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35,709 stories from The Guardian

Choreographer Kate Prince: 'Hip-hop is like a massive jar of honey' by Sarah Crompton

The founder of ZooNation on how the company " about to celebrate its 20th anniversary " helped to bring hip-hop dance into the mainstream The choreographer, director and writer Kate Prince, …

SOURCE: The Guardian at 5:07am on September 25, 2022

Joyce's Women review " Edna O'Brien's powerful play is a fascinating portrait of a fellow writer by Helen Meany

Abbey theatre, DublinO'Brien's empathy for Joyce shines through in this lavish production, as she brings him to life, seen through the eyes of his mother, wife, daughter and lover Marking th…

SOURCE: The Guardian at 11:37am on September 23, 2022

Antisemitism claims at the Royal Court theatre | Letters by Letters

Caryl Churchill and Dominic Cooke defend the play Seven Jewish Children, and John Pelling recalls plays by Arnold Wesker and Bernard Kops In his article (Once even Jews would utter the word …

SOURCE: The Guardian at 9:25am on September 23, 2022

Cages review " hologram rock musical is a dreary dystopia by Ryan Gilbey

Riverside Studios, LondonAn overreliance on technology and a doomy score can't replace old-fashioned chemistry in this emotionless offering Anhedonia is a condition that renders the sufferer…

SOURCE: The Guardian at 9:25am on September 23, 2022

Clutch review " drama about driving lessons is a joyful ride by Miriam Gillinson

Bush theatre, LondonWill Jackson's endearing two-hander pairs a nervous learner driver with an overbearing instructor Driving instructor extraordinaire Max has just three rules. No drinking.…

SOURCE: The Guardian at 9:25am on September 23, 2022

The Wonderful World of Dissocia review " whimsical and brutal by Arifa Akbar

Theatre Royal Stratford East, London At first, Anthony Neilson's play is a bewildering affair, but its sombre aftermath imparts understanding with crushing effect Anthony Neilson's 2004 dram…

SOURCE: The Guardian at 9:25am on September 23, 2022

Othello review " taut update from the superb Watermill ensemble by Gareth LlÅ·r Evans

Watermill theatre, Newbury An excellent cast animate Karla Marie Sweet's adaptation with a drilled menace, while contemporary songs are employed to remarkable effect Karla Marie Sweet's adap…

SOURCE: The Guardian at 9:25am on September 23, 2022

'I felt a responsibility to get it right': the male standups using jokes to cope with miscarriage by Rachael Healy

Even though it affects one in five pregnancies, the loss of a baby is rarely talked about, especially among men. But standups Jacob Hawley and Will Duggan are using comedy to break that tabo…

SOURCE: The Guardian at 9:25am on September 23, 2022

Sarah Keyworth: Lost Boy review " serious self-analysis whips up gales of laughter by Brian Logan

Soho theatre, LondonThe standup was planning an altogether sillier show, but life got in the way, resulting in a set that spins grief and loss into an uproarious hour Before Covid, and in co…

SOURCE: The Guardian at 12:25pm on September 22, 2022

Kim Noble: Lullaby for Scavengers review " strange, tender and endlessly funny by Brian Logan

Soho theatre, LondonThe notorious comic and performance artist explores loneliness and the human/animal divide in an intricately assembled scrapbook show It's taken Kim Noble seven years to …

SOURCE: The Guardian at 11:25am on September 22, 2022

Othello review " Frantic Assembly's urgent, thrilling tragedy by Mark Fisher

Curve, LeicesterThis physical, modern-day version is immersed in violence, with gang members vying for sex and authority around a pool table There is nothing polite about Frantic Assembly's …

SOURCE: The Guardian at 9:13am on September 22, 2022

'We need an intervention': five ways to fix the Edinburgh festival fringe by Rachael Healy

Too pricy, too elitist, just too big? After the criticisms of this year's event, a panel of festival regulars consider the way forward for Edinburgh's summer spectacular Katy Koren, co-artis…

SOURCE: The Guardian at 9:13am on September 22, 2022

The Prince review " playful romp through Shakespearean roles by Kate Wyver

Southwark Playhouse, LondonYouTube philosopher Abigail Thorn moves offline and on to the stage with an ambitious exploration of identities and the performance of gender Using the intelligent…

SOURCE: The Guardian at 9:13am on September 22, 2022

Divine comedy: the standup double act who turned to the priesthood by Lamorna Ash

Josh and Jack used to interrogate life via absurdist jokes and sketches. But the questions they had just kept getting bigger " and led them both to embark upon a profound transformation Jack…

SOURCE: The Guardian at 5:55am on September 22, 2022

Mama, just killed a samurai! How Japan used Queen to liven up Romeo and Juliet by Arifa Akbar

How do you give the star-cross'd lovers a lift? Drop them in 12th-century Japan and add a classic Queen album. As it opens in Britain, A Night at the Kabuki sends shivers down our writer's s…

SOURCE: The Guardian at 1:37pm on September 21, 2022

Love All review " Dorothy L Sayers's battle-of-the-sexes comedy lacks bite by Arifa Akbar

Jermyn Street theatre, LondonA bestselling romance writer leaves his wife for a glamorous new partner in this 1940 play whose gender politics feel toothless now Dorothy L Sayers is not prima…

SOURCE: The Guardian at 1:37pm on September 21, 2022

The Apology review " powerful tale of wartime 'comfort women' by Arifa Akbar

Arcola, LondonKyo Choi's shocking and intelligent play tells the story of a Korean woman who was forced into military sex slavery for Japanese troops at the age of 16 The Apology dramatises …

SOURCE: The Guardian at 10:13am on September 21, 2022

'It could have some negative pushback': has extreme comedian Kim Noble finally gone too far? by Brian Logan

In Lullaby for Scavengers, the no-holds-barred performance artist returns to outfox and outrage audiences. He talks about trying to snog his mother, bathing with maggots and being an 'old wh…

SOURCE: The Guardian at 2:33am on September 21, 2022

Once even Jews would utter the word 'Jew' in a whisper. Now it is up in lights by Jonathan Freedland

The fate of Jewish people is to be seen through a lens clouded by centuries of myth and imaginings. For a new play, I spoke to 12 British Jews whose stories illustrate the painful " and even…

SOURCE: The Guardian at 2:33am on September 21, 2022

Daniel Evans and Tamara Harvey are an inspired duo to lead the RSC by Michael Billington

An immense task awaits the Royal Shakespeare Company's new artistic directors who must attract top talent, prioritise verse-speaking and combine classic repertory and contemporary drama It i…

SOURCE: The Guardian at 7:55pm on September 20, 2022

The cold never bothered them anyway: how Frozen made musical magic by Chris Wiegand

The set, costume, video and lighting designers of Disney's London production " now in its second year in the West End " break the ice about its frocks, crystals and astonishing effects Chris…

SOURCE: The Guardian at 2:25pm on September 20, 2022

Kate Berlant and the one-woman show to end all one-woman shows by Lauren Mechling

The comedian teams up with Bo Burnham for a subversive and striking performance that plays into her knack for the absurd Even if you were only remotely involved in the making of Don't Worry …

SOURCE: The Guardian at 7:55am on September 20, 2022

'Childhood holidays everyone wishes they had': the Famous Five return in a musical by Arifa Akbar

Enid Blyton's adventurers roam the stage in a new show that considers the climate crisis, gender identity and the impact of the pandemic on children Anyone who has grown up reading The Famou…

SOURCE: The Guardian at 5:43am on September 20, 2022

Es Devlin: 'Has everything I've made been worth the resources? Probably not' by Oliver Wainwright

The multihyphenate set designer has worked with Adele, Kanye West and Beyoncé " but her new project is a shrine to endangered species whose stars are pipistrelles, planthoppers and bearded …

SOURCE: The Guardian at 8:03pm on September 19, 2022

Theatre world pays tribute after death of Marcello Magni by Chris Wiegand

Italian actor, who often worked with his wife Kathryn Hunter, was a co-founder of Complicité, a gifted clown and a voiceover artist for Pingu Tributes have been paid to the actor Marcello M…

SOURCE: The Guardian at 6:49am on September 19, 2022
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