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6,591 stories from Stage and Cinema

Los Angeles Theater Review and Commentary: THE KING OF HEARTS IS OFF AGAIN (Odyssey Theatre) by Jason Rohrer

OFF AND ON Once again, I talk to a troupe of foreign artists, and once again, apart from the art, there’s an utter lack of coherent understanding between their world and mine.  It&#…

SOURCE: Stage and Cinema at 11:20am on October 8, 2012

Chicago Theater Review: MAKING NOISE QUIETLY (Steep Theatre) by Tony Frankel

NOISE IS OFF It is 1944 in a field near a watering hole in Kent, England. A strapping, fine-looking, and masculine young man purveys the view and strips off his shirt. Another young man ente…

SOURCE: Stage and Cinema at 4:43pm on October 6, 2012

Off-Broadway Theater Review: CHARLIE VICTOR ROMEO (3LD Theater) by Paul Birchall

REAL TERROR IN THE AIR AND IN THE THEATER If this play doesn't make you want to travel by train instead of by air, nothing will.  Here's a performance project (credited to creators Bob Be…

SOURCE: Stage and Cinema at 1:53am on October 6, 2012

Los Angeles Theater/Event Review: DELUSION: THE BLOOD RITE (Haunted Play) by Jason Rohrer

HAUNTED BY EXPOSITION Last October, Hollywood stuntman Jon Braver put up Delusion, a much-celebrated high-end haunted house.  One of Mr. Braver’s purposes with this project, which h…

SOURCE: Stage and Cinema at 2:58am on October 5, 2012

New York and Tour Theater Review: HAMLET (Michael Schimmel Center for the Arts) by Paul Birchall

THERE IS NOTHING LIKE A DANE The Globe Theater of London brings its touring production of Shakespeare's tale of the Melancholy Great Dane to the Michael Schimmel Center, and one is tempted t…

SOURCE: Stage and Cinema at 1:52am on October 5, 2012

Chicago Theater Review: SUNDAY IN THE PARK WITH GEORGE (Chicago Shakespeare) by Tony Frankel

GARY GRIFFIN CREATES A TRIUMPHANT MASTERPIECE AT CHICAGO SHAKESPEARE Rare is the theatrical experience that is so haunting and so achingly beautiful that your soul actually feels caressed an…

SOURCE: Stage and Cinema at 1:02am on October 5, 2012

Regional/Los Angeles Theater Review: EURYDICE (South Coast Repertory in Costa Mesa) by Thomas Doos

THIS ODD INTERPRETATION, AS WITH ORPHEUS HIMSELF, FAILS TO LEAD US TO THE LAND OF THE LIVING Sarah Ruhl is a Pulitzer Prize-winning playwright known for creating poetic, non-linear contem…

SOURCE: Stage and Cinema at 2:59am on October 4, 2012

Chicago Theater Review: FRESHLY FALLEN SNOW (Chicago Dramatists) by Erika Mikkalo

MEMORIES MAY BE DANGEROUS TO YOUR HEALTH Freshly Fallen Snow, by Chicago Dramatists' resident playwright M. E. H. Lewis, builds its plot upon a recent scientific advancement:  the possibi…

SOURCE: Stage and Cinema at 2:57am on October 4, 2012

Off-Broadway Theater Review: ISLAND: OR, TO BE OR NOT TO BE (The Connelly Theater) by Sarah Taylor Ellis

COSPLAYING WITH THE BARD A delightful dash through Shakespearean tropes is now the two hours' traffic of The Connelly Theater stage. Siblings separated in a tempest, long lost lovers, conjoi…

SOURCE: Stage and Cinema at 12:44pm on October 3, 2012

Los Angeles Theater Review: BY THE WAY, MEET VERA STARK (Geffen Playhouse) by Samuel Bernstein

MAID IN HOLLYWOOD The history of people of color on the screen is complicated, to say the least. The great Hattie McDaniel was hurt and bewildered by criticism from some in her own community…

SOURCE: Stage and Cinema at 1:04am on October 3, 2012

Los Angeles Theater Review: POTENTIAL SPACE (Theatre of NOTE) by Paul Birchall

IN LOVE OR IN LOVE WITH BEING IN LOVE Playwright Kristen Vangsness' intriguing, but ultimately frustrating comedy features as its center a gal who makes the mistake of confusing love with, w…

SOURCE: Stage and Cinema at 11:34am on October 2, 2012

Los Angeles Theater Review: DANGEROUS CORNER (Crown City Theatre) by Jesse David Corti

GIVE UP THE GHOST AND GIVE US WHAT'S REAL The multi-hyphenate J.B. Priestley (Author-Novelist-Playwright-Critic-Essayist-Political Commentator) commented, "Comedy, we may say, is society pro…

SOURCE: Stage and Cinema at 11:29pm on October 1, 2012

Broadway Theater Review: AN ENEMY OF THE PEOPLE (Manhattan Theatre Club at The Samuel J. Friedman Theatre) by Sarah Taylor Ellis

SHOUTING FOR THE MAJORITY In the wake of Occupy Wall Street and the rise of the 99%, Henrik Ibsen's 1882 political drama An Enemy of the People crackles with contemporary relevance. Manhatta…

SOURCE: Stage and Cinema at 10:40pm on October 1, 2012

Chicago Theater Review: METAMORPHOSES (Lookingglass Theatre Company) by Lawrence Bommer

PASSION IN A POOL It took Ovidius Naso, a 1st century Roman poet, to do full justice to Greek myths. Metamorphoses assembled a panoply of gods, heroes and mortals into 15 books of Latin hexa…

SOURCE: Stage and Cinema at 3:01pm on October 1, 2012

Los Angeles Theater Review: THE 4TH GRADERS PRESENT AN UNNAMED LOVE-SUICIDE (Actors Circle Theatre in West Hollywood) by Jason Rohrer

KIDS KILL THE DARNEDEST THINGS Much has been made recently of the physical and psychological dangers of bullying and hazing.  Less is said of their value as a teaching element that makes …

SOURCE: Stage and Cinema at 1:57pm on October 1, 2012

San Diego Theater Review: MISTAKES WERE MADE (Cygnet Theatre) by Milo Shapiro

WORTH ITS WEIGHT IN GOLDFISH As a rising star in San Diego’s theater scene, Cygnet put a lot of eggs in one basket in producing Mistakes Were Made. Fortunately, they invested in the ri…

SOURCE: Stage and Cinema at 2:58am on October 1, 2012

Chicago Theater Review: THE STRANGE UNDOING OF PRUDENCIA HART (Chicago Shakespeare) by Lawrence Bommer

A PUB CRAWL FROM FOLKLORE INTO FANTASY The black-box stage on the sixth floor of Chicago Shakespeare Theater's Navy Pier complex is now a Scottish pub. In these still-dark confines beneath t…

SOURCE: Stage and Cinema at 2:36am on September 29, 2012

Chicago Theater Review: GEOGRAPHY OF A HORSE DREAMER (Mary-Arrchie) by Erika Mikkalo

“SINCERE EFFORT” BY A NOSE IN THE FIFTH Sam Shepard's Geography of a Horse Dreamer offers the lyric combination of the rough and ridiculous we expect of Shepard, with eponymous t…

SOURCE: Stage and Cinema at 2:00am on September 29, 2012

San Francisco Theater Review: HAMLET (Magic Theatre) by Tony Frankel

TRAGEDY FOR THE WHOLE FAMILY If you have ever wanted to introduce teenagers to Hamlet, the production directed by Leisl Tommy at California Shakespeare is the one to take them to. Staged on …

SOURCE: Stage and Cinema at 7:14pm on September 28, 2012

Off-Broadway Theater Review: THROUGH THE YELLOW HOUR (Rattlestick Playwrights Theatre) by Sarah Taylor Ellis

CHILLING BUT MADDENING We are bunkered down in a ratty East Village apartment: blood stains smeared across the walls and newspapers plastered over the windows so the sunlight seeps in wit…

SOURCE: Stage and Cinema at 10:00pm on September 27, 2012

San Francisco Theater Review: THE OTHER PLACE (Magic Theatre) by Tony Frankel

THE PUZZLE BOX OF THE SOUL Critics should avoid discussing plot in their reviews, but playwright Sharr White has unintentionally placed a challenge before me: because the play is a labyrinth…

SOURCE: Stage and Cinema at 6:54pm on September 26, 2012

Los Angeles Concert Feature: AN EVENING WITH DAVID BYRNE & ST. VINCENT (Segerstrom Concert Hall in Costa Mesa) by Tony Frankel

BYRNE THIS Grammy®, Oscar® and Golden Globe winner and Rock and Roll Hall of Fame honoree David Byrne along with St. Vincent make their Segerstrom Center debuts in An Evening with Davi…

SOURCE: Stage and Cinema at 3:03am on September 26, 2012

Chicago Theater Review: EQUIVOCATION (Victory Gardens) by Dan Zeff

NOTHING EQUIVOCAL ABOUT IT In Bill Cain's entertaining, stimulating Equivocation, William Shakespeare (spelled Shagspeare in the play) doesn't radiate awe-inspiring genius. Instead, he's a r…

SOURCE: Stage and Cinema at 1:25am on September 26, 2012

Los Angeles Theater Review: ORESTES 3.0: INFERNO (City Garage in Santa Monica) by Samuel Bernstein

GODS AND MONSTERS Oedipus gets all the attention, what with his Freudian mixture of patricide and mommy love, but an arguably much more influential character in the Greek pantheon is the dee…

SOURCE: Stage and Cinema at 12:04am on September 26, 2012

Los Angeles Theater Review: A KIND OF LOVE STORY (Sacred Fools) by Paul Birchall

THE LONG MEET CUTE If you're inclined to think in terms of film noir, you could very easily give playwright Jenelle Riley's quite charming romantic comedy the subtitle "The Long Meet Cute":�…

SOURCE: Stage and Cinema at 9:37pm on September 25, 2012
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