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35,708 stories from The Guardian

Precious Adams on balancing ballet and computer science: 'you don't want to be 45 with zero credentials' by Lyndsey Winship

The English National Ballet soloist on the pandemic, director Tamara Rojo's departure, the magic of one's own big toe " and her university degree Precious Adams likens being a dancer to havi…

SOURCE: The Guardian at 6:18am on November 8, 2022

Aidan Turner and Jenna Coleman to star in drama about a word-rationed world by Chris Wiegand

The actors will bring a revival of Sam Steiner's 2015 play Lemons Lemons Lemons Lemons Lemons to London, Manchester and Brighton, directed by Josie Rourke Jenna Coleman and Aidan Turner are …

SOURCE: The Guardian at 5:06am on November 8, 2022

RSC to stage play about plague death of William Shakespeare's son Hamnet by Harriet Sherwood Arts and Culture Correspondent

Adaptation of Maggie O'Farrell's novel will premiere at Swan theatre in Stratford-upon-Avon in April A stage production of a poignant novel about the death of William Shakespeare's son from …

SOURCE: The Guardian at 3:03am on November 8, 2022

Anthony Burgess translation of Molière's The Miser comes to light for first time by Dalya Alberge

The A Clockwork Orange author's translation " complete with recording " hailed as significant literary discovery Beyond his satirical novel A Clockwork Orange, Anthony Burgess's masterpieces…

SOURCE: The Guardian at 11:42pm on November 7, 2022

I saw the magnificent Pussy Riot last night. If only the world had listened to what they were saying a decade ago | Zoe Williams by Zoe Williams

For years the world saw Putin as almost a figure of fun " while in Russia he was already meting out brutality to dissidents and LGBTQ+ activists Last night I saw Pussy Riot, on the London le…

SOURCE: The Guardian at 11:42pm on November 7, 2022

In Kyiv, I saw Ukrainians on the frontlines of a very real culture war | Charlotte Higgins by Charlotte Higgins

For many in Ukraine, this is a war of 'decolonisation' " and that includes Russia's celebrated artistic heritage At the National Opera of Ukraine in Kyiv recently, I watched a performance o…

SOURCE: The Guardian at 11:42pm on November 7, 2022

Peter Kay announces first live tour in 12 years by Nadeem Badshah

Comedian will kick off with shows in Manchester later this year as tickets go on sale on 12 November Peter Kay has announced his first live standup tour in 12 years. Tickets will go on sale …

SOURCE: The Guardian at 11:42am on November 7, 2022

Mikhail Baryshnikov: 'The thought of going back to that Brezhnev swamp was impossible' by Lyndsey Winship

The illustrious ballet dancer on natural insecurity, his defection from the USSR to Canada " and how his body feels these days Mikhail Baryshnikov, 74, is the finest ballet dancer of his gen…

SOURCE: The Guardian at 11:42am on November 7, 2022

Comedian Tom Allen: 'All high ceremony is camp. In a way, church is like Drag Race' by Michael Hogan

The Bake Off regular on the complexity of grief, the importance of dressing well and why he's always fancied himself as a vicar Comedian Tom Allen, 39, grew up in Bromley and trained with th…

SOURCE: The Guardian at 9:24am on November 6, 2022

Peter Pan's Labyrinth review " wig out with Barrie, Bowie and Del Toro by Brian Logan

The Vaults, London Slapdash daftness propels Sleeping Trees' glam mashup of a Christmas show, though more risk-taking would summon the magic to really fly Sleeping Trees are known for their …

SOURCE: The Guardian at 9:24am on November 6, 2022

Guy Fawkes review " a Gunpowder Plot drama has flashes of fun but doesn't ignite by Clare Brennan

York Theatre RoyalDespite some witty twists, the stage version of David Reed's tragi-comic radio play is, well, a bit of a damp squib By the end of the performance, a tang of pyrotechnics ha…

SOURCE: The Guardian at 9:24am on November 6, 2022

The UK Drill Project review " arresting journey into demonised rap scene by Arifa Akbar

The Pit, Barbican, London With live music, video and spoken word testimony, a dramatic rap subculture energetically seizes the chance to present its own complicated story on stage Seven bala…

SOURCE: The Guardian at 9:24am on November 6, 2022

The week in theatre: Something in the Air; A Dead Body in Taos " reviews by Susannah Clapp

Jermyn Street theatre, London; Wilton's Music Hall, LondonPeter Gill's subtle new play finds the power of love in the smallest of details, while David Farr explores strained family bonds in …

SOURCE: The Guardian at 6:06am on November 6, 2022

Birmingham Royal Ballet: Into the Music; Made in Leeds: Three Short Ballets " review by Sarah Crompton

Sadler's Wells; Linbury Studio theatre, Royal Opera House Inspired by Munch paintings and infused with hip-hop, two invigorating triple bills by Royal Ballet alumni are a riot of styles and …

SOURCE: The Guardian at 5:03am on November 6, 2022

'I wanted to show their innocence': teenage drill rappers take centre stage in bold new play by Will Pritchard

As a sellout show at the Barbican unpicks the links between musicians, police and youth violence, its creator explains why it's the middle classes who need to sit up and listen It's a drizzl…

SOURCE: The Guardian at 8:02pm on November 4, 2022

ENO to relocate as arts funding is diverted away from London by Harriet Sherwood Arts and Culture Correspondent

English National Opera to create new base, possibly in Manchester, but will still manage Coliseum The English National Opera, one of the country's cultural flagships, is to relocate outside …

SOURCE: The Guardian at 1:24pm on November 4, 2022

Oscar and Tony nominated writer-director Douglas McGrath dies aged 64 by Benjamin Lee

The multi-hyphenate was known for directing 1996's Emma, co-writing Bullets Over Broadway and writing the book for Beautiful: The Carole King Musical Writer, director and actor Douglas McGra…

SOURCE: The Guardian at 1:19pm on November 4, 2022

'We train as athletes, but we dance as artists': the UK breakdancers chasing Olympic gold by Lyndsey Winship

As breaking features in the Olympics for the first time in 2024, the UK's thriving community are looking forward to putting the sporting world into a headspin 'People don't understand how ha…

SOURCE: The Guardian at 10:12am on November 4, 2022

James Roose-Evans obituary by Michael Coveney

Founder director of the Hampstead theatre club who brought landmark productions to the London stageJames Roose-Evans, the founding director of the Hampstead theatre club, who has died aged 9…

SOURCE: The Guardian at 8:54am on November 4, 2022

Not One of These People review " the playwright as puppet-master by Arifa Akbar

Royal Court theatre, LondonMartin Crimp's show uses AI and deep-fake technology to question the definition of drama " and what it is to be human There are circles within circles of inquiries…

SOURCE: The Guardian at 8:54am on November 4, 2022

Things Hidden Since the Foundation of the World review " a theatrical revelation by Catherine Love

Home, ManchesterJavaad Alipoor's meditation on the grim fate of Iranian singer Fereydoun Farrokhzad develops into a thrilling investigation of the internet You may not have heard of Fereydo…

SOURCE: The Guardian at 6:48am on November 4, 2022

Super High Resolution review " compelling exploration of a crumbling NHS by Kate Wyver

Soho theatre, LondonDirected by Blanche McIntyre, Nathan Ellis's drama serves as a reminder of what cuts are doing to our health service but it tells more than it shows The bone-deep exhaust…

SOURCE: The Guardian at 4:24pm on November 3, 2022

Beautiful Evil Things review " hair-raising, heart-quickening whirl of myths by Arifa Akbar

North Wall Arts Centre, OxfordDeborah Pugh delivers a brilliantly intense take on the ancient tales, foregrounding the heroism of women 'This is the story of my severed head." As first lines…

SOURCE: The Guardian at 12:02pm on November 3, 2022

Fisherman's Friends: The Musical review " familiar tale given full voice in fresh voyage by Miriam Gillinson

Theatre Royal BathDirector James Grieve retains just enough of the rough-hewn power of the original sea shanties to offset the razzle-dazzle of the musical setting Perhaps this charming real…

SOURCE: The Guardian at 12:02pm on November 3, 2022

Birmingham Royal Ballet: Into the Music review " an allegro trio by Lyndsey Winship

Sadler's Wells, LondonFrom dancers partnering with projections and CCTV-style surveillance to an engrossing piece inspired by Edvard Munch, Carlos Acosta's company is continuing to carve out…

SOURCE: The Guardian at 9:42am on November 3, 2022
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