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6,591 stories from Stage and Cinema

Bay Area Theater Review: THE WHITE SNAKE (Berkeley Rep) by Tony Frankel

A DREAMY BEDTIME STORY Theater critics often speak of "universal themes" in the theater"these are topics to which people in any place and at any time can relate. One of the main reasons t…

SOURCE: Stage and Cinema at 9:36pm on November 15, 2012

San Francisco Theater Review: ANOTHER WAY HOME (Magic Theatre) by Tony Frankel

THERE HAS TO BE ANOTHER WAY When Anna Ziegler's world premiere play Another Way Home began, it seemed that the thrust of the play would revolve around Joey (Daniel Petzold), a 17-year-old sp…

SOURCE: Stage and Cinema at 8:37pm on November 14, 2012

Los Angeles Theater Review: DEATH OF A SALESGIRL (Bootleg Theater) by Jesse David Corti

BETTER THAN THIN MINTS FROM A GIRL SCOUT The World Premiere of Patricia Scanlon's Death of a Salesgirl is a must-see surreal tragicomedy presented by The Bootleg Theater. Its fresh and innov…

SOURCE: Stage and Cinema at 3:32pm on November 14, 2012

Chicago Theater Review: THE BURNT PART BOYS (Theater Wit) by Lawrence Bommer

MINING MEMORIES Adam Guettel's Floyd Collins remains the ultimate spelunking musical as it depicts a cave explorer entrapped by both hard rock and a media spectacle. The Burnt Part Boys, a 9…

SOURCE: Stage and Cinema at 5:14pm on November 13, 2012

San Francisco Theater Review: WILDER TIMES (Aurora Theatre) by Tony Frankel

FAR FROM WILD Thornton Wilder, especially as a playwright, looks to the commonality of all people to demonstrate the value in appreciating life, especially when the death of a loved one is i…

SOURCE: Stage and Cinema at 5:03pm on November 13, 2012

Off-Off-Broadway Theater Review: PORT OUT, STARBOARD HOME (La MaMa) by Dmitry Zvonkov

AFLOAT ON HIGH ASPIRATIONS Many positive things can and should be said about Sheila Callaghan's Port Out, Starboard Home, a play about a three-day cruise at the end of which the passengers p…

SOURCE: Stage and Cinema at 4:21pm on November 13, 2012

Chicago Theater Review: THE ODD COUPLE (Northlight in Skokie) by Dan Zeff

NOT IN THE CARDS Northlight audiences should cut the theater's revival of The Odd Couple some slack. The production took a major hit when co-star George Wendt was forced to drop out of the s…

SOURCE: Stage and Cinema at 1:35am on November 13, 2012

San Diego Theater and Tour Preview: DRALION (Cirque du Soleil) by Milo Shapiro

HUMANS ARE THE SPECTACLE, NOT ANIMALS Childhood memories of circus fun include ringleaders putting heads in a lion’s mouth, dancing bears, and elephants resting a paw upon a lovely lad…

SOURCE: Stage and Cinema at 4:04pm on November 10, 2012

San Francisco Theater Review: BEACH BLANKET BABYLON (Club Fagazi) by Tony Frankel

THE HAT'S JUST KEEP ON COMIN' Billed as the world's longest running musical revue, Steve Silver's Beach Blanket Babylon is a flamboyant, frivolous, and frothy burlesque that takes a jab at p…

SOURCE: Stage and Cinema at 2:56pm on November 9, 2012

Los Angeles Theater and Film Review: WRECK-IT RALPH (Directed by Rich Moore) by Tony Frankel

AN IMAGINATIVE STORY AND SPECTACULAR VISUALS MAKE UP FOR CALCULATED FAMILIARITY It's quite an accomplishment for Disney that the multitude of elements in Wreck-It Ralph don't collapse in on …

SOURCE: Stage and Cinema at 12:46am on November 7, 2012

Los Angeles/Regional Theater Review: HOW TO WRITE A NEW BOOK FOR THE BIBLE (South Coast Rep in Costa Mesa) by Tony Frankel

HOW TO LAUGH AND CRY AND BE UNMOVED AT THE SAME TIME Playwright Bill Cain, after discovering his mother, Mary, had six months to live, moved into the family home in Syracuse, New York. Like …

SOURCE: Stage and Cinema at 5:35pm on November 6, 2012

San Francisco Theater Preview: STRINDBERG CYCLE: THE CHAMBER PLAYS IN REP (Cutting Ball Theater) by Tony Frankel

AN AUGUST PROJECT In many ways, playwright August Strindberg's influence in the theater has been far more significant than his public reception. While theater historians and scholars speak o…

SOURCE: Stage and Cinema at 1:26am on November 5, 2012

Chicago Theatre Review: SUPERIOR DONUTS (Royal George Theatre) by Zach Zimmerman

THERE'S A HOLE IN DONUTS' PROMISING STORY Arthur Przybyszewski, the gray bearded and ponytailed proprietor of a donut shop in Chicago, enters his store one morning to find it vandalized. Two…

SOURCE: Stage and Cinema at 8:54pm on November 4, 2012

Chicago Theater Review: TALES OF THE TWINKLING TWILIGHT (Raven Theatre) by Lawrence Bommer

TWINKLE, TWINKLE, LITTLE PLAY Developed by Raven Theatre's Workshop Series, these ten hit-and-run "playlettes" by John Weagly take only 52 minutes to rearrange reality into quirky juxtaposit…

SOURCE: Stage and Cinema at 11:55am on November 4, 2012

San Francisco Theater Preview: CARMELINA (42nd Street Moon) by Tony Frankel

THAT’S AMORE I hope San Franciscans actually know how advantaged they are to have a company like 42nd Street Moon, which presents fully staged productions of rarely-seen musicals. Whil…

SOURCE: Stage and Cinema at 7:39pm on November 3, 2012

Chicago Dance Review: MOULIN ROUGE " THE BALLET (Royal Winnipeg Ballet) by Lawrence Bommer

THE FRAMEWORK IS A BIT ODD, BUT THE MOVEMENT IS GLORIOUS Not to be confused with the frenetic film starring Nicole Kidman or the older Oscar winner with Jose Ferrer as Toulouse Lautrec, this…

SOURCE: Stage and Cinema at 1:07pm on November 3, 2012

Los Angeles Theater Review: IN THE RED AND BROWN WATER (Fountain Theatre) by Tony Frankel

RED AND BROWN IS THEATRICAL GOLD Los Angeles is usually the last major theater city in the states to see productions of playwrights whose works have received praise in their world prem…

SOURCE: Stage and Cinema at 9:19pm on November 2, 2012

Los Angeles Theater Feature: DEATH OF A SALESGIRL (Bootleg) by Tony Frankel

ATTENTION MUST BE PAID Bootleg Theater continues its run of the world premiere of Death of a Salesgirl, an absurdist tragicomedy with integrated media, about one woman's struggle to fr…

SOURCE: Stage and Cinema at 5:11pm on November 2, 2012

Chicago Theater Review: MUSIC FROM A SPARKLING PLANET (Eclectic Theatre Company) by Sally Jo Osborne

HERE. THEN. NOW. WHEN? WHAT? WHY? Which 1970's TV show had the nicest Nazi's"was it Wonder Woman or Hogan's Heroes? Which cartoon character is stoned most of the time"was it Shaggy from Scoo…

SOURCE: Stage and Cinema at 7:50pm on November 1, 2012

Los Angeles Theater Review: 42nd STREET (Carpenter Performing Arts Center) by Jesse David Corti

FLEET FEET, HOLLOW HEART When notes jostled in and out of the written score during the overture of Musical Theatre West's 42nd Street, it portended a production that doesn't have all the ing…

SOURCE: Stage and Cinema at 10:11pm on October 31, 2012

Off Broadway Theater Review: WILD WITH HAPPY (The Public Theatre) by Harvey Perr

FORGET YOUR TROUBLES.  COME ON, GET HAPPY. When the lights go up on Wild With Happy, we see Colman Domingo, in cool shades and wearing his best Paris-Is-Burning attitude, speak his openin…

SOURCE: Stage and Cinema at 8:27pm on October 30, 2012

Off Broadway Theater Review: NEUTRAL HERO (The Kitchen) by Harvey Perr

MAXWELL COUNTRY: WHERE HEROES ROAM There is only one Richard Maxwell and, in his extraordinarily textured Neutral Hero, he has gone back to his roots.  For those of us who have longed for…

SOURCE: Stage and Cinema at 8:03pm on October 30, 2012

Chicago Theater Review: CHICAGO'S WEIRD, GRANDMA (The Neo-Futurarium) by Samantha Nelson

MONKEY BUSINESS Barrel of Monkeys has spent more than 10 years teaching writing workshops at Chicago schools, but they are best known for turning the creative writing from elementary school …

SOURCE: Stage and Cinema at 6:31pm on October 30, 2012

Los Angeles Theater Review: MUCH ADO ABOUT NOTHING (Zombie Joe's Underground) by Barnaby Hughes

LESS ADO IS STILL MUCH ADO Shakespeare’s plays tend to be longer than those of contemporary playwrights, typically running 120-150 minutes. This leads many theatre directors to wonder …

SOURCE: Stage and Cinema at 2:59am on October 30, 2012

Off-Off-Broadway Theater Review: ICH, KÜRBISGEIST (The Chocolate Factory) by Dmitry Zvonkov

NOT SURE WHAT IT IS BUT I LIKE IT Staged in the basement of The Chocolate Factory, with exposed pipes, beams and support columns, the drawbacks of Sibyl Kempson's wonderfully inventive new s…

SOURCE: Stage and Cinema at 2:58am on October 30, 2012
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