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6,591 stories from Stage and Cinema

Broadway Theater Review: CHAPLIN (Ethel Barrymore Theatre) by Sarah Taylor Ellis

WHAT'CHA GONNA DO? In a poignant moment in Act II of the new musical Chaplin, cultural icon Charlie Chaplin realizes that life is not a movie. One has to take the tears with the laughter, an…

SOURCE: Stage and Cinema at 10:39am on September 18, 2012

Los Angeles Theater Review: THE FULL MONTY (Third Street Theater) by Paul Birchall

THE SCHLONG AND SHORT OF IT The great local critic Wenzel Jones, writing about the play "Naked Boys Singing," (another play in which men happily doffed their clothes to showcase their Full M…

SOURCE: Stage and Cinema at 11:02pm on September 17, 2012

Chicago Theater Review: SHAW VS. CHESTERTON: THE DEBATE (Provision Theatre) by Erika Mikkalo

A HEALTHY DEBATE George Bernard Shaw observed that, "The only service a friend can really render is to keep up your courage by holding up to you a mirror in which you can see a noble image o…

SOURCE: Stage and Cinema at 10:03pm on September 17, 2012

Chicago Theater Review: THE WOMAN IN WHITE (Lifeline Theatre) by Lawrence Bommer

THE PLOT THAT WOULD NOT DIE Doggedly dedicated but exhausting at nearly three hours, Robert Kauzlaric's adaptation of Wilkie Collins' mystery thriller The Woman in White is, to quote another…

SOURCE: Stage and Cinema at 11:04pm on September 16, 2012

Chicago Theater Review: WRONG MOUNTAIN (Rare Terra Theatre) by Kristin Walters

WRONG IN MORE WAYS THAN ONE, OR A TREK THROUGH PEDANTRY Middle-aged misogynist, pedant, and poet Henry Dennett has a chip on his shoulder and a worm in his gut"literally, a gigantic tapeworm…

SOURCE: Stage and Cinema at 3:11pm on September 16, 2012

New York Theater/Event Review: THE FAZZINO RIDE (Literally on the streets of New York!) by Sarah Taylor Ellis

ONLY IN NEW YORK The next time you pass through Times Square, be sure to wave at the tricked out tour bus with windows that soar to the ceiling, flashing LED lights, and a pounding sound sys…

SOURCE: Stage and Cinema at 1:10pm on September 15, 2012

Los Angeles Theater Review: ENCOUNTER (East West Players) by Paul Birchall

THE PEASANTS ARE REVOLTING, NOT THE PRODUCTION Set amidst the teeming, verdant jungles of South India, Encounter is an often compelling dance theatrical production from the Navarasa Dance Th…

SOURCE: Stage and Cinema at 9:38pm on September 14, 2012

San Francisco Theater Review: CHINGLISH (Berkeley Rep) by Stacy Trevenon

LANGUAGE AND CUSTOM ARE SOURCES OF HILARITY IN CHINGLISH At a time when Americans may feel a little uneasy about the rising power of China, Berkeley Repertory Theatre offers us a chance to s…

SOURCE: Stage and Cinema at 8:35pm on September 14, 2012

Chicago Theater Review: XANADU (Drury Lane) by Dan Zeff

ENTERTAINING, BUT WITHOUT THE COMIC SIZZLE In 2009, Xanadu opened in downtown Chicago that turned out to be one of the delights of the season. It was a silly musical, but hip, satir…

SOURCE: Stage and Cinema at 1:26pm on September 14, 2012

Chicago Theater Review: FREUD'S LAST SESSION (Mercury Theatre) by Dan Zeff

YOU BETTER CATCH THIS BEFORE IT REALLY IS THE LAST SESSION Mike Nussbaum is probably weary of hearing himself called the Grand Old Man of Chicagoland Theater and a local treasure, like Wrigl…

SOURCE: Stage and Cinema at 4:30am on September 13, 2012

Chicago Theater Review: IPHEGENIA 2.0 (Next Theatre in Evanston) by Dan Zeff

IT’S ALL GREEK TO MEE Charles Mee's plays are audacious, imaginative, weird, sometimes funny, and more often than not, powerful and thought provoking; they are not for all tastes, but …

SOURCE: Stage and Cinema at 2:58am on September 13, 2012

Los Angeles Theater Review: I LOVE A PIANO (Plummer Auditorium in Fullerton) by Jesse David Corti

AMERICANA NOT DEAD YET! Composer Jerome Kern said, "Irving Berlin has no place in American music. Irving Berlin is American Music." This understanding is precisely what Ray Roderick and Mich…

SOURCE: Stage and Cinema at 8:04pm on September 11, 2012

Off-Broadway Theater Review: FLY ME TO THE MOON (59E59 Theaters) by Dmitry Zvonkov

GUILT OF HOPE AND DESIRE The idea that the amount of guilt one feels depends more on one's character than one's crime is the subtext of Marie Jones's play Fly Me to the Moon, an entertaining…

SOURCE: Stage and Cinema at 7:26pm on September 11, 2012

Off-Broadway Theater Review: THE TRAIN DRIVER (The Pershing Square Signature Center in New York) by Sarah Taylor Ellis

PLODDING ALONG THE TRAIN TRACKS What does it mean to persist in a world without hope? Athol Fugard's The Train Driver tackles human mortality with grim poetic grace, but the New York premier…

SOURCE: Stage and Cinema at 6:55pm on September 11, 2012

Los Angeles Theater Review: NATALIE PORTMAN, THE MUSICAL! (Chromolume Theatre at the Attic) by Ella Martin

"WHATEVER YOU DO, DON'T ASK WHAT THIS SHOW WAS ABOUT" Natalie Portman, The Musical! is a two-hour, no-intermission sketch-comedy musical written and directed by Brittany Garms, with music by…

SOURCE: Stage and Cinema at 6:06pm on September 11, 2012

Los Angeles Theater Review: EURIPEDES' HELEN (Getty Villa in Pacific Palisades) by Barnaby Hughes

CLASSICAL/CONTEMPORARY MASHUP There are few venues in Los Angeles better suited to productions of ancient Greek plays than the Barbara and Lawrence Fleischman Theater at the Getty Villa. Not…

SOURCE: Stage and Cinema at 5:36pm on September 11, 2012

Los Angeles Theater Review: THE YEAR OF MAGICAL THINKING (Elephant Stage Theatre) by Paul Birchall

NO ONE GETS OUT ALIVE Author Joan Didion's powerful piece of writing, the elegiac monologue The Year of Magical Thinking, receives its Los Angeles premiere in this intimate production at the…

SOURCE: Stage and Cinema at 5:07pm on September 11, 2012

Los Angeles Theater Review: THE WORLD GOES 'ROUND (Crossley Theatre in Hollywood) by Tom Chaits

A WHOLE NEW WORLD Musical revues are a tricky business. While highly enjoyable and entertaining, even high profile compilations like Side By Side By Sondheim and the Fats Waller song book Ai…

SOURCE: Stage and Cinema at 8:35pm on September 10, 2012

Off-Broadway Theater Review: COSI (Urban Stages in New York City) by Dmitry Zvonkov

IT AIN'T MOZART Louis Nowra's Cosi tells the story of Lewis (Adam Zivkovic) a recent college graduate with a theatrical background who gets a job in an insane asylum. There, he find himself …

SOURCE: Stage and Cinema at 7:50pm on September 10, 2012

Los Angeles Theater Review: Silence! The Musical (Hayworth Theatre in Los Angeles) by Thomas Antoinne

SILENCE! THE FRANCHISE Silence! The Musical was one of the big hits of the 2005 New York International Fringe Festival. The parody of Jonathan Demme's 1991 Oscar-winning horror thriller Sile…

SOURCE: Stage and Cinema at 7:01pm on September 10, 2012

Los Angeles Theater Review: THE BELLFLOWER SESSIONS (Whitefire Theatre in Sherman Oaks) by Jesse David Corti

THE PLAYWRIGHT MUST HAVE EATEN A PILLOW, BECAUSE THIS PLAY IS DOWN IN THE MOUTH Andy Bloch's The Bellflower Sessions is a bleak, black comedy about Jack Calvin, a victim of "The Great Recess…

SOURCE: Stage and Cinema at 6:43pm on September 10, 2012

Broadway Theater Review: PETER AND THE STARCATCHER (Brooks Atkinson Theatre) by Sarah Taylor Ellis

CLAP YOUR HANDS IF YOU BELIEVE A theatrical revolution is taking place at the Brooks Atkinson Theatre, where a high-tech Broadway spectacle has been swapped for the homespun magic of a talen…

SOURCE: Stage and Cinema at 12:49pm on September 9, 2012

Chicago Theater Review: BLAGOJEVICH, BLAGOJEVICH! (Athenaeum Theatre) by Paul Kubicki

NOT REALLY, NOT REALLY! The most pressing question I had walking out of Athenaeum Theatre's Blagojevich, Blagojevich! was "Was that really necessary?"  We're already familiar with the lon…

SOURCE: Stage and Cinema at 2:41pm on September 8, 2012

Los Angeles Theater Review A BROOKLYN LOVE STORY (Theatre 68 in Hollywood) by Tom Chaits

A BROOKLYN LOVE STORY " FUHGEDDABOUDIT! Originally produced as Emergency Used Candles for NYC’s Emerging Artists Theatre One Woman Standing Festival and then followed by a run at the f…

SOURCE: Stage and Cinema at 1:47pm on September 8, 2012

LA, NYC, and Tour Theater Review: ANDRÉ & DORINE (Los Angeles Theatre Center) by Jason Rohrer

LIFE AS WE KNOW IT Mask work reduces the craft of acting to the essential elements of pose and gesture.  That’s all you get when there are no words or facial expressions.  Watchi…

SOURCE: Stage and Cinema at 12:53pm on September 8, 2012
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