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6,591 stories from Stage and Cinema

Chicago Theater Review: SWEET BIRD OF YOUTH (Goodman Theatre) by Dan Zeff

NEITHER WILLIAMS OR THE GOODMAN AT THEIR BEST Sweet Bird of Youth is not top drawer Tennessee Williams. The play has some of Williams’ lyricism and humor, and at least one sharply etch…

SOURCE: Stage and Cinema at 8:28pm on September 25, 2012

Off-Broadway Theater Review: LOVERS (The Beckett Theatre) by Dmitry Zvonkov

HOW LOVE DIES: TWO VERSIONS Brian Friel's excellent 1968 play Lovers is actually two separate plays with similar themes and settings. Both take place in a small town in Ireland in the mid 19…

SOURCE: Stage and Cinema at 7:39pm on September 25, 2012

Off-Broadway Theater Review: RED DOG HOWLS (New York Theatre Workshop) by Sarah Taylor Ellis

HAUNTING HOWLS Rose Afratian harbors a dark secret. This wiry old woman's shoulders are hunched and her eyes are sunken from ninety-one years of hell on earth, living with a sin she dare not…

SOURCE: Stage and Cinema at 12:00am on September 25, 2012

Chicago Theater Review: WOODY SEZ (Northlight Theatre in Skokie) by Dan Zeff

INTO THE WOODY American folksinger/composer/political activist Woody Guthrie lived during the Great Depression of the 1930's and the turbulent wartime and postwar years of the 1940's. In …

SOURCE: Stage and Cinema at 3:15pm on September 24, 2012

San Diego Theater Review: ALLEGIANCE (Old Globe) by John Todd

NEW MUSICAL TOO LUKEWARM TO PLEDGE ALLEGIANCE TO IT Following the Japanese attack on Pearl Harbor, FDR issued Executive Order 9066, authorizing "exclusion zones" which effectively allowed fo…

SOURCE: Stage and Cinema at 1:25pm on September 24, 2012

Chicago Theater Review: GOOD PEOPLE (Steppenwolf) by Dan Zeff

GOOD PEOPLE; GREAT PLAY; AMAZING PRODUCTION David Lindsay-Abaire's Good People is a wonderful play receiving a terrific production at the Steppenwolf Theatre and headed by a magnificent perf…

SOURCE: Stage and Cinema at 12:11pm on September 24, 2012

Off-Off-Broadway Theater Review: SOMETHING WILD… (Abingdon Theater) by Dmitry Zvonkov

NOTHING WILD, EXCEPT… Tess Frazer gives a stellar performance as Willie in Tennessee Williams' This Property is Condemned, a play about an orphaned girl living alone in her family's di…

SOURCE: Stage and Cinema at 2:49pm on September 23, 2012

San Francisco Theater Review: THE REAL AMERICANS (The Marsh San Francisco) by Tony Frankel

WILL THE REAL AMERICANS PLEASE STAND UP? I was on a road trip in 2007 seeking to explore the plethora of National Parks that we, the American people, own. While heading through Des Moines, I…

SOURCE: Stage and Cinema at 2:18pm on September 23, 2012

Los Angeles Theater Review: GOB SQUAD'S KITCHEN (YOU'VE NEVER HAD IT SO GOOD) (REDCAT) by Ella Martin

“YOUNG. SEXY. NEW. AND FULL OF LIFE.” Gob Squad's Kitchen, playing at REDCAT through Sunday, is an exquisite, provocative piece of experimental, experiential theatre. The perform…

SOURCE: Stage and Cinema at 2:53am on September 22, 2012

San Francisco Theater Review: THE NORMAL HEART (A.C.T.) by Tony Frankel

MORE POLEMIC BARK THAN EMOTIONAL BITE IN THIS NORMAL HEART Some eyes will be misty, some guts will be wrenched, and some souls will be startled after attending Larry Kramer's seminal play Th…

SOURCE: Stage and Cinema at 9:55pm on September 21, 2012

Los Angeles Theater Review: UNDER MY SKIN (Pasadena Playhouse) by Jason Rohrer

UNDER MY SHOE If the comedy in Under My Skin were any more broad, it would require a wider stage than the one at the Pasadena Playhouse.  If the play were any less funny, it would have to…

SOURCE: Stage and Cinema at 2:31pm on September 21, 2012

Chicago Theater Review: THE BIG KNIFE (Raven Theatre) by Lawrence Bommer

A BIG KNIFE THAT ISN’T VERY SHARP Clifford Odets is justly famed for his agit-prop Depression-era New York-based protest plays (Waiting for Lefty, Awake and Sing!, Golden Boy), but The…

SOURCE: Stage and Cinema at 1:33pm on September 21, 2012

Los Angeles Theater Review: YEAR OF THE RABBIT (Atwater Village Theatre in Glendale) by Jason Rohrer

THIS RABBIT IS EARLY FOR ITS DATE Keliher Walsh’s new play, Year of the Rabbit, treats with respect and compassion the lives of three families wracked by war.  The gravity of the te…

SOURCE: Stage and Cinema at 6:45pm on September 20, 2012

Off-Broadway Theater Review: THE EXONERATED (Culture Project) by Dmitry Zvonkov

THEATRICAL ADVOCACY, THE GOOD KIND The Exonerated is theater as activism and proud of it, so it's difficult to speak about it from a purely artistic perspective as mixing art and politics ca…

SOURCE: Stage and Cinema at 6:11pm on September 20, 2012

Chicago Theater Review: I LOVE LUCY, LIVE ON STAGE (Broadway Playhouse) by Dan Zeff

THIS ISN’T GREAT THEATER, BUT IT’S TERRIFIC NOSTALGIA The American novelist Peter De Vries once wrote that nostalgia isn't what it used to be. Maybe he would have modified his ob…

SOURCE: Stage and Cinema at 4:03pm on September 20, 2012

Off-Broadway Theater Review: FORBIDDEN BROADWAY: ALIVE & KICKING! (47th Street Theatre) by Sarah Taylor Ellis

FORBIDDEN BETTER THAN BROADWAY Musical theater fans, rejoice! Forbidden Broadway is back " Alive & Kicking! " with a raucous new romp through the current theatrical season. This off-Broa…

SOURCE: Stage and Cinema at 2:37pm on September 20, 2012

Los Angeles Theater Review: THREE VIEWS OF THE SAME OBJECT (Rogue Machine Theatre) by Samuel Bernstein

THREE DEGREES OF SEPARATION A woman asks for a martini in a highball glass and accuses her husband of peeing in the sink… again. He doesn't cop to it, but doesn't deny it. The couple seems…

SOURCE: Stage and Cinema at 8:09pm on September 19, 2012

Chicago Theater Review: THE SPITFIRE GRILL (Boho Theatre) by Kristin Walters

BLAND MEAT COOKED WELL IN THE SPITFIRE GRILL Boho Theatre's rendition of James Valcq and Fred Alley's simple musical The Spitfire Grill demonstrates the redemptive power of acceptance, forgi…

SOURCE: Stage and Cinema at 7:24pm on September 19, 2012

Los Angeles Theater Review: COLLECTED STORIES (Odyssey Theatre) by Tom Chaits

COLLECTED STORIES: A SNOOZE INDUCING  ”WRITE” OF PASSAGE As a critic I hope for one of two things: either a production is fantastic or, to be blunt, it sucks. For me at least,…

SOURCE: Stage and Cinema at 6:52pm on September 19, 2012

Los Angeles Theater Review: ABSURD PERSON SINGULAR (South Coast Repertory in Costa Mesa) by Mark Alan Anderson

LIFE IN THE KITCHEN Suicide is no laughing matter.  No laughing matter, that is, until someone tries to commit it repeatedly in a room full of oblivious friends.  Then it's hilarious. …

SOURCE: Stage and Cinema at 5:14pm on September 19, 2012

San Francisco Theater Review: THE PLAY ABOUT THE BABY (Custom Made Theatre Co.) by Stacy Trevenon

LOTS OF LEVELS TO PLAY WITH If you tend to like plays with concrete storylines, well-defined goals, and a balance of symbolism integrated into reality, you may find The Custom-Made Theatr…

SOURCE: Stage and Cinema at 4:04pm on September 19, 2012

Chicago Theater Review: HAMLET (Writers' Theatre in Glencoe) by Dan Zeff

THE DANE'S THE THING The oft-produced Hamlet demands countless choices by a director and Michael Halberstam has met all the challenges; instead of overloading the evening with grandiose dire…

SOURCE: Stage and Cinema at 12:58pm on September 19, 2012

Los Angeles Theater Review: CHEKHOV UNSCRIPTED and TWILIGHT ZONE UNSCRIPTED (Odyssey Theatre) by Jason Rohrer

CHEKHOV’S GUN, SERLING’S CIGARETTE The most authentic and thoughtful staging of Anton Chekhov I’ve experienced in America didn’t use any Chekhov script you’ve r…

SOURCE: Stage and Cinema at 11:42am on September 19, 2012

Chicago Theater Review: SEASCAPE (Remy Bumppo) by Lawrence Bommer

SEE SCAPE A wonderfully questioning work from 1975, Edward Albee's whimsical, Pulitzer-winning domestic drama literally reflects our world as seen by diametrical couples. Seascape meets land…

SOURCE: Stage and Cinema at 12:40pm on September 18, 2012

Los Angeles Theater Review: ROME AT THE END OF THE LINE (24th Street Theatre) by Jesse David Corti

SOMETHING BEAUTIFUL HAS ARRIVED Daniel Serrano's Roma al final de la Vía (Rome at the End of the Line) is a highly recommended diamond-in-the-rough, and the 24th Street Theatre presents i…

SOURCE: Stage and Cinema at 11:52am on September 18, 2012
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