Actors' Equity leader adapts to the 'Tenor' of the times BY PETER FILICHIA

When Patrick Quinn joined the Broadway cast of "Lend Me a Tenor" in 1989, he was the youngest member of the company.

'Brooklyn Boy' taps universal theme BY MICHAEL SOMMERS

A beautifully written new play, "Brooklyn Boy" is a touching look at a middle-aged man coming to terms with his roots.

Psych 101 a help in appreciating 'Sabina' BY MICHAEL SOMMERS

Bad vibrations BY MICHAEL SOMMERS

Are they talented? In such wretched circumstances, who can possibly tell?

'Pyretown' smolders with sensitive intensity BY MICHAEL SOMMERS

Rich kids' portrayal lands on green BY PETER FILICHIA

The garden variety wasp is not the only kind that stings.

Rubenstein wins case in '30s period piece BY MICHAEL SOMMERS

A tamer tale of Mae West BY PETER FILICHIA

Deep in the second half of "Dirty Blonde," one character asks another, "So what are you gonna do? Stay around here waiting for perfection?"
That's a good question for playgoers, too.

Revival revels in sordid lives BY MICHAEL SOMMERS

Hawke's soaring performance lifts wordy play

Grandma's basement full of secrets BY PETER FILICHIA

Leslie Ayvazian had a feeling that when she went into the sub-basement of her grandmother's house in Leonia, she was going to find something special.

Hapless pair make for snappy comedy BY PETER FILICHIA

Sister act BY MICHAEL SOMMERS

Sutton Foster glows as Jo in musical 'Little Women'

Presenting Shakespeare as you like him BY MICHAEL SOMMERS

With his half century of experience, Sir Peter Hall has the wisdom and assurance to direct "As You Like It" without any fancy concepts or conceits.

The Maureens have landed BY PETER FILICHIA

Maureen Silliman knows she's not in "I Remember Mama" anymore.

Dark hues in 'Belfast Blues' BY MICHAEL SOMMERS

Review: Fiddler on the Roof BY MICHAEL SOMMERS

Returning to their seats from intermission at "Fiddler on the Roof," an 8- or 9-year-old girl was talking with her mom about the show.
"I wish," she said, "that the man playing Tevye would clear his throat."
"Honey," her mother replied, "that's the way he sounds all the time."

Time takes its toll on this tale BY PETER FILICHIA

Mary Fengar Gail should have learned a lesson in editing from Rod Serling.

Scary fairy tales, and a happy ending BY PETER FILICHIA

Zimmerman cleverly evokes the terror at the heart of popular children's stories

'Crime' transcends language barrier: Actress fleshes out slice of Dostoyevsky novel BY MICHAEL SOMMERS

Center stage by Peter Filichia

Luna's lineup

First-lady medley needs makeup break BY PETER FILICHIA

Smooth sailing for this 'Pirates' vogage BY MICHAEL SOMMERS

Well-acted 'Maude' veers off-key BY PETER FILICHIA

A new ballgame in the bottom of the ninth BY PETER FILICHIA

"The Winning Streak," Lee Blessing's new play on baseball -- and the men who love and loathe it -- is certainly a hit.

The next frontier for Audra McDonald BY JAY LUSTIG

Tony winner puts pop in repertoire