DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

Stage and Cinema Interview: GRANT GERSHON (Musical Director of Los Angeles Master Chorale) by Tom Chaits

L.A. MASTER CHORALE’S GRANT GERSHON PIPES UP The Los Angeles Master Chorale kicks off its 49th season on Sunday, October 21st at the Walt Disney Concert Hall with an organ and choral e…

SOURCE: Stage and Cinema at 3:38pm on October 15, 2012

Chicago Theater Review: PONTYPOOL (Strawdog Theatre Company) by Zach Freeman

THE LANGUAGE OF THE ZOMBIE Over a decade ago, author Tony Burgess penned the experimental novel Pontypool Changes Everything, which featured what could be called "zombies" but focused more o…

SOURCE: Stage and Cinema at 2:25pm on October 15, 2012

Chicago Theater Review: NIGHT OVER ERZINGA (Silk Road Rising) by Lawrence Bommer

THE FORCE OF FAMILY Looming over this long multi-generational family epic by Adrianna Sevahn Nicholas is the shadow of genocide"the 1915 slaughter by Turks of 1.5 million Armenians, a precur…

SOURCE: Stage and Cinema at 2:50am on October 15, 2012

Chicago Theater Review: ELEKTRA (Lyric Opera) by Kristin Walters

OPERA WITH A TASTE FOR BLOOD The word "opera" normally elicits memories of sound"an orchestra roiling, an aria peaking"but in an effort to innovate the public's preconceived notions of the a…

SOURCE: Stage and Cinema at 2:59am on October 14, 2012

Off-Broadway Theater Review: HIM (59E59 Theaters) by Paul Birchall

THE FAMILY THAT STAYS TOGETHER HATES TOGETHER The legacy of emotional damage inflicted on children by their parents is one of the main themes in Him, a new play by Daisy Foote " but the subt…

SOURCE: Stage and Cinema at 2:58am on October 14, 2012

Los Angeles/Regional Theater Review: PINKALICIOUS (Lewis Family Playhouse in Rancho Cucamonga) by Kim Kautzer

TICKLED PINK OK. I admit it: I'm a bad grandma. With three granddaughters between the ages of four and seven, I've never read a single Pinkalicious book. I felt unprepared, then, to join a t…

SOURCE: Stage and Cinema at 2:38am on October 14, 2012

Off Broadway Theater Review: CLOSER THAN EVER (York Theater) by Paul Birchall

SOPHISTICATED SONGWRITING IN CLOSER THAN EVER One might well approach this musical about growing into middle age with some trepidation.  The fact is that plays about midlife usually tend …

SOURCE: Stage and Cinema at 12:49pm on October 13, 2012

Los Angeles Theater Review and Commentary: KRAPP'S LAST TAPE (Kirk Douglas Theatre) by Jason Rohrer

LIKE THE LAST, AND THE ONE BEFORE THAT About twenty minutes into John Hurt’s solo performance Wednesday, the character Krapp’s voice on tape said, "Extraordinary silence tonight.…

SOURCE: Stage and Cinema at 2:50am on October 13, 2012

Chicago and New York Theater Review: MEDEA'S GOT SOME ISSUES (Teatro Luna/Chicago, Solo Festival/New York) by Paul Kubicki

YOU THOUGHT THAT YOU HAD ISSUES? Your favorite Euripidean diva has some serious beef with just about everything.  In Emilio Williams' new one woman show, Medea's Got Some Issues, she's pi…

SOURCE: Stage and Cinema at 2:40am on October 13, 2012

Off-Broadway Theater Review: NORTH (59E59) by Sarah Taylor Ellis

NORTH GOES SOUTH As a child, I flew to the stars with Antoine de Saint-Exupéry's The Little Prince " a work of youthful wonder tinged with adult melancholy, loneliness, and wistful philosop…

SOURCE: Stage and Cinema at 7:23pm on October 12, 2012

Chicago Theater Review: 42ND STREET (Theatre at the Center in Munster, IN) by Tony Frankel

YOU DEFINITELY WANT TO MEET THESE FEET I was led to believe, based on having seen both the original Broadway version of 42nd Street and the humongous Broadway revival, that the slight jukebo…

SOURCE: Stage and Cinema at 7:09pm on October 12, 2012

Chicago Theater Review: BLOODY BLOODY ANDREW JACKSON (Bailiwick) by Dan Zeff

NOT AS BLOODY AS THE TITLE IMPLIES Bloody Bloody Andrew Jackson is an audacious rock musical tracing the life and times of Andrew Jackson, the 7th president of the United States. The show is…

SOURCE: Stage and Cinema at 12:12pm on October 12, 2012

Off-Broadway Theater Review: HERESY (The Flea Theatre) by Dmitry Zvonkov

AN AMUSING TRIFLE A.R. Gurney's entertaining, dynamic but trivial new play Heresy reinvents the story of Jesus Christ (in the play he's called Chris), changing the setting from 33 A.D. Jerus…

SOURCE: Stage and Cinema at 9:00pm on October 11, 2012

Chicago Dance Feature: HUMAN LANDSCAPES (Joffrey Ballet) by Tony Frankel

THE LANDSCAPE OF THE SOUL Those who were lucky enough to witness the Joffrey Ballet's Spring Desire program this year were treated to what may well have been the greatest dance program…

SOURCE: Stage and Cinema at 7:28pm on October 11, 2012

Chicago Theater Review: BLACK WATCH (National Theatre of Scotland) by Lawrence Bommer

KILLER'S REMORSE It's a bit haunting that Black Watch is performed in a National Guard armory where soldiers, like the Scottish laddies depicted in Gregory Burke's combat pageant, trained be…

SOURCE: Stage and Cinema at 12:49pm on October 11, 2012

Chicago Theater Review: BLACK N BLUE BOYS/BROKEN MEN (Goodman Theatre) by Tony Frankel

A STORY TO TELL Writer/Actress Dael Orlandersmith has many stories to tell in her one-person show at the Goodman, but they all encompass the same theme: abuse. Specifically, involving boys a…

SOURCE: Stage and Cinema at 8:28pm on October 10, 2012

Los Angeles Theater Review: ROOM 105: THE HIGHS AND LOWS OF JANIS JOPLIN (Macha Theatre) by Jesse David Corti

JOPLIN TRIBUTE NEEDS TO TRY, NOT A LITTLE BIT, BUT A LOT HARDER 42 years ago, Janis Joplin joined fellow rock visionaries Jimi Hendrix and The Rolling Stones' Brian Jones in the "27 Club," a…

SOURCE: Stage and Cinema at 12:26pm on October 10, 2012

Chicago Dance Feature: ONE THOUSAND PIECES (Hubbard Street Dance Chicago) by Tony Frankel

PIECES OF FATE There is quite a bit of buzz surrounding Hubbard Street Dance Chicago's One Thousand Pieces, which will commence the company's 35th season. Inspired by Chagall’s masterp…

SOURCE: Stage and Cinema at 11:35am on October 10, 2012

San Diego Theater Review: SAM BENDRIX AT THE BON SOIR (La Jolla Playhouse at Martini's Above Fourth) by John Todd

THANK GOD THE DRINKS ARE STRONG The secret to living in New York is knowing how to cross the street against the light.  Sam Bendrix (Luke Macfarlane) recalls having been given that advice…

SOURCE: Stage and Cinema at 1:26am on October 10, 2012

Los Angeles Theater Review: THE BELLE OF BELFAST (Ensemble Studio Theatre/LA) by Samuel Bernstein

THE 'TROUBLES' WITH FAITH Choosing to write about the Irish Troubles comes with baggage"many people have come before you, and many will come after. Like the Holocaust, it can conjure a deep …

SOURCE: Stage and Cinema at 12:45am on October 10, 2012

Los Angeles Theater Review: CYMBELINE (A Noise Within in Pasadena) by Barnaby Hughes

DUALITY IN A NOISE WITHIN’S CYMBELINE Are women faithful to the men they love? Or are they so weak-willed and inconstant as to be easily seduced by another? While many writers and dram…

SOURCE: Stage and Cinema at 6:28pm on October 9, 2012

Chicago Theater Review and Commentary: ONE NAME ONLY (A DIFFERENT KIND OF REALITY SHOW) (Black Ensemble Theater) by Tony Frankel

ONE TIME ONLY FOR ONE NAME ONLY WAS ONE TOO MANY TIMES Yes, America's got talent. And the performers on stage at Black Ensemble Theater's beautiful new digs are packed to the gills with char…

SOURCE: Stage and Cinema at 4:11pm on October 9, 2012

San Diego Theater Review: THE EXIT INTERVIEW (San Diego Repertory Theatre) by John Todd

A PLAY THAT GROPES FOR AN EXIT William Missouri Downs' The Exit Interview is a jumble of a play whose myriad directions are made more difficult to track by its opening pronouncement:  …

SOURCE: Stage and Cinema at 3:05pm on October 9, 2012

Los Angeles Theater Review: THE CIRCLE (Theatre 40 in Beverly Hills) by Thomas Antoinne

SEMI-CIRCLE The drawing room comedy has fallen out of fashion over the years. These extremely well-made, light, sophisticated plays center around members of polite society whose lives unrave…

SOURCE: Stage and Cinema at 1:01pm on October 8, 2012

Los Angeles Theater Review: NOVEMBER (Mark Taper Forum) by Jason Rohrer

AN OCTOBER UNSURPRISE Scott Zigler learned to direct theater from David Mamet, which is like having David Ortiz teach you how to pitch for the major leagues.  A designated hitter thinks e…

SOURCE: Stage and Cinema at 12:30pm on October 8, 2012
« Previous 25   Page 236 of 264   Next 25 »