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6,591 stories from Stage and Cinema

Chicago Dance Review: THE NUTCRACKER (The Joffrey Ballet) by Dan Zeff

A HOLIDAY CHESTNUTCRACKER The Joffrey Ballet is celebrating the 25th anniversary of its holiday production of The Nutcracker, which means audiences have enjoyed an evening of grace, beauty, …

SOURCE: Stage and Cinema at 6:53pm on December 8, 2012

Los Angeles Theater Review: RUDOLPH THE RED-NOSED REINDOORS (Falcon Theatre) by Tony Frankel

RECIPE FOR A CHRISTMAS STEW I sent this recipe to a friend, who will let us know how this Christmas Stew turned out: This is a family favorite, cooked up every holiday season. There are a lo…

SOURCE: Stage and Cinema at 6:21pm on December 8, 2012

Chicago Theater Review: CLOSER THAN I APPEAR (Steppenwolf) by Erika Mikkalo

WHEN THE DECONSTRUCTION OF COMEDY BUILDS LAUGHTER Jeff Garlin, comedian and star performer in HBO's Curb Your Enthusiasm, appears in his one-man show Closer Than I Appear at the Steppenwolf …

SOURCE: Stage and Cinema at 2:51pm on December 7, 2012

Chicago Dance Review: HUBBARD STREET DANCE CHICAGO (Winter Series 2012 at Harris Theatre) by Lawrence Bommer

FINDING NEW WAYS TO TURN A BODY The big news from Hubbard Street Dance Chicago as the intrepid troupe launches their four-day "winter series" at the Harris Theatre in Millennium Park? It's t…

SOURCE: Stage and Cinema at 1:31pm on December 7, 2012

Chicago Theater Review: HANNUKATZ THE MUSICAL (National Pastime) by Sally Jo Osborne

CAT CHOKES UP FUR BALLS ONE TOO MANY TIMES You should live so long to meet the Hannukatz, a big 6 foot fur ball of a cat who drops by the Moskowitz family home in Skokie to educate the kids …

SOURCE: Stage and Cinema at 7:24pm on December 6, 2012

Chicago Theater and Tour Review: HOW THE GRINCH STOLE CHRISTMAS! THE MUSICAL (Cadillac Palace Theatre) by Lawrence Bommer

A DOCTORED WHO How the Grinch Stole Christmas! The Musical is only 90 minutes long"not much more time than it would take to watch the beloved animation and read the book by the late Dr. Seus…

SOURCE: Stage and Cinema at 4:33pm on December 6, 2012

San Francisco Theater Review: A CHRISTMAS CAROL (A.C.T.) by Maurice Kelly

ROLL OUT THE CAROL For two generations, a yearly outing to see A Christmas Carol has been a feel-good tradition for San Francisco families. American Conservatory Theater (A.C.T.) has staged …

SOURCE: Stage and Cinema at 3:19pm on December 6, 2012

Bay Area Theater Review: BIG RIVER (TheatreWorks in Palo Alto) by Stacy Trevenon

BIG RIVER MAKES A CLASSIC BOOK FLOW BEAUTIFULLY ONTO THE STAGE In Big River, adapted from the novel The Adventures of Huckleberry Finn, the "mighty Mississippi" gracefully becomes a mighty m…

SOURCE: Stage and Cinema at 2:16am on December 6, 2012

Los Angeles Theater Review: DONNY & MARIE: CHRISTMAS IN LOS ANGELES (Pantages Theatre) by Samuel Bernstein

A JOLLY OSMOND HOLIDAY To fans and detractors alike, Donny and Marie represent a cultural and show business ethos so strong, and so specific, that their actual talents sometimes get lost in …

SOURCE: Stage and Cinema at 1:16am on December 6, 2012

Chicago Theater Review: IT'S A WONDERFUL LIFE! LIVE AT THE BIOGRAPH! (American Blues Theatre) by Zach Zimmerman

IT'S A WONDERFUL SHOW After a long and trying day, I entered Victory Gardens a bit of Scrooge on Saturday night. So when Christmas-y sweater-wearing performers, their smiles stretching from …

SOURCE: Stage and Cinema at 12:37am on December 6, 2012

New York Cabaret Review: FRISK ME: THE SONGS OF MAX VERNON (Joe's Pub) by Sarah Taylor Ellis

FRISK ME AGAIN The hubbub in the lobby of the Public Theater late last Friday night suggested we were in for a dynamic show. Frisk Me: The Songs of Max Vernon packed Joe's Pub with one of th…

SOURCE: Stage and Cinema at 10:14pm on December 5, 2012

Off-Broadway Theater Review: GOLDEN AGE (Manhattan Theatre Club) by Dmitry Zvonkov

I THINK I HEARD BELLINI TURNING IN HIS GRAVE Imagine yourself sitting tied to a chair in a stuffy, dark room with a very dull senile old man who talks on and on and on and on and on and on a…

SOURCE: Stage and Cinema at 11:00pm on December 4, 2012

Chicago Theater Review: SPANK! THE FIFTY SHADES PARODY (The Royal George Theater) by Kristin Walters

FIFTY SHADES PUREED The erotic novel Fifty Shades of Grey has made millions, maybe billions, of dollars and counting, having set the record as the fastest-selling paperback of all time, surp…

SOURCE: Stage and Cinema at 2:58pm on December 4, 2012

Chicago Theater Review: WE THREE LIZAS (Steppenwolf) by Lawrence Bommer

A TASTY POTPOURRI PASTICHE IS MORE PASTRY THAN PORRIDGE Billed as "a holiday bender" (as in gender), About Face Theatre's 90-minute confection includes a 45-minute "cocktail hour" pre-show w…

SOURCE: Stage and Cinema at 2:33pm on December 3, 2012

Los Angeles Theater Review: TWIST YOUR DICKENS (Kirk Douglas Theatre) by Tony Frankel

SECOND CITY OFFERS A LUMP OF COAL Scene 1"INTERIOR OF SPOOGE AND FARLEY'S CRITIC HOUSE (EVERWHEEZER SPOOGE, an irascible, irritated editor-in-chief and theater critic, is hunched over his la…

SOURCE: Stage and Cinema at 9:52pm on December 2, 2012

Los Angeles Theater Review: CONEY ISLAND CHRISTMAS (Geffen Playhouse) by Thomas Antoinne

PALE-Y BY COMPARISON On paper, it must have seemed like such a great idea: create a new holiday show as an alternative to the onslaught of Christmas Carols and Nutcrackers, have Pulitzer-win…

SOURCE: Stage and Cinema at 2:58am on December 2, 2012

Off-Off-Broadway Theater Review: SPEAKING IN TONGUES (Theater 54) by Dmitry Zvonkov

HALF & HALF Australian Made Entertainment's new production of Andrew Bovell's well-crafted relationship thriller Speaking in Tongues really gets going in the second act. The play, direct…

SOURCE: Stage and Cinema at 6:52pm on December 1, 2012

Los Angeles Concert Review: LOS ANGELES MASTER CHORALE (Walt Disney Concert Hall) by Tony Frankel

LAMC SHINES IN A HISTORICALLY INFORMED PERFORMANCE OF MONTEVERDI'S VESPERS OF 1610 After Los Angeles Master Chorale's (LAMC) astoundingly successful performance of Claudio Monteverdi's Vespe…

SOURCE: Stage and Cinema at 2:50am on December 1, 2012

Chicago Opera Review: DON PASQUALE (Lyric Opera) by Kristin Walters

D'ARCANGELO DONS A NEW LOOK After presenting a successful string of tragic operas this season, Lyric Opera flexes its comedic muscles with a charming production of Gaetano Donizetti's opera …

SOURCE: Stage and Cinema at 6:27pm on November 29, 2012

Chicago Theater Review: IT'S A WONDERFUL LIFE: THE RADIO PLAY (American Theater Company) by Dan Zeff

IT’S STILL WONDERFUL In just a few seasons, It's a Wonderful Life: The Radio Play has ascended to the top of the Christmas tree of essential local holiday entertainments. A show that c…

SOURCE: Stage and Cinema at 5:55pm on November 29, 2012

New York Opera Review: DON GIOVANNI (Metropolitan Opera) by Cindy Pierre

EXHAUSTING BUT ENJOYABLE LUST You’ll have to suspend disbelief, endure belaboring, and excuse doltish behavior to enjoy the Metropolitan Opera’s production of Don Giovanni, but o…

SOURCE: Stage and Cinema at 5:16pm on November 29, 2012

San Diego Theater Review HICKORYDICKORY (Moxie Theatre) by John Todd

WASTED TIME In Marisa Wegrzyn's Hickorydickory, all humans are born with a mortal clock encoded with the date and time of their death.  This mortal clock takes the form of an actual pocke…

SOURCE: Stage and Cinema at 4:00pm on November 29, 2012

Chicago Theater Review: ANNIE (Paramount Theatre in Aurora) by Sally Jo Osborne

IT'S OK TO BELIEVE THAT THE SUN WILL COME OUT TOMORROW Director Rachel Rockwell once again astounds us with an incredibly entertaining rendition of Annie at the Paramount Theatre in Aurora, …

SOURCE: Stage and Cinema at 2:34am on November 29, 2012

Off-Broadway Theater Review: THE BOSS (The Metropolitan Playhouse) by Cindy Pierre

REIGNING SUPREME! Monay, Monay, Monay, Monay, MONAY! If the seemingly heartless Irish tycoon Michael R. Regan (a fantastic Dave Hanson) had a theme song in the beginning of Edward Sheldon's …

SOURCE: Stage and Cinema at 5:49pm on November 27, 2012

Chicago Theater Review: YOU NEVER CAN TELL (Remy Bumppo) by Lawrence Bommer

A SKIRMISH OF WIT THAT CAN ONLY BE SHAW In 1896, George Bernard Shaw planned to beat Oscar Wilde at his own playful plotting and acerbic wit, so he wrote his answer to the recently successfu…

SOURCE: Stage and Cinema at 4:40pm on November 27, 2012
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