TWISTED PLANS
Benedict Andrews adaptation of this 1947 psychodrama makes bold choices, and most of them pay off.
Benedict Andrews adaptation of this 1947 psychodrama makes bold choices, and most of them pay off.
Lear brings the weight of tragedy back to Shakespeare in the Park.
Lear brings the weight of tragedy back to Shakespeare in the Park.
Cherry Jones leads a great cast in Sarah Treem s new play about women in the 70s discovering feminism.
Norm Lewis, for all his talent, doesn t fit in the role of the Phantom.
Anna Gunn and Billy Magnussen are excellent in Laura Eason’s compelling new play.
Norm Lewis, for all his talent, doesn t fit in the role of the Phantom.
Robert Boswell’s undercooked play takes 80 minutes to get to the good stuff.
The more facts the audience learns about the encounter at the center of the play, the more the meaning eludes them.
Cast albums from the past year capture some of the magical musical moments from Broadway.
Sutton Foster s performance glows in simplicity and surprises us with its heartfelt luminescence.
This production is pretty strange, even as rock musicals go, with Randy Newman playing the Devil.
The new musical using songs and poems from late rapper Tupac Shakur is a complete mess.
Forbidden Broadway returns again, with new shows to make fun of.
Sarah Treem s play reminds us how far we ve come on social issues over the last four decades.
Shakespeare’s beleaguered lovers get the ideal arena in which to spar.
The battle scenes are the highlight of this raw and riveting production.
Penelope Skinner’s brave play breaks apart stereotypes about women and their desires.
A Gentleman s Guide , Bryan Cranston and Neil Patrick Harris were among this year s big winners.
A Gentleman s Guide , Bryan Cranston and Neil Patrick Harris were among this year s big winners.
Stage magic proves a poor substitute for emotional depth.
Jim Dale keeps us laughing and entertained while walking through his long and illustrious career.
The characters in Samuel D. Hunter’s compelling new play resonate in their realism.
The performers sing their hearts out in this story of a young woman searching for faith.
This 1960 musical belongs to another time and place, and should probably stay that way.