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6,591 stories from Stage and Cinema

Los Angeles Theater Review: THE RIVALS (The Actors' Gang) by Paul Birchall

THE SHTICK MAY DETRACT FROM THE PLAY, BUT JUST TRY TO RIVAL THE ACTORS' GANG The Rivals (1775), Richard Brinsley Sheridan's wonderful Comedy of Manners, is a play about pretension; everyone …

SOURCE: Stage and Cinema at 2:42am on October 30, 2012

Los Angeles Theater Review: BUILD (Geffen Playhouse) by Samuel Bernstein

AT PLAY IN THE FIELDS OF SILICON VALLEY Build hasn't started yet, but the minute you walk into the Audrey Skirball Kenis Theater at the Geffen Playhouse you feel drawn into another world by …

SOURCE: Stage and Cinema at 4:15pm on October 29, 2012

Chicago Theater Review: THE MADNESS OF EDGAR ALLAN POE: A LOVE STORY (First Folio in Oak Brook) by Tony Frankel

THE MADNESS OF SITE-SPECIFIC THEATER Back in 2010, First Folio presented David Rice's site-specific theater piece, The Madness of Edgar Allan Poe: A Love Story. If any show should be heaped …

SOURCE: Stage and Cinema at 3:52pm on October 28, 2012

Chicago Theater Review: 44 PLAYS FOR 44 PRESIDENTS (The Neo-Futurarium) by Zach Zimmerman

PRESIDENTIAL AFFAIR OR LAME DUCK? Every four years, the American people come together to debate important issues, engage in democratic dialogue, and realize they agree on absolutely nothing.…

SOURCE: Stage and Cinema at 2:24pm on October 27, 2012

Chicago Dance Review: GIORDANO DANCE CHICAGO (Harris Theater) by Lawrence Bommer

KINETIC COOL IN MILLENNIUM PARK As evidenced at last night's opening, Giordano Dance Chicago's Fall Engagement"a two-night gig at the Harris Theater"is a major installment in the company's v…

SOURCE: Stage and Cinema at 12:15pm on October 27, 2012

Off-Broadway Theater Review: HOUSE FOR SALE (The Duke on 42nd Street) by Sarah Taylor Ellis

HOUSE NOT AT HOME IN THE THEATER My theatergoing companion left the Duke on 42nd Street last night with tears welling in her eyes. She spent much of the subway ride home taking deep br…

SOURCE: Stage and Cinema at 6:53pm on October 26, 2012

Los Angeles Theater Review: I OUGHT TO BE IN PICTURES (Falcon Theatre) by Tom Chaits

I OUGHT TO BE IN PICTURES OUGHT TO BE BETTER You would be hard-pressed to find anyone proclaiming I Ought To Be In Pictures to be Neil Simon’s finest hour, but even with its shortcomin…

SOURCE: Stage and Cinema at 5:39pm on October 26, 2012

Chicago Theater Review: THE RECKLESS, RUTHLESS, BRUTAL CHARGE OF IT, OR THE TRAIN PLAY (Oracle Theatre) by Lawrence Bommer

A RUSH TO DOOM As the breathless title suggests, there's nothing placid or contained about Liz Duffy Adams' hyper-poetic hybrid of interior monologues and frantic dialogue. The metaphorical/…

SOURCE: Stage and Cinema at 1:46pm on October 26, 2012

Los Angeles Theater Review: FAITH: PART ONE OF A MEXICAN TRILOGY (Los Angeles Theatre Center) by Ella Martin

A SENTIMENTAL JOURNEY Faith by Evelina Fernandez, directed by Jose Luis Valenzuela, is a sensitive portrayal of a Mexican-American family in the 1940's. Good performances and a smart use of …

SOURCE: Stage and Cinema at 12:19pm on October 26, 2012

Off-Broadway Theater Review: A SUMMER DAY (Rattlestick Playwrights) by Dmitry Zvonkov

A BAD DAY FOR A GREAT PLAY It's a problem when the most effective elements of a dramatic show are the sound and visual effects, but such is the case with Cherry Lane Theater's production of …

SOURCE: Stage and Cinema at 8:00pm on October 25, 2012

Off Broadway Theater Review: MODERN TERRORISM (2econd Stage Theatre) by Harvey Perr

WHERE IS DR. STRANGELOVE WHEN YOU NEED HIM? The best thing about Joe Kern's Modern Terrorism, or They Who Want To Kill Us and How We Learn to Love Them is its title.  And if it bears a cl…

SOURCE: Stage and Cinema at 6:06pm on October 25, 2012

Off Broadway Theater Review: HOUSE FOR SALE (The Duke on 42nd Street) by Harvey Perr

SOLD: ONE HOUSE.  AT A DISAPPOINTING RATE. Since Daniel Fish has been certified a new genius by New York's avant-garde elite, I am loath to label him a hoax on the basis of having seen ju…

SOURCE: Stage and Cinema at 5:38pm on October 25, 2012

Los Angeles Theater Review: THE DOCTOR'S DILEMMA (A Noise Within) by Jesse David Corti

JUST WHAT THE DOCTOR ORDERED Even though the legislation for a public health care option passed by Democratic majority in Congress, matters of wellness and proper treatment are anxieties tha…

SOURCE: Stage and Cinema at 4:42pm on October 24, 2012

San Francisco Theater Review: AN ILIAD (Berkeley Rep) by Stacy Trevenon

BERKELEY REP HITS A HOMER It utterly astonishes that the epic tale of the Trojan War could be rendered with power and grace by a solo actor. The fact that one actor would have, and does have…

SOURCE: Stage and Cinema at 3:19pm on October 24, 2012

Chicago Theater Review: THE OPPONENT (A Red Orchid Theatre) by Dan Zeff

A FELLOWSHIP IN THE RING The Opponent is a play about the gritty world of small time boxing. Brett Neveu's world premiere two-hander at A Red Orchid Theatre explores the relationship between…

SOURCE: Stage and Cinema at 2:16pm on October 24, 2012

Chicago Theater Review: IN PIGEON HOUSE (Seanachaí) by Tony Frankel

I DON'T EVEN KNOW WHAT THE TITLE MEANS Every once in a while, a theater company falls in love with a script and simply must stage it. I can't imagine any other reason that Seanachaí decid…

SOURCE: Stage and Cinema at 12:48pm on October 24, 2012

Los Angeles Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (Pacific Opera Project) by Mark Alan Anderson

A CLOSE SHAVE The Pacific Opera Project's production of Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street promises so much blood that before the curtain goes up three charact…

SOURCE: Stage and Cinema at 8:34pm on October 23, 2012

Chicago Theater Review: DUCK FOR PRESIDENT (Lifeline) by Sally Jo Osborne

WHEN POLITICS GO FOWL All aboard!  Duck is hitting the campaign circuit so be kind to your web-footed friends by taking the family out to see Duck for President; meanwhile, don't forget t…

SOURCE: Stage and Cinema at 8:04pm on October 23, 2012

Los Angeles Theater Review: YOU CAN'T TAKE IT WITH YOU (Antaeus) by Thomas Antoinne

A DELECTABLE CHESTNUT Kaufman & Hart's You Can't Take it With You has earned its place in the American canon as a great American chestnut, one of those charming, heartfelt comedies from …

SOURCE: Stage and Cinema at 6:32pm on October 23, 2012

Los Angeles Theater Review: A BRIGHT NEW BOISE (Rogue Machine Theatre) by Samuel Bernstein

HIS OWN PRIVATE BOISE We're in Boise, Idaho, in the break room of an arts and craft chain store called Hobby Lobby. Two men appear on closed circuit television doing a sort of home shopping …

SOURCE: Stage and Cinema at 5:58pm on October 23, 2012

Off-Broadway Theater Review: THE FREEDOM OF THE CITY (Irish Repertory Theatre) by Cindy Pierre

A BLOODY GOOD TIME Bloody Sunday is a 1972 incident in Derry, Northern Ireland, during which 13 civil rights protestors and bystanders were shot and killed by the British Army. Although the …

SOURCE: Stage and Cinema at 4:54pm on October 23, 2012

Los Angeles Theater Review: SEMINAR (Ahmanson Theatre) by Ella Martin

SEMINAR SEARCHES FOR MEANING The premise: four fiction writers have paid five thousand dollars each to participate in an exclusive seminar with a renowned teacher. Filled with witty wordplay…

SOURCE: Stage and Cinema at 3:01pm on October 23, 2012

Chicago Theater Review: THE BOOK THIEF (Steppenwolf) by Tony Frankel

A DEATH OF FRESH AIR During the height of WWII in Germany, a recently orphaned adolescent girl named Liesel is taken in by a poor couple in The Book Thief, now receiving a world premiere pro…

SOURCE: Stage and Cinema at 12:33pm on October 22, 2012

Chicago Theater Review: NEIGHBORHOOD 3: REQUISITION OF DOOM (Strawdog) by Tony Frankel

THE DANGERS OF TECHNOLOGY " ON STAGE AND OFF Playwright Jennifer Haley is definitely onto something in her play Neighborhood 3: Requisition of Doom, now receiving its Chicago premiere at Str…

SOURCE: Stage and Cinema at 1:16am on October 21, 2012

Chicago Theater Review: ALL THAT JAWS (Theater Wit) by Lawrence Bommer

LATE NIGHT CHUB THAT'S HARD TO SWALLOW The only excuse for reviewing this 70-minute trifle is that they're charging $20 to see it when it would be worth twice as much to pay to get out. Mire…

SOURCE: Stage and Cinema at 12:48pm on October 20, 2012
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