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35,709 stories from The Guardian

Help! We Are Still Alive review " muddled apocalyptic comedy by Anya Ryan

Seven Dials Playhouse, LondonA couple strive to survive Earth's end of days with some glorious songs in an otherwise stagnant two-hander Here we are in the apocalypse. Jass and Finn are the …

SOURCE: The Guardian at 9:03am on September 12, 2022

'A call to arms': Sophie Melville returns to furious drama about austerity's brutal impact by Natasha Tripney

It was her breakout role " and now the actor is starring once more in Gary Owen's Iphigenia in Splott, a play that resonates with her personally and politically 'It feels even more urgent no…

SOURCE: The Guardian at 2:25am on September 12, 2022

The Maggie Wall review " vivid tale of a woman burned for witchcraft by Mark Fisher

Pitlochry Festival theatreIn a monologue starring the excellent Blythe Jandoo, Martin McCormick finds a fearful, misogynistic, class-ridden society to blame for a girl's death There is somet…

SOURCE: The Guardian at 10:07pm on September 11, 2022

Clorinda Agonistes review " a dance of love and death on the battlefield by David Jays

Sadler's Wells, LondonA crusader and a Saracen have a fateful encounter in this richly layered work by Shobana Jeyasingh Dance, set to Monteverdi and a plangent score by Syrian-American comp…

SOURCE: The Guardian at 11:07am on September 11, 2022

Antigone review " a poetic tragedy about modern British Muslim life by Arifa Akbar

Regent's Park Open Air Theatre, LondonInua Ellams updates the Sophoclean drama into a beguiling piece about faith and prejudice, and casts a suspicious eye at politicians who betray their ow…

SOURCE: The Guardian at 10:03am on September 11, 2022

The week in theatre: I, Joan; The Glass Menagerie; Silence " review by Susannah Clapp

Shakespeare's Globe, London; Royal Exchange, Manchester; Donmar Warehouse, LondonIsobel Thom's non-binary Joan of Arc blazes on to the stage in Charlie Josephine's eye-opening new play; Tenn…

SOURCE: The Guardian at 6:43am on September 11, 2022

Playtime review " a bubblegum take on Monsieur Hulot by Clare Brennan

Royal & Derngate, NorthamptonFive actors play more than 100 roles as Tati's 60s satire is transformed into a meet-cute comedy of quick-change physical comedy The late, great Observer fil…

SOURCE: The Guardian at 6:43am on September 11, 2022

'I'm black, I'm gay, I'm a woman. My country hates me!': actor Samira Wiley on love, confidence and the Handmaid's Tale by Rebecca Nicholson

Samira Wiley shot to fame in Orange is the New Black, then confirmed her status in The Handmaid's Tale. Now she's at the National Theatre. She talks about the timeliness of her roles " and t…

SOURCE: The Guardian at 4:33am on September 11, 2022

The Goldberg Variations, BWV 988; Nureyev: Legend and Legacy review " making sound visible by Sarah Crompton

Sadler's Wells; Theatre Royal Drury Lane, LondonAnne Teresa de Keersmaeker creates a revelatory response to Bach, while a gala celebrating the dance legend is full of bravura dancing A week …

SOURCE: The Guardian at 4:33am on September 11, 2022

Home Office policies take centre stage in modern-day Antigone adaptation by Amelia Gentleman

Inua Ellams adaptation nods to Shamima Begum, stop and search, Prevent programme and police surveillance The incoming home secretary is unlikely to have diary space for a theatre trip this w…

SOURCE: The Guardian at 1:13pm on September 9, 2022

'There is nothing wrong with offending people': Roddy Doyle on getting the band back together by Stuart Jeffries

His comic novel The Commitments gave working-class Dublin its voice " and became a hit film. As the stage version returns to theatres, does Doyle still recognise the foul-mouthed young autho…

SOURCE: The Guardian at 11:03am on September 9, 2022

The Importance of Being Earnest review " knockabout fun with Wilde's genteel wit by Mark Fisher

Leeds PlayhouseDenzel Westley-Sanderson's staging of the high-society comedy adds a welcome dose of playfulness amid the cucumber sandwiches On the way into the theatre there is a pop-up dis…

SOURCE: The Guardian at 11:03am on September 9, 2022

New Britain, same as the old one: the legacy of the second Elizabethan era | David Hare by David Hare

The Queen's accession seemed to herald a fresh start for Britain. But as politics became more squalid, her bland persona was a good match for the monarchy's survival instinct, says playwrigh…

SOURCE: The Guardian at 8:49am on September 9, 2022

On stage and when we met at the theatre, the Queen was a figure of quiet wisdom and humour by Michael Billington

The monarch was sympathetically depicted by dramatists and at a 1999 production of Oklahoma! her eyes lit up when she recalled her own theatrical outings "I've never been fond of the theatre…

SOURCE: The Guardian at 8:49am on September 9, 2022

'As soon as I put the wig on, people changed': Stella Gonet on playing the Queen by Stella Gonet

Scottish actor who played the monarch in recent film Spencer on what she learned about the Queen from the experience Stella Gonet played the Queen on the big screen in Pablo Larraín's Spe…

SOURCE: The Guardian at 8:49am on September 9, 2022

Yellowman review " colourism drama with two terrific leads by Anya Ryan

Orange Tree theatre, LondonNadine Higgin and Aaron Anthony excel as the couple in Dael Orlandersmith's Pulitzer-nominated play "My mother and her mother before her believed if only they coul…

SOURCE: The Guardian at 8:49am on September 9, 2022

Rising to the Surface by Lenny Henry review " the breakthrough years by Fiona Sturges

In the second instalment of his memoir, the comedian reflects the fame and frustration that came with hitting the big time When the comic and actor Lenny Henry attended the first writers' me…

SOURCE: The Guardian at 7:37am on September 9, 2022

Who Killed My Father review " powerful study of class, cruelty and kin by Arifa Akbar

Young Vic, LondonHans Kesting is spellbinding as an anguished man facing up to his abusive father in Ivo van Hove's adaptation of the book by Édouard Louis A one-minute silence marking t…

SOURCE: The Guardian at 7:37am on September 9, 2022

The Glass Menagerie review " astonishing refresh upturns a delicate classic by Mark Fisher

Royal Exchange, ManchesterMaking dynamic use of a sparse stage and a spinning neon sign, Atri Banerjee's adventurous production gives new shape to Tennessee Williams' play You mess with The …

SOURCE: The Guardian at 4:19pm on September 8, 2022

Les Ballets Trockadero de Monte Carlo review " arabesques, pratfalls and a swan on wheels by Lyndsey Winship

Peacock theatre, LondonMixing technical skill with slapstick hilarity, the Trocks are as engaging as ever in this symphony of perfectly timed mistakes In the past few years there has been an…

SOURCE: The Guardian at 4:19pm on September 8, 2022

Playtime review " quirky gags and mimed mayhem as Tati comedy takes the stage by Arifa Akbar

Royal & Derngate, NorthamptonThis adaptation of the classic 1967 film is packed with fun despite losing its way in the second half Attempting to adapt Jacques Tati's 1967 masterpiece is …

SOURCE: The Guardian at 8:55am on September 8, 2022

Much Ado About Nothing: backstage for NT Live " in pictures by Tristram Kenton

We joined rehearsals for the National Theatre's production of Shakespeare's comedy starring Katherine Parkinson before its live broadcast to UK cinemas on 8 September Continue reading...

SOURCE: The Guardian at 8:55am on September 8, 2022

Rehab: The Musical review " 90s pop star hits the road to recovery by Miriam Gillinson

Playground theatre, LondonFeaturing Keith Allen as a scheming PR man, this heartfelt comedy drawn from songwriter Grant Black's own experiences is often great fun Opening with a song named W…

SOURCE: The Guardian at 8:55am on September 8, 2022

Noises Off: the farce masterclass that is truly revealing by Michael Billington

Michael Frayn's comedy is not just extremely funny but also acknowledges the fragile artifice of order " in theatre and the world beyond All plays, wrote critic John Lahr, are dated. He mean…

SOURCE: The Guardian at 3:33am on September 8, 2022

The Goldberg Variations review " De Keersmaeker's strange and sober journey into Bach by Lyndsey Winship

Sadler's Wells, LondonThe Belgian choreographer's interpretation of the great keyboard work is a rich, carefully crafted essay Anne Teresa de Keersmaeker is not someone you expect to see dan…

SOURCE: The Guardian at 6:49pm on September 7, 2022
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