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Let us again sing the praises of a genuine star turn - a performance so galvanizing that it jump-starts an entire production.
It's not easy to pull off a comic fantasy, especially one dealing with such monumental subjects as love, death and dirt, but playwright Sarah Ruhl manages to artfully juggle big themes in "T…
Simon Gray's fine play, which was superbly revived Wednesday at Broadway's Booth Theatre, is the tragic tale of one man's emotional unraveling.
What is one to make of "The Times They Are A-Changin'," the murky musical misfire that combines the considerable talents of director-choreographer Twyla Tharp and pop superstar Bob Dylan.
Simon Mendes da Costa's crude comedy of sexual indiscretion, which opened Thursday at Broadway's Biltmore Theatre, gets an equally crude production from director Jerry Zaks and a valiant cas…
Four generations of black men haunt "Blue Door," Tanya Barfield's affecting tale of one man's journey into the past to find his present.
As dancers, this "Chorus Line" class of 2006 is first-rate, but more is needed to make the show completely successful, particularly if you are trying to replicate Bennett's 1975 production.
It will open April 29 at the Palace Theatre. Preview performances begin April 3.
His amiable, sometimes rambling show is part history lesson, part autobiography and part giddy entertainment, most notably when Johnson's puppets are allowed to take center stage.
"The Pain and the Itch" is an uncomfortable play about unlikable people.
But that shouldn't deter you from seeing Bruce Norris' satiric, often scathing look at an American family in distress.
