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6,591 stories from Stage and Cinema

Off-Broadway Theater Review: COLLISION (Rattlestick Playwrights Theater) by Dmitry Zvonkov

THE ANTICHRIST IN A COLLEGE DORM The Amoralists' staging of Lyle Kessler's new play Collision, directed by David Fofi, is an admirable but flawed effort to explore the motivations of a young…

SOURCE: Stage and Cinema at 1:12am on January 23, 2013

Chicago Theater Review: THE ALIENS (A Red Orchid Theatre) by Lawrence Bommer

SLOW, SAD AND STRANGE Sooner or later (preferably the former), we expect a play to pay off " to deliver a "gotcha" revelation that makes sudden or accumulated sense out of what seemed to be …

SOURCE: Stage and Cinema at 2:50pm on January 22, 2013

Los Angeles Theater Review: FOR THE RECORD: SCORSESE THE CONCERT (Rockwell Table & Stage) by Brendan Easton

A LOT OF HOLES IN THIS CONCERT, AND A LOT OF PROBLEMS ARE BURIED IN THOSE HOLES Mean Streets, Alice Doesn't Live Here Anymore, Taxi Driver, Raging Bull, Last Temptation of Christ, Goodfellas…

SOURCE: Stage and Cinema at 10:18pm on January 21, 2013

Chicago Theater Review: A GRAND NIGHT FOR SINGING (Mercury Theater) by Lawrence Bommer

AMERICA'S BEST NOTES Beginning its first new season of self-generated musicals, the Mercury Theater has, true to its name, raised the temperature with A Grand Night for Singing, a heartfelt,…

SOURCE: Stage and Cinema at 4:19pm on January 21, 2013

Los Angeles Theater Review: DOSTOEVSKY'S NOTES FROM UNDERGROUND (Zombie Joe's Underground) by Jesse David Corti

DOSTOEVSKY’S NOTES FROM UNDERGROUND Dostoevsky's Notes from Underground at Zombie Joe's Underground Theatre in North Hollywood ought not to surface. This willfully banal production of …

SOURCE: Stage and Cinema at 12:45pm on January 21, 2013

Chicago Theater Review: OTHER DESERT CITIES (Goodman Theatre) by Lawrence Bommer

FIXING WHAT WON'T HEAL Jon Robin Baitz' Broadway drama Other Desert Cities depicts a crisis of apparent betrayal and imminent exposure that besets the Wyeth clan, a wealthy Jewish family she…

SOURCE: Stage and Cinema at 1:49am on January 21, 2013

Chicago Theater Review: ACCIDENTAL DEATH OF AN ANARCHIST (Oracle) by Paul Kubicki

ACCIDENTAL DEATH OF A PLAY Anarchy is not chaos. The former means "without law," and the latter means "without form." This is an important distinction to consider in a play that intends to m…

SOURCE: Stage and Cinema at 2:58pm on January 20, 2013

Chicago Theater Review: THE MUSIC MAN (Paramount Theatre) by Lawrence Bommer

ONE RIVER CITY DESERVES ANOTHER If ever a show spelled out summer, it’s Meredith Willson’s 1957 masterpiece The Music Man. Throughout the rollicking story the title character exu…

SOURCE: Stage and Cinema at 12:46pm on January 20, 2013

Broadway Theater Review: PICNIC (American Airlines Theater) by Dmitry Zvonkov

AS HARMLESS AS A PICNIC Roundabout Theater Company's revival of William Inge's Pulitzer Prize-winning play Picnic is the perfect show to take your mom to. I know because I did. An excellent …

SOURCE: Stage and Cinema at 8:58pm on January 19, 2013

Bay Area Theater Review: TROUBLEMAKER, OR THE FREAKIN KICK-A ADVENTURES OF BRADLEY BOATRIGHT (Berkeley Rep) by Maurice Kelly

STURM AND SLANG Every generation writes its own playbook for tackling the game of life.  These new rules are encoded in language that the previous generation (parents, Old School, The Est…

SOURCE: Stage and Cinema at 2:59am on January 19, 2013

Los Angeles Theater Review: FREUD'S LAST SESSION (Broad Stage) by Thomas Antoinne

TALKING HEADS Mark St. Germain's commercially successful two-hander Freud's Last Session, suggested by The Question of God by Dr. Armand M. Nicoli, Jr., is about a speculative meeting betwee…

SOURCE: Stage and Cinema at 2:57am on January 19, 2013

Los Angeles Theater Review: THE GRAND IRRATIONALITY (The Lost Studio) by Paul Birchall

A FINE MESS The Grand Irrationality:  The title of playwright Jemma Kennedy's romantic comedy refers to the concept found in astrology relating to ultimate chaos " e.g., the idea that som…

SOURCE: Stage and Cinema at 2:23am on January 17, 2013

Off-Broadway Theater Review: C'EST DU CHINOIS (Public Theater) by Sarah Taylor Ellis

BREAKING THE LANGUAGE BARRIER The French expression “C’est du Chinois” means “It’s all Greek to me” " or, literally translated, "It's Chinese." The phrase…

SOURCE: Stage and Cinema at 12:30pm on January 16, 2013

Off-Broadway Theater Review: GANESH VERSUS THE THIRD REICH (Public Theater) by Sarah Taylor Ellis

BACK TO BACK BRINGS ISSUES TO THE FRONT The concept for Ganesh versus the Third Reich is staggering: the Indian god Ganesh travels through Nazi Germany to confront Adolf Hitler and reclaim t…

SOURCE: Stage and Cinema at 11:59am on January 16, 2013

Off-Broadway Theater Review: 2 DIMENSIONAL LIFE OF HER (Public Theater) by Sarah Taylor Ellis

MULTI-DIMENSIONAL The virtuosic Fleur Elise Noble (performer, director, and set designer) constructs a world of artistic possibilities in 2 Dimensional Life of Her. Across a series of flat s…

SOURCE: Stage and Cinema at 5:39pm on January 15, 2013

Off-Broadway Theater Review: HOLLOW ROOTS (Public Theater) by Sarah Taylor Ellis

NOTHING HOLLOW ABOUT IT Is it possible for a person of color to have a "neutral narrative": A story untainted by race or gender, disentangled from the ghosts of the past, unaffected by theor…

SOURCE: Stage and Cinema at 4:34pm on January 15, 2013

Los Angeles/Tour Theater Feature: TARTUFFE (Actors' Gang) by Tony Frankel

THE ACTORS’ GANG’S TARTUFFE RETURNS FOR THREE NIGHTS BEFORE NATIONAL TOUR The Actors' Gang, the critically acclaimed Los Angeles based ensemble theatre company, will present high…

SOURCE: Stage and Cinema at 2:59am on January 15, 2013

Off-Broadway Theater Review: SOLDIER SONGS (Schimmel Center for the Arts) by Cindy Pierre

ASSAULTED If you’re looking to experience the shell shock and the trauma that soldiers undergo during wartime and its aftermath, then head on down to the Michael Schimmel Center for th…

SOURCE: Stage and Cinema at 9:57pm on January 14, 2013

Los Angeles/Regional Theater Review: THE MOTHERFUCKER WITH THE HAT (South Coast Repertory) by Samuel Bernstein

THE HONESTY OF HYPOCRISY The Motherfucker with the Hat by Stephen Adly Guirgis is a crackling, compelling play that finds genuine comic pathos not only in its characters' struggles with addi…

SOURCE: Stage and Cinema at 8:14pm on January 14, 2013

Upcoming Los Angeles Theater Feature: PETER PAN (Pantages Theatre) by Tony Frankel

PETER PAN AND CATHY RIGBY HAVE SOMETHING IN COMMON: THEY WON'T GROW UP When the musical fantasy adaptation of James M. Barrie's Peter Pan landed on Broadway in 1954, it received rave reviews…

SOURCE: Stage and Cinema at 5:01pm on January 14, 2013

Off-Off-Broadway/Regional Theater Review: SOMETHING'S GOT AHOLD OF MY HEART (La MaMa) by Cindy Pierre

THE MANY FACES OF LOVE Even before you walk into the First Floor Theatre at La Mama to attend Something’s Got Ahold of My Heart, creators Hand2Mouth ensemble are already selling you a …

SOURCE: Stage and Cinema at 2:30pm on January 11, 2013

Chicago Theater Review: I LOVE LUCY: LIVE ON STAGE (Broadway Playhouse) by Lawrence Bommer

THAT KINKY KINESCOPE It's a time trip that denies the original intent"a live taping of a dead T.V. series. The iconic archetype of the boob tube's "golden age," I Love Lucy wasn't just the l…

SOURCE: Stage and Cinema at 12:30pm on January 11, 2013

Los Angeles Theater Review: 'TIS PITY SHE'S A WHORE (UCLA's Freud Playhouse) by Thomas Antoinne

'TIS PITY IT'S A SHORT RUN Cheek by Jowl's touring production of John Ford's revenge tragedy, 'Tis Pity She's a Whore, landed at UCLA's Freud Playhouse for a brief run. The true pity would b…

SOURCE: Stage and Cinema at 11:42pm on January 10, 2013

Broadway Theater Review: THE OTHER PLACE (Samuel J. Friedman Theater) by Dmitry Zvonkov

LAURIE METCALF BELONGS IN THE OTHER PLACE In The Other Place, Sharr White's riveting and affective play, Laurie Metcalf delivers a poignant and masterfully crafted performance as Juliana, a …

SOURCE: Stage and Cinema at 7:05pm on January 10, 2013

Chicago Theater Review: THE MOTHERFUCKER WITH THE HAT (Steppenwolf) by Samantha Nelson

HATS OFF TO STEPPENWOLF If the title wasn’t enough of a clue, Stephen Adly Guirgis’s The Motherfucker with the Hat is filled with bad language. But what’s really surprising…

SOURCE: Stage and Cinema at 6:03pm on January 10, 2013
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