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3,488 stories from The Arts Desk

The Crown Jewels, Garrick Theatre review - star laden comedy fails to sparkle by Gary Naylor

★★ THE CROWN JEWELS, GARRICK THEATRE True story, dreadfully low on laughs and drama, in which the only successful heist comes at the box office  Al Murray and Carrie Hope F…

SOURCE: The Arts Desk at 4:55am on July 28, 2023

Annie Get Your Gun, Lavender Theatre review - new production in new venue has some work to do by Gary Naylor

★★★ ANNIE GET YOUR GUN, LAVENDER THEATRE Corny book still has its problems,. but Irving Berlin's songs are as glorious as ever  In fields of lavender flowers, an open ai…

SOURCE: The Arts Desk at 6:19am on July 24, 2023

Grenfell: In the Words of Survivors, National Theatre review - verbatim theatre delivered to wrenching effect by Helen Hawkins

Gillian Slovo's incendiary play points a finger at the bureaucrats at the heart of the tragedy The shadow of Grenfell Tower has already produced Nick Kent and Richard Norton-Taylor's dispass…

SOURCE: The Arts Desk at 6:04am on July 22, 2023

Disruption, Park Theatre review - relevant and resonant by Tom Teodorczuk

World premiere of Andrew Stein's slick tech show Plays chronicling the unscrupulous collision of high finance and big tech seem 10 a penny these days. Some writers, such as Joseph Charlton, …

SOURCE: The Arts Desk at 7:04am on July 21, 2023

theartsdesk at the Ravenna Festival - invisible cities and possible dreams by David Nice

Teatro delle Albe's Don Quixote drama rivals Riccardo Muti's Paths of Friendship concert Came for the music, returned for the theatre. I oversimplify: Riccardo Muti's Roads of Friendship eve…

SOURCE: The Arts Desk at 4:13pm on July 16, 2023

Cuckoo, Royal Court review - slow, superficial and unfunny by Aleks.sierz

New comedy explores digital and family alienation, but finds nothing to say Historically, the Royal Court is the venue for cutting-edge new writing " you know, the kind of plays that have s…

SOURCE: The Arts Desk at 2:25pm on July 14, 2023

Dr Semmelweis, Harold Pinter Theatre review - a play in search of a bedside manner by Demetrios Matheou

Mark Rylance conceived and stars in this stirring, but problematic drama of medical discovery hampered by prejudice As an actor, Mark Rylance specialises in outsiders and eccentrics, outlier…

SOURCE: The Arts Desk at 7:33pm on July 11, 2023

Beneatha's Place, Young Vic review - strongly felt, but uneven by Aleks.sierz

British premiere by this venue's supremo is thrillingly provocative but also flawed Trauma is the source of identity politics. In the case of African-Americans, the experience of brutal slav…

SOURCE: The Arts Desk at 4:25pm on July 6, 2023

Modest, Kiln Theatre review - tale of Victorian would-be trailblazer fails and succeeds by Gary Naylor

★★ MODEST, KILN THEATRE A trans and queer celebration, but not a very good play  Art, songs and a cabaret (indeed, Cabaret) vibe, but the story goes nowhere Whether you believ…

SOURCE: The Arts Desk at 12:04am on July 6, 2023

Crazy For You, Gillian Lynne Theatre review - high-kicking heaven by Matt Wolf

Susan Stroman returns to the well, to wondrous results Who says you can't go home again? As proof that you can, and to giddy and gorgeous results, along comes the current West End revival o…

SOURCE: The Arts Desk at 6:33am on July 5, 2023

When Winston Went to War with the Wireless, Donmar Warehouse review " lively, but messy by Aleks.sierz

Jack Thorne's play about the BBC informs and educates, but does not really entertain Can things change, or must they always stay the same? The latest history play by Jack Thorne, a man of t…

SOURCE: The Arts Desk at 4:25pm on July 4, 2023

A Playlist for the Revolution, Bush Theatre review - idealism meets reality head-on by Helen Hawkins

Two students clash over changing the world with a playlist The revolution in the title of AJ Yi's new play at the Bush is the one activists hoped to set in motion in Hong Kong in 2019, when …

SOURCE: The Arts Desk at 1:07am on July 4, 2023

Song from Far Away, Hampstead Theatre review - gentle monologue from a man grappling with grief by Helen Hawkins

Will Young brings sweetness to a thin scenario Lucky Will Young: the production of the Simon Stephens monologue Song from Far Away that he is delivering at the Hampstead Theatre is directed…

SOURCE: The Arts Desk at 2:08am on July 3, 2023

The Swell, Orange Tree Theatre review - mind-bending romantic drama by Aleks.sierz

New play about a lesbian love triangle is emotionally true and profoundly theatrical There are some songs, and singers, that make your heart swell. One of them, for me, is Ani DiFranco's 19…

SOURCE: The Arts Desk at 2:13pm on July 2, 2023

A Strange Loop, Barbican review - Black queer musical with confusing concept but an excellent lead by Helen Hawkins

Michael R Jackson's writing talent finds a claustrophobic outlet If you are going to see A Strange Loop, the new American musical trailing a Tony Award and a Pulitzer Prize that has arrived …

SOURCE: The Arts Desk at 1:07am on July 1, 2023

Theatre at Glastonbury - so big and wild a hallucination, you're always left wanting more by Anya Ryan

We take a journey through the magical land of Glastonbury's theatre, circus and comedy And that's it again for another year. Oh Glastonbury. A fever dream where the time of reality stops as…

SOURCE: The Arts Desk at 2:13am on June 29, 2023

Stumped, Hampstead Theatre review - Beckett and Pinter, waiting for Doggo by Gary Naylor

★★★★ STUMPED, HAMPSTEAD THEATRE A smart, funny, and beautifully staged new play An hour zips by in the company of two playwrights bickering on the boundary edge Mu…

SOURCE: The Arts Desk at 10:43am on June 27, 2023

Robin Hood. The Legend. Re-written, Regent's Park Open Air Theatre review - no bullseye for new take on familiar characters by Gary Naylor

★ ROBIN HOOD. THE LEGEND. RE-WRITTEN. REGENT'S PARK OPEN AIR THEATRE Play with music lost in a forest of competing genres and tones New version of old story wastes talent and resources…

SOURCE: The Arts Desk at 11:04am on June 26, 2023

Mrs Doubtfire, Shaftesbury Theatre review - bold musical makeover of the hit comic film by Helen Hawkins

A star turn from Gabriel Vick powers a lively but loud adaptation The heart sinks (mine does, anyway) as the latest film-to-musical adaptation rolls into town, all with similar sound-worlds,…

SOURCE: The Arts Desk at 8:55pm on June 22, 2023

The Pillowman, Duke of York's Theatre review " starry but slack by Aleks.sierz

West End revival of Martin McDonagh's storytelling classic is fun but unconvincing British theatre is getting a bit timid " is that right? Ahead of the opening of this revival of Martin McDo…

SOURCE: The Arts Desk at 8:55pm on June 22, 2023

Dear England, National Theatre review - filtering the national narrative through sport by Matt Wolf

James Graham's life-affirming new play locates hope and feeling amid the ravages of defeat "Is everything loss?" the great Oliver Ford Davies once asked on the National's Olivier stage, in …

SOURCE: The Arts Desk at 8:49am on June 21, 2023

School Girls, Lyric Hammersmith review - an African Mean Girls with added bite by Helen Hawkins

Pupils at an elite Ghanaian school learn home truths about their country The alternative title of Jocelyn Bioh's 2017 play School Girls, The African Mean Girls Play, might indicate that it's…

SOURCE: The Arts Desk at 2:04am on June 20, 2023

Happy Days, Landmark Productions, Cork Opera House - to the end of the earth by David Nice

Siobhán McSweeney goes way beyond the expected in a transfixing performance Siobhán McSweeney is to be loved as a person for her speech when she received a BAFTA for Best Female Perfor…

SOURCE: The Arts Desk at 5:07am on June 19, 2023

Romeo and Juliet, Almeida Theatre review - muscular action interspersed with moments of telling stillness by Rachel Halliburton

The scenes overlap so that characters are besieged by their past, present and future Rebecca Frecknall's Romeo and Juliet burns like ice, paring back and tightening the script so that love a…

SOURCE: The Arts Desk at 5:07am on June 19, 2023

The Crucible, Gielgud Theatre review - outstanding National Theatre transfer by Jane Edwardes

Arthur Miller's 1953 play is as compelling as ever in Lyndsey Turner's production Whining Donald Trump and snivelling Boris Johnson claim that they are victims of witch-hunts, although all t…

SOURCE: The Arts Desk at 6:13am on June 17, 2023
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