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6,591 stories from Stage and Cinema

Los Angeles Theater Review: CHESS (Musical Theatre Guild) by Tony Frankel

MUSICAL WITH A CHECKERED PAST GETS A CHECKERED PRODUCTION Chess, the musical about two chess tournaments between the U.S. and the U.S.S.R. during the Cold War, is the 1979 brain child of lyr…

SOURCE: Stage and Cinema at 9:09pm on February 13, 2013

Off-Off-Broadway Theater Review: THE GOOD PERSON OF SZECHUAN (La MaMa) by Sarah Taylor Ellis

THIS IS NOT YOUR TEXTBOOK BRECHT While productions of Brecht’s plays are often weighed down by theatrical theory and didactic political messages, The Foundry Theatre jolts the audience…

SOURCE: Stage and Cinema at 2:16am on February 13, 2013

Off-Broadway Theater Review: THIS CLEMENT WORLD (St. Ann's Warehouse) by Sarah Taylor Ellis

AN ARTISTIC PLEA FOR CHANGE In the wake of Hurricane Sandy and the Blizzard Nemo, global climate change is increasingly palpable. As inclement weather infringes on our day-to-day activities,…

SOURCE: Stage and Cinema at 4:54pm on February 12, 2013

Chicago Theater Review: TEDDY FERRARA (Goodman Theatre) by Lawrence Bommer

VIRTUAL THEATER Teddy Ferrara, Goodman Theatre's new commissioned work, is almost three hours long. That excess suggests that nobody had the courage to cut or, not knowing what it was about …

SOURCE: Stage and Cinema at 12:44pm on February 12, 2013

Los Angeles Theater Review: CATCHING THE BUTCHER (Long Beach Playhouse) by Mia Bonadonna

PROMISING SCRIPT BUTCHERED BY PRODUCTION VALUES Adam Seidel's sanguinary dark comedy, Catching the Butcher, is an unlikely and eccentric love story in which a secret and utterly sick relatio…

SOURCE: Stage and Cinema at 7:19pm on February 11, 2013

San Diego Theater Review: PYGMALION (Old Globe) by Jesse David Corti

GALATEA COMES TO LIFE Transformation. Evolution. Metamorphosis. These words are often confined to biological definition, abused in a critic's articulation, and criminally under-applied by ar…

SOURCE: Stage and Cinema at 6:15pm on February 11, 2013

Chicago Theater Review: AIRPORT FOR BIRDS (AND OTHER GREAT IDEAS) (UP Comedy Club) by Samantha Nelson

AIRPORT FOR BIRDS FAILS TO TAKE OFF In their sketch comedy show Airport for Birds (and Other Great Ideas), Team StarKid seems to have wracked their brains to come up with as many reasons as …

SOURCE: Stage and Cinema at 12:04pm on February 11, 2013

Los Angeles Theater Review: THE GIFT (Geffen Playhouse) by Paul Birchall

I'D LIKE TO RETURN THIS GIFT, PLEASE The Geffen Playhouse has a proud tradition of staging crackerjack productions of dramatic works by some of the modern theater's greatest playwrights. To …

SOURCE: Stage and Cinema at 2:00am on February 11, 2013

San Diego Theater Review: THE BROTHERS SIZE (Old Globe) by Tony Frankel

A SIZE THAT DOES NOT FIT ALL Of the three plays which constitute Tarell Alvin McCraney's "The Brother/Sister Plays," The Brothers Size, now playing at The Old Globe, is the most intimate and…

SOURCE: Stage and Cinema at 4:26pm on February 10, 2013

Off-Broadway Theater Review: CLIVE (Acorn Theatre) by Dmitry Zvonkov

A DULL DESCENT INTO HELL The charisma and passion Ethan Hawk brings to the title role, Vincent D'Onofrio's powerful stage presence, a gnarly set by Derek McLane, lovely songs by Latham and S…

SOURCE: Stage and Cinema at 3:01am on February 8, 2013

Los Angeles Theater Review: BENCHED (InterACT at Avery Schreiber) by Tom Chaits

BENCHED SHOULD HAVE BEEN BENCHED A cantankerous senior gets his dander up when he discovers a stranger occupying his favorite Central Park bench in the L.A. premiere of Richard Broadhurst's …

SOURCE: Stage and Cinema at 1:16am on February 8, 2013

Los Angeles Dance/Theater Review: TRAVERSE (Arcosm at Theatre Raymond Kabbaz) by Jesse David Corti

CROSS OVER FROM ROUTINE AND VIVE LE VIE Napoleon's vision to make the world his grand empire of France was stifled by his winter campaign in Russia and his defeat at Waterloo. However, what …

SOURCE: Stage and Cinema at 7:48pm on February 7, 2013

Chicago Theater Review: THE BIRTHDAY PARTY (Steppenwolf) by Erika Mikkalo

PIÑATA FULL OF DARKNESS Don't be concerned if you don't receive an invitation to Harold Pinter's The Birthday Party " the Steppenwolf's revival production is still an event not to be mis…

SOURCE: Stage and Cinema at 2:58am on February 7, 2013

Stage and Cinema Theater Interview: IMPRO THEATRE by Jason Rohrer

AN IMPROVISED TRUTH Los Angeles-based Impro Theatre opens a run of Jane Austen: UnScripted on Valentine’s Day at the Pasadena Playhouse's Carrie Hamilton Theatre.  Their most …

SOURCE: Stage and Cinema at 4:48pm on February 6, 2013

San Francisco Theater Review: SE LLAMA CRISTINA (Magic Theatre) by Erin Kohout

FEAR AND LOATHING IN THE SPANISH GHETTO Octavio Solis' Se Llama Cristina is a gritty, mind-bending trip.  The main characters, Man and Woman, slip in and out of past, present, and future …

SOURCE: Stage and Cinema at 2:39pm on February 6, 2013

Chicago Theater Review: LADY DAY AT EMERSON'S BAR & GRILL (Porchlight) by Lawrence Bommer

THE LADY OF THE GARDENIAS Thanks to Lanie Robertson’s bedrock-basic script, Rob Lindley's dedicated staging and the utter effacement of a good vocalist into a great one, courtesy of Al…

SOURCE: Stage and Cinema at 12:25pm on February 6, 2013

Bay Area Theater Review: OUR PRACTICAL HEAVEN (Aurora Theatre) by Erin Kohout

THE SEMBLENCE OF A PLAY It is unfortunate that Our Practical Heaven is a relationship-fueled play, because it was difficult to invest in any of the characters.  The two-hour play, now rec…

SOURCE: Stage and Cinema at 2:00am on February 6, 2013

LOS ANGELES THEATER FEATURE: MISS COCO PERU: SHE'S GOT BALLS (L.A. Gay & Lesbian Center) by Tony Frankel

THE DRAG QUEEN TO DRAG YOUR THOUGHTS AWAY FROM YOUR TROUBLES I first saw Coco Peru perform in a B movie sendup " a campy romp called Blood Orgy of the Carnival Queens! But at New York's O…

SOURCE: Stage and Cinema at 12:31am on February 6, 2013

Los Angeles Theater Review: THE DEEP THROAT SEX SCANDAL (Zephyr Theatre) by Barnaby Hughes

WHERE’S THE SCANDAL? When I first drove past the Zephyr Theatre looking for parking, I saw what appeared to be anti-pornographic picketers on the sidewalk in front of the building. I w…

SOURCE: Stage and Cinema at 2:17am on February 5, 2013

Los Angeles Theater Review: BACKBEAT: THE BIRTH OF THE BEATLES (Ahmanson Theatre) by Jesse David Corti

TALK ABOUT A LONG AND WINDING ROAD So, this cool cat painter, a blonde Frau, and several Liverpool lads named John, Paul, George, and Pete walk into a bar in Hamburg… While this sounds lik…

SOURCE: Stage and Cinema at 11:38pm on February 4, 2013

Chicago Theater Review: SOUTHBRIDGE (Chicago Dramatists) by Paul Kubicki

SOMEWHAT SOUTH OF WHERE IT NEEDS TO BE Chicago Dramatists' world premiere is a tale of murder, spirituality, and heartbreak: A black man named Stranger, after being accused of the murder of …

SOURCE: Stage and Cinema at 8:13pm on February 3, 2013

Chicago Theater Review: SUNSET BOULEVARD (Drury Lane Theatre) by Lawrence Bommer

READY FOR HER CLOSE-UP, MR. DEMILLE From the start it seemed strange that anyone would make a musical out of a movie that embodies its medium so completely. Yes, the film All About Eve deser…

SOURCE: Stage and Cinema at 9:56am on February 3, 2013

Book Review: SHOWBIZ (Dress Circle Publishing) by Sarah Taylor Ellis

MOUNTING OLYMPUS Think of it as Twilight for the theater geek or Smash in literary form. You may love to hate it or hate to love it, but Ruby Preston’s new novel Showbiz is an undeniab…

SOURCE: Stage and Cinema at 9:17am on February 3, 2013

Chicago Theater Review: SWEET CHARITY (Writers' Theatre) by Lawrence Bommer

SAD TRIUMPH OF HOPE OVER EXPERIENCE It’s like kicking a puppy dog to dislike Charity Hope Valentine. Charity is the cloyingly-named heroine of the 1966 musical by Cy Coleman, Dorothy F…

SOURCE: Stage and Cinema at 3:00pm on February 2, 2013

Los Angeles Dance Review: THE JOFFREY BALLET: LE SACRE DU PRINTEMPS (Dorothy Chandler Pavilion) by Tony Frankel

THE RITE OF JOFFREY One hundred years ago, a new ballet took place in Paris’ Théâtre des Champs-Élysées. This highly controversial work " for both its music and choreography "…

SOURCE: Stage and Cinema at 2:59am on February 2, 2013
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