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35,709 stories from The Guardian

Angela Lansbury, star of TV, film and theatre, dies aged 96 by Hannah J Davies

Lansbury won an Oscar nomination for her first role in the 1944 film Gaslight, and gained international acclaim as Murder, She Wrote's Jessica Fletcher The actor Angela Lansbury, best known …

SOURCE: The Guardian at 4:49pm on October 11, 2022

'I'm a venal narcissist' " standup Leo Reich on skewering his inner Gen-Z monster by Brian Logan

The hotly tipped comic was the talk of Edinburgh with his blistering hour of hilariously hollow egomania " and audiences haven't a clue whether to pity or deplore him UK standup has a new su…

SOURCE: The Guardian at 12:33pm on October 11, 2022

Dublin theatre festival review " sex in the spotlight and parents under pressure by Helen Meany

Various venues, DublinGood Sex explores live performance and intimacy; Colic considers domestic disquiet; and All Hardest of Woman immerses the audience in the corridors of a maternity hospi…

SOURCE: The Guardian at 11:25am on October 11, 2022

David Tennant on stage: kings, lovers and mate of the Muppets " in pictures by All Photographs By Tristram Kenton

As David Tennant returns to the West End in CP Taylor's play Good, revisit some of his performances from the last 25 years, as captured by the Guardian's theatre photographer Continue readin…

SOURCE: The Guardian at 9:13am on October 11, 2022

Ruckus review " chilling countdown of coercive control by Arifa Akbar

Southwark Playhouse, LondonJenna Fincken's one-woman play, inspired by real stories, gets inside the head of a young woman in a toxic relationship Jenna Fincken's one-woman play anatomises a…

SOURCE: The Guardian at 9:13am on October 11, 2022

Spice Girl Melanie C to dance at Sadler's Wells by Lyndsey Winship

The former Sporty Spice will open the theatre's spring season in a contemporary dance collaboration with experimental choreographer Jules Cunningham Spice Girl Melanie Chisholm is set to tak…

SOURCE: The Guardian at 9:13am on October 11, 2022

'Maybe you set the theatre on fire?': directors on staging the unstageable by Miriam Gillinson

Scenes that skip between universes, 100 eyeballs emerging from the floorboards, whole plays set on a slope … The scripts for Constellations, Wonder Boy and other hits have provided instruc…

SOURCE: The Guardian at 8:07am on October 11, 2022

Grandad Anansi review " Windrush tale spun from legend of spider by Arifa Akbar

Half Moon theatre, LondonElayne Ogbeta's play explores intergenerational love as a man struggles to tell his granddaughter that he is leaving Britain I have not told my nieces what Grandad A…

SOURCE: The Guardian at 10:07am on October 10, 2022

'I'm a secret Ed Sheeran and Harry Styles fan': Nick Helm's honest playlist by As Told To Rich Pelley

The comedian loves Kiss at karaoke and Motörhead in bed, but he's strictly MOR in the back of an Uber " not that he would ever tell you The first song I remember hearing We used to sing Yel…

SOURCE: The Guardian at 9:03am on October 10, 2022

John Cleese to host GB News show as he rails against 'cancel culture' by Jim Waterson Media Editor

Monty Python star says he will talk on TV channel about 'important information that gets censored' John Cleese has signed up to become a presenter on the rightwing television channel GB News…

SOURCE: The Guardian at 9:03am on October 10, 2022

Kemah Bob: 'I get so much bad advice from men who've never done comedy before' by Interview By Liam Pape

The comedian and podcaster on the charms of British sitcoms, starting her own club night and hot new talent on the circuit What drew you to British comedy?Probably Skins or The Inbetweeners.…

SOURCE: The Guardian at 6:43am on October 10, 2022

The Doctor review " a repeat prescription for acute intellectual stimulation by Arifa Akbar

Duke of York's Theatre, LondonRobert Icke's combative 2019 play about medical ethics, identity politics and antisemitism returns to the West End to divide and challenge audiences The return …

SOURCE: The Guardian at 7:49pm on October 9, 2022

Cherish Menzo: Jezebel review " a dance deconstruction of MTV misogyny by Lyndsey Winship

Battersea Arts Centre, LondonThe Dutch dance artist brings a steely fearlessness to her piece about the hypersexualised depiction of black women in late 90s and early 00s hip-hop videos The …

SOURCE: The Guardian at 10:03am on October 9, 2022

The week in theatre: Blues for an Alabama Sky; The Crucible; Dido's Bar " review by Susannah Clapp

Lyttelton; Olivier; Royal Docks, LondonThirties Harlem is vibrantly alive at the National, while mob rule meets Little House on the Prairie in an assured revival of The Crucible. Elsewhere, …

SOURCE: The Guardian at 7:43am on October 9, 2022

The Famous Five: A New Musical review " lashings of vim by Clare Brennan

Theatr Clywd, MoldThis co-production with Chichester Festival theatre nails the atmosphere and the performances, if not Enid Blyton's knack for a good plot Here be: a dastardly villain disgu…

SOURCE: The Guardian at 7:43am on October 9, 2022

Mayerling review " astounding from beginning to end by Sarah Crompton

Royal Opera House, LondonKenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet's dancers, who take turns in performances of gripping, in-the-moment power When K…

SOURCE: The Guardian at 4:33am on October 9, 2022

The Caucasian Chalk Circle review " Carrie Hope Fletcher shines light in Brecht's epic by Miriam Gillinson

Rose theatre, LondonA striking score and expressive singing carry Christopher Haydon's production of the wartime classic First there's the prologue. Then the play-within-a-play. Finally, a s…

SOURCE: The Guardian at 4:13pm on October 7, 2022

Nine Night review " worlds collide at a wake to remember by Catherine Love

Leeds PlayhouseAmanda Huxtable directs the regional premiere of Natasha Gordon's multigenerational play filled with conflict and grief Natasha Gordon's multigenerational family drama capture…

SOURCE: The Guardian at 4:13pm on October 7, 2022

The Coral review " urgent parable of poverty and the one percent by Chris Wiegand

Finborough theatre, LondonGeorg Kaiser's century-old call for a societal reset may not always hit the mark, but it is given an invigorated panache by Collide theatre company What a day, as K…

SOURCE: The Guardian at 12:55pm on October 7, 2022

Michelle Wolf review " no taboo is off limits for spiky standup by Brian Logan

Leicester Square theatre, LondonThe American comedian goes straight for the jugular in a fearlessly off-colour and skilfully constructed show 'Oh, your queen died," says Michelle Wolf, faux-…

SOURCE: The Guardian at 12:55pm on October 7, 2022

The Centre for the Less Good Idea: To What End review " sketches from South Africa by Lyndsey Winship

Barbican, LondonThere are good ideas in this collection of pieces from William Kentridge's experimental performance studio but they lack depth and development South African artist William Ke…

SOURCE: The Guardian at 10:37am on October 7, 2022

Oona Doherty: 'I wasn't the best dancer in the class. My ego couldn't handle it' by Lyndsey Winship

Kicked out of conservatoire during her hard-partying years, Doherty has gone on to become one of the most exciting choreographers of her generation. Now she's teaming up with Jamie xx for a…

SOURCE: The Guardian at 10:37am on October 7, 2022

The Australian Ballet prepares for Romeo and Juliet " in pictures by Ellen Smith

The star-crossed lovers and feuding families return to the stage in a new production of John Cranko's version of the Shakespeare tragedy. The ballet opens 7 October at the state theatre in M…

SOURCE: The Guardian at 8:33am on October 7, 2022

Good Luck, Studio review " the toddlers' TV show that goes wrong by Chris Wiegand

Mercury theatre, ColchesterAn uneven new play from Mischief Theatre skews darker than their hit comedies, with jarring tragedy amid the clowning The Play That Goes Wrong's Mischief Theatre h…

SOURCE: The Guardian at 8:33am on October 7, 2022

Jekyll and Hyde review " #MeToo transformation explores monstrous masculinity by Mark Fisher

Derby theatreNeil Bartlett's version of Robert Louis Stevenson's classic has female leads laying bare the rot at the heart of a beastly boys' club We all love a chorus line. We love the coor…

SOURCE: The Guardian at 8:33am on October 7, 2022
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