stage Theatre in New York City) by Thomas Antoinne

DOG OF A MUSICAL The musical theatre canon is filled with bad ideas that made very good musicals.  Stories of vengeful barbers, decadence in Nazi Germany, and even wife beaters have all g…

SOURCE: Stage and Cinema at 5:51pm on July 17, 2012

Chicago Theater Review: LITTLE SHOP OF HORRORS (Theatre at the Center) by Dan Zeff

A SHOW WHICH PLANTS ITSELF IN YOUR MEMORY Back in 1985, Bill Pullinsi staged a satirical musical called Little Shop of Horrors at his Candlelight Dinner Playhouse in Summit that was one of t…

SOURCE: Stage and Cinema at 6:24pm on July 16, 2012

Los Angeles Theater Review: ON GOLDEN POND (The Glendale Centre Theatre) by Tom Chaits

AIMLESSLY ADRIFT ON GOLDEN POND After seeing the stage version of On Golden Pond, now playing at The Glendale Centre Theatre, it’s impossible not to think how much more rewarding it wo…

SOURCE: Stage and Cinema at 4:54pm on July 16, 2012

Off-Broadway Theater Review: HELL: PARADISE FOUND (59E59 Theaters) by Dmitry Zvonkov

HELL WITH NO INTERMISSION Hell: Paradise Found. Genesis: And so did Seth Panitch rummage through the intellectual compost heap and picketh he out from it clumps of sour clichés and bits of …

SOURCE: Stage and Cinema at 3:50pm on July 16, 2012

Los Angeles Theater Review: PAGEANT OF THE MASTERS: THE GENIUS (Irvine Bowl in Laguna Beach) by Kim Kautzer

"BEAUTY IS A FORM OF GENIUS–IS HIGHER, INDEED, THAN GENIUS, AS IT NEEDS NO EXPLANATION.” Oscar Wilde Years ago, on a neighborhood stroll with my entourage of giggly young Girl Sc…

SOURCE: Stage and Cinema at 4:10pm on July 15, 2012

Chicago Theater Review: THE 39 STEPS (Drury Lane Theatre) by Dan Zeff

THE STEPS TO SUCCESS They say that timing is everything. Timing certainly is everything in The 39 Steps, the English spy spoof that occupies a delightful, often amazing, and even suspenseful…

SOURCE: Stage and Cinema at 2:42pm on July 15, 2012

Chicago Theater Review: A STEADY RAIN (Chicago Dramatists Theatre) by Paul Kubicki

STEADY AS IT GOES A Steady Rain, Chicago Dramatists' prodigal son, has finally come home, giving audiences a chance to sit down again with Denny and Joey, the two cops that disturbed the hel…

SOURCE: Stage and Cinema at 1:28pm on July 15, 2012

Chicago Theater Review: CROWNS (The Goodman Theatre) by Paul Kubicki

IF YOU LET IT, FERVENCY AND JOY COMPENSATE FOR TROUBLING SCRIPT A joyful noise is rising out of the Goodman Theatre this summer. With hearty vibrato and a religious fervor rivaled only by te…

SOURCE: Stage and Cinema at 3:41pm on July 14, 2012

San Francisco Theatre Review: THE MERCHANT OF VENICE (Custom Made Theatre) by Stacy Trevenon

THE MERCHANT OF VENICE: AS TRUE NOW AS THEN Setting Shakespeare’s The Merchant of Venice in the cutthroat world of contemporary finance a la Wall Street is an inspired notion and Custo…

SOURCE: Stage and Cinema at 7:05am on July 14, 2012

Chicago Theater Review: BEAUTY AND THE BEAST (Chicago Shakespeare) by Dan Zeff

NOTHING BEASTLY ABOUT IT The Chicago Shakespeare Theater is presenting the best musical production of the summer, but audiences will have to see it in the daytime. The production is Disney's…

SOURCE: Stage and Cinema at 5:54am on July 14, 2012

Off-Broadway Theater Review: THE BAD AND THE BETTER (The Peter Jay Sharp Theatre) by Dmitry Zvonkov

THE GOOD THAT COULD HAVE BEEN BETTER Watching The Amoralists' production of Derek Ahonen's entertaining new play The Bad and The Better, an image comes to mind of a virtuoso juggling act, wi…

SOURCE: Stage and Cinema at 5:08am on July 14, 2012

Off-Broadway Theater Review: COLE PORTER'S NYMPH ERRANT (The Clurman Theatre) by Thomas Antoinne

MUSICAL ERRANT Expectations should always be lowered a bit when seeing revivals of musicals written before Oklahoma!.  In pre-war musicals, songs weren't intended to move plots forward or…

SOURCE: Stage and Cinema at 10:00pm on July 13, 2012

San Diego Theater Review: HARMONY, KANSAS (Diversionary Theatre) by Tony Frankel

GOLD DISCOVERED IN THE PLAINS I rolled my eyes when I heard about the plot of Harmony, Kansas, a musical having its world premiere at Divisionary Theatre in San Diego. Heath is a gay Kansan …

SOURCE: Stage and Cinema at 6:27pm on July 13, 2012

Los Angeles Theater Review: LA CAGE AUX FOLLES (Pantages Theater in Hollywood) by Sarah Taylor Ellis

COME FOR GEORGE HAMILTON, STAY FOR CHRISTOPHER SIEBER The national tour of La Cage aux Folles leaves its audience basking in the warm afterglow of a delightful musical comedy. As an enthused…

SOURCE: Stage and Cinema at 4:40am on July 13, 2012

Los Angeles Theater Review: THE EXORCIST (Geffen Playhouse in Westwood) by Tony Frankel

NO EVIL. NO GOOD. There are few who do not know the story. The devil possesses Regan, the innocent 12-year-old daughter of movie star Chris MacNeil, who is working on a film in Georgetown. A…

SOURCE: Stage and Cinema at 9:51pm on July 12, 2012

Chicago Theater Review: OEDIPUS EL REY (Victory Gardens Theater) by Dan Zeff

OEDIPUS REX POTENTLY UPDATED TO THE BARRIO Oedipus El Rey is Luis Alfaro's vision of Sophocles' Oedipus Rex seen through the prism of modern Latino life, specifically gang culture as i…

SOURCE: Stage and Cinema at 6:48pm on July 11, 2012

Los Angeles Theater Review: THE IRISH CURSE (Odyssey Theatre in West L.A.) by Barnaby Hughes

I AM NOT MY COCK When a new Godzilla movie came out in 1998 the marketing pundits urged, "Size does matter." But when it comes to a woman’s sexual satisfaction with her partner’s…

SOURCE: Stage and Cinema at 4:30pm on July 11, 2012

Los Angeles Theater "Reviews": PLAYS IN THE PARK (Santa Monica Playhouse) and GRACE NOTES & ANVILS (Odyssey Theatre) by Tony Frankel and Jason Rohrer

TWO CRITICS; TWO STAGED READINGS; BASICALLY ONE OPINION From Jason Rohrer: Plays in the Park, Brian Conners’ collection of one-acts (only one of which is set in a park), intends to sho…

SOURCE: Stage and Cinema at 12:20am on July 11, 2012

Chicago Theater Review: THREE SISTERS (Steppenwolf Theatre) by Dan Zeff

TRACY LETTS ADAPTS THREE SISTERS FOR STEPPENWOLF Tracy Letts calls his version of Anton Chekhov's Three Sisters an adaptation, but other than some changes in language it's still the great Ru…

SOURCE: Stage and Cinema at 2:50am on July 10, 2012

Chicago Theater Review: THE MAGIC PARLOUR (The House Theatre of Chicago) by Paul Kubicki

WATKINS HAS US IN THE PALM OF HIS HANDS I had one reservation headed into The House Theatre of Chicago's The Magic Parlour: almost every magic show I had ever been to has been obnoxiously sh…

SOURCE: Stage and Cinema at 1:17am on July 10, 2012

Chicago Theater Review: DEATH AND HARRY HOUDINI (House Theatre) by Dan Zeff

MAGIC ALL AROUND Death and Harry Houdini was the House Theatre's first production back in 2001 and it's been something of a meal ticket for the company over the years. The production played …

SOURCE: Stage and Cinema at 8:39pm on July 9, 2012

Regional Theater Review: INHERIT THE WIND (The Old Globe in San Diego) by Milo Shapiro

CREATIONISM VS. EVOLUTION; RELEVANCE VS. TIMELESSNESS Dubbed “The Trial of the Century” (with rhetorical apologies to O.J.), the actual 1925 trial that inspired Inherit the Wind …

SOURCE: Stage and Cinema at 2:32pm on July 7, 2012

Off-Broadway Theater Review: FLYING SNAKES IN 3D (New Ohio Theatre) by Victoria Linchong

HISS HISS BANG BANG Four writers stand onstage and in unison announce their thesis, "We thought that making a show strictly about our poverty and history of abuse would make us severely unpo…

SOURCE: Stage and Cinema at 12:47pm on July 7, 2012

San Diego Theater Feature: THE OLD GLOBE 2012 SHAKESPEARE FESTIVAL (Lowell Davies Festival Theatre) by Tony Frankel

ALL THE WORLD'S A GLOBE After previewing in the month of June, The Old Globe officially opens the 2012 Shakespeare Festival this week. Adrian Noble returns for his third season as the intern…

SOURCE: Stage and Cinema at 10:03pm on July 6, 2012

Washington, D.C. Theater Review: MR. BURNS, A POST-ELECTRIC PLAY (Woolly Mammoth) by Sarah Taylor Ellis

I WILL SURVIVE In the opening act of Mr. Burns, A Post-Electric Play, a group of campers sits by the warm glow of a trashcan fire and tries to retell a favorite episode of The Simpsons. Matt…

SOURCE: Stage and Cinema at 11:33pm on July 5, 2012
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