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6,591 stories from Stage and Cinema

Los Angeles/Tour Theater Review: ONE NIGHT WITH JANIS JOPLIN (Pasadena Playhouse) by Jesse David Corti

ONE NIGHT WITH PEARL Break out the Southern Comfort and feathered boa, One Night with Janis Joplin is a helluva concert experience presented at the Pasadena Playhouse. Writer-director-creato…

SOURCE: Stage and Cinema at 12:43pm on March 24, 2013

Los Angeles Theater Review: MRS. WARREN'S PROFESSION (Antaeus Theatre Company) by Jesse David Corti

HOW TO SUCCEED CHAUVINISTIC INHUMANITY WITHOUT REALLY TRYING We live in a nation where people celebrate socialite Kim Kardashian, who bore a child with a man who's not her husband. Sexual in…

SOURCE: Stage and Cinema at 11:33am on March 23, 2013

Los Angeles Opera Review: THE BARBER OF SEVILLE (Pacific Opera Project) by Barnaby Hughes

A MATCH MADE IN HOLLYWOOD Last year, the Pacific Opera Project (POP) put on a show about a serial killer who also happened to be a barber: Sweeney Todd. This year, they have staged a product…

SOURCE: Stage and Cinema at 7:11pm on March 22, 2013

Los Angeles/Regional Theater Review: THE WHALE (South Coast Repertory in Costa Mesa) by Tony Frankel

NOT WORTH THE WEIGHT The title of Samuel D. Hunter's The Whale refers to three things. The first is Charlie, a homebound, 600-pound tutor who instructs online classes in expository writing. …

SOURCE: Stage and Cinema at 2:08pm on March 22, 2013

Broadway Theater Review: VANYA AND SONIA AND MASHA AND SPIKE (Golden Theatre) by Dmitry Zvonkov

SUGAR RUSH An adorable piece of clever and very funny fluff, Christopher Durang's Vanya and Sonia and Masha and Spike takes spoonfuls of ingredients from Chekhov's plays and mixes them into …

SOURCE: Stage and Cinema at 2:56am on March 22, 2013

Broadway Theater Review: BREAKFAST AT TIFFANY'S (Cort Theatre) by Sarah Taylor Ellis

A BREAKFAST THAT LEAVES YOU HUNGRY FOR MORE Richard Greenberg’s new theatrical adaptation of Breakfast at Tiffany’s owes more of a debt to Truman Capote’s novella than to t…

SOURCE: Stage and Cinema at 4:35pm on March 21, 2013

San Diego Theater Review: A GENTLEMAN'S GUIDE TO LOVE AND MURDER (The Old Globe Theatre) by Tom Chaits

CHARM GALORE WITH A SIDE OF CHARM THROWN IN FOR GOOD MEASURE A Gentleman's Guide to Love and Murder is a captivatingly charming affair. Set in Edwardian England, the west coast premiere is l…

SOURCE: Stage and Cinema at 2:08pm on March 21, 2013

Los Angeles Theater Review: END OF THE RAINBOW (Ahmanson Theater) by Harvey Perr

A TRIUMPHANT TRAINWRECK If you've never applauded a trainwreck, be prepared to do so when you see Peter Quilter's End of the Rainbow. I am not talking about the gossip-driven, hardly revelat…

SOURCE: Stage and Cinema at 3:06am on March 21, 2013

Off-Broadway Theater Review: HIT THE WALL (Barrow Street Theatre) by Sarah Taylor Ellis

HIT THE WALL When Hit the Wall, Ike Holter’s new play about the 1969 Stonewall Riots, opened at Chicago’s Steppenwolf Theater's Garage Rep last year, it quickly passed into theat…

SOURCE: Stage and Cinema at 2:07am on March 21, 2013

Los Angeles Theater Review: THE IMPORTANCE OF BEING EARNEST (Theatre Banshee in Burbank) by Jason Rohrer

THE WILDE ACCORDING TO BURBANK By Los Angeles standards, Theatre Banshee’s The Importance of Being Earnest is pretty good.  It’s a time-tested script; the actors know their li…

SOURCE: Stage and Cinema at 9:21pm on March 20, 2013

Los Angeles Theater Review: TOMORROW (Skylight Theatre) by Samuel Bernstein

WHEN 'TOMORROW' ISN'T ANOTHER DAY Anyone who cares about acting or classical theater or Shakespeare (particularly Macbeth) must see Donald Freed's new play Tomorrow. It has moments of spot-o…

SOURCE: Stage and Cinema at 3:45pm on March 19, 2013

Chicago Theater Review: MEASURE FOR MEASURE (Goodman Theatre) by Lawrence Bommer

YOU HAVE TO MEASURE CAREFULLY At the core of this dark and fascinating tragicomedy is a situation seething with modern irony: Can you be both above the law and beneath contempt? Angelo, a se…

SOURCE: Stage and Cinema at 12:29pm on March 19, 2013

Off-Broadway Theater Review: SAINT JOAN (Bedlam Theatre Company at Access Theatre) by Dmitry Zvonkov

THE BEAUTY OF MAKESHIFT THEATER Even with all its flaws Bedlam's revival of George Bernard Shaw's masterpiece Saint Joan is an immersive and ultimately gratifying theatrical experience. Unde…

SOURCE: Stage and Cinema at 9:40pm on March 18, 2013

Bay Area Theater Review: FALLACI (Berkeley Rep) by Erin Kohout

AN APPETIZER FOR THE REAL LIFE OF ORIANA FALLACI At the top of Berkeley Repertory Theater's Fallaci, Italian opera soars as the chiaroscuro image of Oriana Fallaci is illuminated by only her…

SOURCE: Stage and Cinema at 5:01pm on March 18, 2013

Chicago Theater Review: SMOKEY JOE'S CAFÉ (Royal George Theatre) by Lawrence Bommer

SMOKIN' Jerry Leiber and Mike Stoller " you may not recognize who they are but you sure know what they wrote: “Love Potion #9,” “Bossa Nova Baby,” “Kansas City.…

SOURCE: Stage and Cinema at 1:35pm on March 18, 2013

Los Angeles Theater Review: TRAINSPOTTING (Elephant Theatre in Hollywood) by Tom Chaits

TRAINSPOTTING IS ON THE RIGHT TRACK Whether L.A. theatergoers are ready or not, seat of your pants Productions has resurrected it's much ballyhooed 2002 mounting of Henry Gibson's Trainspott…

SOURCE: Stage and Cinema at 12:44am on March 16, 2013

Chicago Theater Review: SHE KILLS MONSTERS (Steppenwolf) by Samantha Nelson

NOT JUST FOR DUNGEONS & DRAGONS FANS Early in She Kills Monsters, the play’s protagonist, Agnes (Katherine Banks), strikes up a conversation with Chuck (Richard Traub), a high scho…

SOURCE: Stage and Cinema at 5:25pm on March 15, 2013

Chicago Theater Review: OTHELLO: THE REMIX (Chicago Shakespeare) by Lawrence Bommer

MAY THE RAP BE WITH YOU Before Othello: The Remix it was only Shakespeare's comedies that received the Q brothers' trademark, rap-happy revision"Funk It Up About Nothin' and The Bomb-itty of…

SOURCE: Stage and Cinema at 5:17pm on March 15, 2013

Chicago Dance Review: HUBBARD STREET DANCE CHICAGO SPRING SERIES (Harris Theater) by Lawrence Bommer

THE NEXT STEP(S) It's an impressive lineup for this respected Chicago company's annual "Spring Series""not just the always impressive Hubbard Street Dance Chicago but, here and elsewhere, th…

SOURCE: Stage and Cinema at 4:19pm on March 15, 2013

Off-Broadway Theater Review: THE LYING LESSON (Atlantic Theater Company at the Linda Gross Theater) by Dmitry Zvonkov

A LESSON IN CHARACTERIZATION Carol Kane's magnetic performance turns Craig Lucas's dramatically thin comic thriller The Lying Lesson into compelling entertainment. Ms. Kane plays Bette Davis…

SOURCE: Stage and Cinema at 11:52pm on March 13, 2013

New York Opera Review: OTELLO (Metropolitan Opera) by Cindy Pierre

AN OPERATIC DEATH IN VENICE A storm blackens the skies, casting a shadow on the land.  The citizens and soldiers of Venice sway with anticipation, waiting for their mighty general to triu…

SOURCE: Stage and Cinema at 10:49pm on March 13, 2013

Off-Broadway Theater Review: NEVA (Public Theater) by Sarah Taylor Ellis

ACTING ON THE POLITICAL STAGE “Another play about Chekhov?” I thought as I settled into my seat for Neva, written and directed by Guillermo Calderón.  Contemporary theater …

SOURCE: Stage and Cinema at 3:25pm on March 13, 2013

Los Angeles Theater Review: TRIBES (Center Theatre Group at Mark Taper Forum) by Tony Frankel & Thomas Antoinne

FINDING YOUR TRIBE Theatre of Identity, aka Social Issues Theatre, is a fascinating phenomenon: this genre promotes a particular people’s cultural identity and invites members of that …

SOURCE: Stage and Cinema at 2:25pm on March 13, 2013

Los Angeles Theater Review: URBAN DEATH II (Zombie Joe's Underground) by Tony Frankel

L. A. THEATER RISES FROM THE DEAD With an assemblage of the bravest actors in Los Angeles, Zombie Joe returns with an all-new Urban Death, the naturalistic horror show in the style of Le Th�…

SOURCE: Stage and Cinema at 9:46pm on March 12, 2013

Los Angeles Theater Review: SONGS OF BILITIS (Rogue Artists Ensemble at the Bootleg) by Mia Bonadonna

FAKE BOOK COMES TO TRUE LIFE Published in Paris in 1894, The Songs of Bilitis is a book of poems and epitaphs describing the life and loves of an ancient lesbian heroine named Bilitis. With …

SOURCE: Stage and Cinema at 6:11pm on March 12, 2013
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