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2,260 stories from Chicago Theater Beat

Review: The Seven-Per-Cent Solution (City Lit Theater) by Scotty Zacher

It's delightful to watch James Sparling, as Sherlock Holmes, in action. And everything clicks here"from Ray Toler's period set to LaVisa Angela Williams' historical costumes to Laura J. Wil…

SOURCE: Chicago Theater Beat at 11:27pm on October 13, 2015

Review: Good for Otto (The Gift Theatre) by Scotty Zacher

Good for Otto contains plenty of interesting moments and boasts much psychological cleverness. The weak narrative arc makes it less dramatically interesting than is should be, however. (read…

SOURCE: Chicago Theater Beat at 9:54pm on October 11, 2015

Review: Marvin's Room (Shattered Globe Theatre) by Scotty Zacher

Twenty-five years after its Goodman Theatre premiere, the late Scott McPherson's dark comedy deftly explores the effects of impending loss, and the breaks and bonds of family. Shattered Glob…

SOURCE: Chicago Theater Beat at 10:53am on October 11, 2015

Review: The Marriage of Figaro (Lyric Opera of Chicago) by Scotty Zacher

As sumptuous as a wedding cake, Shakespeare veteran Barbara Gaines has put a new spin on this traditional crowd-pleaser. Mozart's enduring music creates the focal point around which Gaines h…

SOURCE: Chicago Theater Beat at 7:52pm on October 9, 2015

Review: A Gentleman's Guide to Love and Murder (Broadway in Chicago) by Scotty Zacher

On its first national tour since winning last year's Tony Award for Best Musical, this is one of the smartest and freshest new musicals we've seen in a long time. Highly Recommended! (read …

SOURCE: Chicago Theater Beat at 8:04pm on October 6, 2015

Review: Love and Information (Remy Bumppo Theatre) by Scotty Zacher

It may be that the term *mixed bag* was never a more appropriate descriptor than for Remy Bumppo's production of Love and Information. Playwright Caryl Churchill provides the *bag* of dialog…

SOURCE: Chicago Theater Beat at 12:27pm on October 4, 2015

Review: Punk Punk (Nothing Without A Company) by Scotty Zacher

Punk Punk isn't perfect, but we appreciate its edginess and genuine effort to be different. Silly, raucous and more than a little nasty, Punk Punk isn't like anything else you'll see in the …

SOURCE: Chicago Theater Beat at 11:55pm on October 2, 2015

Review: Feathers and Teeth (Goodman Theatre) by Scotty Zacher

With Feathers and Teeth, we get an enervatingly familiar look at family dysfunction disguised as demonology, a quirkfest that dumbs an audience down as they realize how little's at stake. (r…

SOURCE: Chicago Theater Beat at 6:40pm on October 2, 2015

Review: Blood Brothers (Theo Ubique Cabaret Theatre) by Scotty Zacher

With Blood Brothers, Theo Ubique has given us a stunning and intimate production of this tragic but lovely parable. A deep understanding of the text coupled with a vocally gifted cast makes…

SOURCE: Chicago Theater Beat at 7:15pm on September 30, 2015

Review: East of Eden (Steppenwolf Theatre) by Scotty Zacher

Though the first act stumbles, the entrance of the three youngest cast members at the beginning of the second act is a game-changer, opening "East of Eden" up to becom a slow burn of emotion…

SOURCE: Chicago Theater Beat at 11:16am on September 30, 2015

Review: Scream, Queen, Scream! (Hell in a Handbag Productions) by Scotty Zacher

This cauldron of campy comedy bubbles over with Handbag's patented brand of lovable skewering. My cheeks hurt from laughter by show's end. Highly Recommended. (read Clint May's entire revie…

SOURCE: Chicago Theater Beat at 6:37pm on September 29, 2015

Review: Sucker Punch (Victory Gardens Theater) by Scotty Zacher

Sucker Punch isn't always easy to watch: racism on display stings and cuts to the core. However, Victory Gardens' season opener needs to be watched, talked about and digested. Williams' play…

SOURCE: Chicago Theater Beat at 4:37pm on September 28, 2015

Review: Disgraced (Goodman Theatre) by Scotty Zacher

Shocking and smart, Disgraced has a compelling and cutting script. Not one second of the 85-minute running time goes to waste, thanks to Ayad Akhtar's stellar writing and Kimberly Senior's t…

SOURCE: Chicago Theater Beat at 6:54pm on September 27, 2015

Review: Miss Buncle's Book (Lifeline Theatre) by Scotty Zacher

Romantic and quirky, 'Miss Buncle' is a bemusing crowd-pleaser. Recommended. (read Clint May's entire review....)

SOURCE: Chicago Theater Beat at 8:02pm on September 24, 2015

Review: Funnyman (Northlight Theatre) by Scotty Zacher

Playwright Bruce Graham had the right idea for this World Premiere play about a burlesque and Broadway follies comedian struggling to remain relevant amid changing audience tastes in the lat…

SOURCE: Chicago Theater Beat at 9:39pm on September 23, 2015

Review: Side Show (Porchlight Music Theatre) by Scotty Zacher

This newly-revised Side Show, with added songs, characters and details of the twins' story " enjoying a stunning post-Broadway debut at Porchlight Music Theatre - is a beautiful, full-bodied…

SOURCE: Chicago Theater Beat at 7:32pm on September 23, 2015

Review: The Tempest (Chicago Shakespeare Theater) by Scotty Zacher

The Tempest makes phenomenal use of the city's talent, and even though it's a visiting production, it's full of the raw power and rich emotion that defines the best of Chicago theater. Seize…

SOURCE: Chicago Theater Beat at 6:33pm on September 21, 2015

Review: Gem of the Ocean (Court Theatre) by Scotty Zacher

Not all August Wilson's dramas are created equal. Gem of the Ocean, a magnificent 150-minute mess, though lacking in parts, is still earnest to a fault, delivering vital parallels to the pre…

SOURCE: Chicago Theater Beat at 8:18pm on September 20, 2015

Review: Dogfight (BoHo Theatre) by Scotty Zacher

A feast for those who like their musicals meaty. Kudos to BoHo for bringing Dogfight to Chicago audiences. Highly Recommended! (read John Olson's entire review....)

SOURCE: Chicago Theater Beat at 11:43pm on September 17, 2015

Review: Who's Afraid of Virginia Woolf? (Redtwist Theatre) by Scotty Zacher

Director Jason Gerace has perfectly balanced his actors into models of anguished antagonism, and they are as mesmerizing to watch as those old-time staged train wrecks. This production reit…

SOURCE: Chicago Theater Beat at 11:33pm on September 16, 2015

Review: The Revel (The House Theatre of Chicago) by Scotty Zacher

While its season opener, The Revel, is decidedly imperfect, the beautiful staging, stunning original music and phenomenal female-dominated cast make the production well worth watching. Recom…

SOURCE: Chicago Theater Beat at 7:55pm on September 14, 2015

Review: Guardians (Mary-Arrchie Theatre) by Scotty Zacher

Guardians runs a bit long, but is an unflinching, gripping look at our violence- and media-obsessed culture, and two individuals on different, but equally explosive, sides of it. Recommended…

SOURCE: Chicago Theater Beat at 6:27pm on September 12, 2015

Review: American Idiot (The Hypocrites) by Scotty Zacher

Equal parts quietly profound and piercingly harmonious, American Idiot gives a theatrical taste of a seminal band. Enter, rock out and leave changed. Highly Recommended. (read Lauren Whalen'…

SOURCE: Chicago Theater Beat at 9:28pm on September 10, 2015

Review: Peter and the Starcatcher (Drury Lane Oakbrook) by Scotty Zacher

Charming and inventive, this Peter Pan pre-quel contains a mermaids-on-vaudeville specialty act that is straight up one of the single most hilarious numbers I have ever seen in some 40+ year…

SOURCE: Chicago Theater Beat at 2:52am on September 9, 2015

Review " Katrina: Mother-in-Law of 'Em All (Interrobang Theatre Project) by Scotty Zacher

The magnificence of this play lies in its stories, which celebrate the human spirit and remarkable ability to survive. Interrobang's Katrina is both extremely disturbing and incredibly touc…

SOURCE: Chicago Theater Beat at 8:21pm on September 8, 2015
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