Oh, grow up! Peter Pan as a city hipster BY GORDON COX
"Straight on 'til Morning."
"Straight on 'til Morning."
A description of "The First (and Last) Musical on Mars" could sound misleadingly charming.
David Hare's "Stuff Happens" is arguably the most significant artifact yet to grow from our catastrophic times. Certainly, thus far, it is the most ambitious.
Once they realized they were replaceable, Blue Man Group's founders were on their way to minting a fortune in cobalt copies
There's just enough cool stuff in "Slava's Snowshow" to make it intriguing, but there's also enough off-putting irritants to make it frustrating.
New York-area premiere of the Olivier Award-winning play by Ben Elton.
Uneven production threatens the drama of 'Guantánamo'
The assassination comedy "I'm Gonna Kill the President!" proves better in theory than, if you'll forgive the pun, in execution.
Debra McWaters, the choreography protege to whom Reinking entrusted the national and international tours of "Fosse," has treated the revue as organic epitaph rather than mausoleum etching.
Susannah York's voice reverberates so powerfully in the theater at the Blue Heron Arts Center that it sounds as if it could carry all the way down the block.
"Dracula: The Musical" opened on Broadway last night, but "Dracula" the chaste version won't be.
Review BY LINDA WINER
For all the potential, "Dracula" betrays our most basic expectations for vampire seduction. The show isn't even good junk.
Troubled times over, McGovern is back on club scene and returning to Broadway
The venerable vampire Dracula has swooped out of his coffin again, this time in a musical at the Belasco Theatre