DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

Chicago Opera Review: SIMON BOCCANEGRA (Lyric Opera) by Kristin Walters

STAGNANT YET SATIATING Giuseppe Verdi wrote Simon Boccanegra in 1857, but it is the revised 1881 version which the Lyric Opera is presenting in a stiff yet satisfying production.  Afte…

SOURCE: Stage and Cinema at 10:43am on October 20, 2012

New York Cabaret Review: ANDREA MARCOVICCI: SMILE (Café Carlyle) by Harvey Perr

SMILE, THOUGH YOUR HEART IS BREAKING Andrea Marcovicci, who reinvented the torch song for a new generation, has looked our depression/recession straight in the face and decided that what she…

SOURCE: Stage and Cinema at 5:09am on October 20, 2012

Chicago Theater Review: WASTELAND (TimeLine Theatre) by Dan Zeff

A POWERFUL WASTELAND AT TIMELINE Wasteland is a two-character play but the audience only sees one in this drama about two American soldiers held as prisoners during the Vietnam War, now rece…

SOURCE: Stage and Cinema at 5:40pm on October 19, 2012

Off-Broadway Theater Review: IN THE SUMMER PAVILION (59E59 Theatres) by Dmitry Zvonkov

WELL INTENTIONED, ILL-CONCEIVED Whispers of "pretentious" could be heard in the audience of Paul David Young's new play In the Summer Pavilion, which doesn't seem like a fair assessment. Cal…

SOURCE: Stage and Cinema at 4:37pm on October 19, 2012

Off-Off-Broadway Theater Review: LOVE'S END (Abrons Arts Center) by Sarah Taylor Ellis

A POETIC BREAKUP The plot of writer/director Pascal Rambert's play Love's End is astoundingly simple. A long-term romantic relationship finally reaches a breaking point. The man confronts th…

SOURCE: Stage and Cinema at 4:14pm on October 19, 2012

Los Angeles Theater Review: AND THEN THERE WERE NONE (Actors Co-op) by Tom Chaits

THEY’RE DROPPING LIKE FLIES AT ACTORS CO-OP Since it was first published in1939,  Agatha Christie’s And Then There Were None (originally titled Ten Little Niggers and quickly …

SOURCE: Stage and Cinema at 2:37pm on October 19, 2012

Off Broadway Theater Review: HARPER REGAN (Atlantic Theater Company) by Harvey Perr

THE JOURNEY HOMEWARD The title character in Simon Stephens's freshly observed new play, Harper Regan, is at a crossroads in her life, in the midst of what we used to call a midlife crisis.Â…

SOURCE: Stage and Cinema at 10:14pm on October 18, 2012

New York Cabaret Review: JOHN KELLY (Joe's Pub at the Public Theater) by Harvey Perr

WOE AND BEHOLD When John Kelly descends into the regions of darkness, he does so with a soaring intensity that is intoxicating and never depressing. In his new cabaret act at Joe's Pub, Kell…

SOURCE: Stage and Cinema at 9:49pm on October 18, 2012

Los Angeles Theater Review: JUSTIN LOVE (Celebration Theatre) by Samuel Bernstein

JUSTIN IS JUST IN THE MIDDLE The best thing about Justin Love, Celebration Theatre's 30th season opening production, is the fun of watching the stylish performance of Grant Jordan, who gives…

SOURCE: Stage and Cinema at 6:03pm on October 18, 2012

Chicago Theater Review: KINKY BOOTS (Bank of America Theatre) by Lawrence Bommer

TRYOUT SHOULD GET THE BOOT UNTIL IT WORKS OUT THE KINKS Prepare yourself for some disparate reviews of Kinky Boots, which had its pre-Broadway tryout in Chicago's Bank of America Theater las…

SOURCE: Stage and Cinema at 5:34pm on October 18, 2012

Chicago Theater Review: AFTER (Profiles) by Tony Frankel

AFTERGLOW It's with good reason that Chad Beckim's After has been extended at Profiles Theatre. Yes, Beckim's script undoubtedly tries to cover too much territory as he tells the tale of Mon…

SOURCE: Stage and Cinema at 5:42pm on October 17, 2012

Chicago Theater Review: TRAINSPOTTING USA (Theater Wit) by Lawrence Bommer

INTO THE TOILET The 1996 film Trainspotting was notorious for its spare-no-sensitivity, take-no-prisoners look at Edinburgh heroin addicts. Based on Irvine Welsh's bottom-feeding novel, it t…

SOURCE: Stage and Cinema at 4:55pm on October 17, 2012

San Diego Theater Review: AROUND THE WORLD IN 80 DAYS (Lamb's Players Theatre) by John Todd

ADAPTATION NEEDS TO MAKE EVERY DAY COUNT Jules Verne channeled 19th century technological progress into wondrous stories that fueled the world's imagination.  He took us to the center of …

SOURCE: Stage and Cinema at 2:41pm on October 17, 2012

Off-Broadway Theater Review: LAST MAN CLUB (One Sheridan Square). by Paul Birchall

THE JOADS AT HOME Playwright Randy Sharp's one act drama takes place during the Dust Bowl catastrophe of the 1930s, when a monstrous drought descended on the central plain states turning fer…

SOURCE: Stage and Cinema at 1:59pm on October 17, 2012

Chicago Theatre Review: THE ARSONISTS (Trap Door Theatre) by Paul Kubicki

OXYGEN? YES. FUEL? YES. HEAT? NO. There are arsonists who want to burn down a town, and they want the citizens to help. In Max Frisch's absurdist play, a city has whipped itself …

SOURCE: Stage and Cinema at 11:43am on October 17, 2012

San Francisco Theater Review: BLOODY BLOODY ANDREW JACKSON (SF Playhouse) by Maurice Kelly

SHOOTING HISTORY IN THE NECK With the exception of Hedwig and the Angry Inch and its fierce gender-bending genius, and Rocky Horror Picture Show (sublime sexy silliness that nudged a million…

SOURCE: Stage and Cinema at 10:57am on October 17, 2012

Off-Off-Broadway Theater Review: NATASHA, PIERRE, & THE GREAT COMET OF 1812 (Ars Nova) by Sarah Taylor Ellis

DRINKS WITH A RAKE Find the nearest bottle of vodka and drink up. Ars Nova's world premiere of Natasha, Pierre & The Great Comet of 1812 " an electro-pop musicalization of a self-contain…

SOURCE: Stage and Cinema at 9:00pm on October 16, 2012

Off-Broadway Theater Review: THE OLD MAN AND THE OLD MOON (The Gym at Judson) by Sarah Taylor Ellis

EXTRAORDINARILY BEAUTIFUL PIGPEN PROJECT PigPen Theatre Co.'s The Old Man and the Old Moon is guaranteed to gently pluck at your heartstrings. An enchanting fable told through shadow pupp…

SOURCE: Stage and Cinema at 3:21pm on October 16, 2012

Los Angeles Theater Review: CREATION (Theatre @Boston Court in Pasadena) by Jason Rohrer

A PRO-CHOICE ARGUMENT Michael Michetti’s staging of Kathryn Walat’s Creation will, I hope, long hold the record in my experience for Most Literal Production.  This decidedly n…

SOURCE: Stage and Cinema at 2:59pm on October 16, 2012

Off Broadway Theater Review " HERESY (The Flea Theatre) by Harvey Perr

"Satire," as George S. Kaufman once famously said, "is what closes Saturday night."  Though written in jest, it has served as an admonition for playwrights in pursuit of satire. In this a…

SOURCE: Stage and Cinema at 2:48pm on October 16, 2012

Off-Off-Broadway Theater Review: I HATE FUCKING MEXICANS (The Flea Theater) by Sarah Taylor Ellis

PINCHES GRINGOS! The aliens have arrived. Mexicans, that is. Fucking Mexicans. And fucking Nigerians. Small town Southern girl Tamara-Lee can't seem to decide which she hates more. I Hate Fu…

SOURCE: Stage and Cinema at 12:22pm on October 16, 2012

Los Angeles Theater Review: THE BEAT GOES ON! (Arena Stage in Hollywood) by Tom Chaits

SASSY SENIORS PROVE THE BEAT GOES ON FOR THE YOUNG AT HEART At 80 years young Jackie Goldberg, a.k.a. The Pink Lady, is on a mission. After becoming a widow at 70 she created a series of sem…

SOURCE: Stage and Cinema at 10:55am on October 16, 2012

Chicago Theater Review: SMOKEY JOE'S CAFÉ (Theo Ubique) by Dan Zeff

SMOKIN' When Smokey Joe's Café opened on Broadway in 1995, the critics were only mildly impressed and suggested that this revue of rock "n" roll songs composed by Jerry Leiber and Mike Stol…

SOURCE: Stage and Cinema at 10:32am on October 16, 2012

Chicago Theater Review: BROKEN GLASS (Redtwist Theatre) by Lawrence Bommer

EVIL WILL TRAVEL In his great works, like Death of a Salesman and The Crucible, and even in his lesser efforts, such as Broken Glass, Arthur Miller forces us to confess a greater loyalty …

SOURCE: Stage and Cinema at 5:16pm on October 15, 2012

Off-Off-Broadway Theater Review: POSITIONS (Roy Arias Studio Theater) by Dmitry Zvonkov

PUT IN AN UNCOMFORTABLE POSITION Anticipating having to review Owen Dunne's new play Positions, the feeling I had while watching it " knowing the production to have travelled 600 miles to…

SOURCE: Stage and Cinema at 4:38pm on October 15, 2012
« Previous 25   Page 235 of 264   Next 25 »