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13,356 stories from The Financial Times

Kamasi Washington at Brixton Academy " thrilling jazz let down by soupy sound

The saxophonist played an uncompromising set for a large and diverse crowed

SOURCE: The Financial Times Subscription at 6:11am on March 7, 2019

The rise of private sales at auction houses

Plus: sprightly start to contemporary auctions; London gallery decamps to New York

SOURCE: The Financial Times Subscription at 12:00am on March 7, 2019

The enduring appeal of the self-portrait

At the dawn of psychoanalysis, works by German and Austrian artists from Schiele to Klee put their inner lives on display

SOURCE: The Financial Times Subscription at 12:00am on March 7, 2019

Can we love Michael Jackson's work and loathe the man?

When it comes to 'problematic' artists we each have our line in the sand

SOURCE: The Financial Times Subscription at 11:00pm on March 6, 2019

Justin Kauflin at Pizza Express Jazz Club, London " an original stylist in a crowded field

The classically trained young jazz pianist led his trio with rhythmic drive

SOURCE: The Financial Times Subscription at 1:11pm on March 6, 2019

Alys, Always at the Bridge Theatre " Joanne Froggatt is compelling

With its gripping plot, a tart and social critique and a great central role, you can see why Nicholas Hytner brought this popular novel to the stage

SOURCE: The Financial Times Subscription at 1:02pm on March 6, 2019

Border " a fabulous Swedish thriller with remarkable special effects

This macabre story occupies a no-man's-land between genres and genders

SOURCE: The Financial Times Subscription at 12:17pm on March 6, 2019

Everybody Knows " Penélope Cruz and Javier Bardem in a Spanish-set kidnapping drama

Iranian director Asghar Farhadi's film is lushly photographed but far from his best

SOURCE: The Financial Times Subscription at 12:15pm on March 6, 2019

Ray & Liz " every detail is ghastly and perfect in Richard Billingham's film

A Birmingham bedsit is the setting for this squalid, sardonic drama

SOURCE: The Financial Times Subscription at 12:14pm on March 6, 2019

Scripted by Roddy Doyle, Rosie is a tenderly moving story of homelessness

Sarah Greene is superb as a Dublin mother constantly on the move with her children

SOURCE: The Financial Times Subscription at 12:14pm on March 6, 2019

A creepy performance from Maggie Gyllenhaal in The Kindergarten Teacher

A woman's interest in a young boy becomes obsessive in Sara Colangelo's film

SOURCE: The Financial Times Subscription at 12:13pm on March 6, 2019

Captain Marvel " Brie Larson battles baddies, goodies and comic-book gobbledegook

Skilled underacting and quieter moments help balance adrenalised action in Marvel Studios' latest

SOURCE: The Financial Times Subscription at 3:52am on March 6, 2019

"Daddy" is a provocative portrait of racial tensions

A piece of biting social commentary at the Pershing Square Signature Center, New York

SOURCE: The Financial Times Subscription at 12:00am on March 6, 2019

Jack Conte on crowdfunding for creators

John Thornhill talks to Jack Conte about Patreon, the platform he invented to help c…

SOURCE: The Financial Times Subscription at 12:00am on March 6, 2019

Rembrandt loan to Mayfair gallery pays for restoration

English Heritage partnership offers new model to promote its historic sites and exhibitions

SOURCE: The Financial Times Subscription at 1:52pm on March 5, 2019

Strong singing and unfunny gags in The Merry Widow at the London Coliseum

Max Webster's new production for English National Opera is musically impressive but descends into crass spectacle

SOURCE: The Financial Times Subscription at 10:54am on March 5, 2019

Royal New Zealand Ballet: Choreographic Series " a company embraces its roots

A quadruple bill at the Wellington Opera House showcased new works by dancemakers based in the country

SOURCE: The Financial Times Subscription at 10:43am on March 5, 2019

Affectionate farewell to Richard Alston Dance Company at Sadler's Wells, London

A programme of recent works celebrated the sheer breadth and depth of Alston's musicality

SOURCE: The Financial Times Subscription at 12:00am on March 5, 2019

Elizabeth I " angst, outrage and Rossini rum-ti-tum at the Hackney Empire

English Touring Opera's new production is likely to have broad appeal

SOURCE: The Financial Times Subscription at 12:00am on March 5, 2019

Branford Marsalis Quartet at the Barbican " a fine balance of freedom and form

The saxophonist continues to explore the inner workings of the sax and rhythm line-up

SOURCE: The Financial Times Subscription at 12:32pm on March 4, 2019

BBC Total Immersion: Gyorgy Ligeti, Barbican " irrepressible imagination

A day-long programme devoted to the Hungarian composer's idiosyncratic music

SOURCE: The Financial Times Subscription at 12:31pm on March 4, 2019

Solange: When I Get Home " a surprise drop with a new direction

Fluid tracks and many references to Houston neighbourhoods create the feel of one continuous concept track

SOURCE: The Financial Times Subscription at 4:10am on March 4, 2019

American Pie " Don McLean's epic remains cloaked in mystery

The singer's 1971 classic has been the subject of entire books " and has given birth to some risible cover versions

SOURCE: The Financial Times Subscription at 12:00am on March 4, 2019

Geta Bratescu: an artist relishing her last dance

The late Romanian's work, on show in London, reveals her audacious joie-de-vivre

SOURCE: The Financial Times Subscription at 12:00am on March 4, 2019

John Adams and Peter Sellars' Girls of the Golden West packs a powerful punch

Reworked opera is hard going, but comes to life in its later stages at the Muziektheater, Amsterdam

SOURCE: The Financial Times Subscription at 12:00am on March 2, 2019
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