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35,706 stories from The Guardian

'Our Rishi Sunak' " comic Anuvab Pal on India's strange attitude to the PM by Anuvab Pal

The British-Indian comedian suddenly finds himself under pressure to come up with gags about the premier, whose elevation has provoked a strange reaction in India 'You are going to London?" …

SOURCE: The Guardian at 7:36am on November 17, 2022

Shakespeare portrait said to be only one made in his lifetime on sale for £10m by Nadeem Badshah

The artwork by Robert Peake went on display on Wednesday at Grosvenor House hotel in west London A portrait said to be the only signed and dated image of William Shakespeare created during h…

SOURCE: The Guardian at 5:24am on November 17, 2022

I, Daniel Blake to be adapted for stage and updated for cost-of-living crisis by Chris Wiegand Stage Editor

The story of a widowed joiner and a young single mother has been written by Dave Johns, who played the title role in Ken Loach's 2016 film Ken Loach's Palme d'Or winner I, Daniel Blake is to…

SOURCE: The Guardian at 5:24am on November 17, 2022

The Scouse Jack and the Beanstalk review " perfect panto for tough times by Mark Fisher

Royal Court, LiverpoolCow jokes are heavily milked in this family-friendly show, alongside nods to the city's star turn as next year's Eurovision host Within weeks of the news that Liverpool…

SOURCE: The Guardian at 5:24am on November 17, 2022

Who's afraid of Australian theatre? Why our plays aren't treated like classics by Anthony Nocera

There's no shortage of great Australian plays. But when it comes to restagings, local work is consistently overlooked in favour of Miller, Chekov, Albee and Shakespeare Get our weekend cult…

SOURCE: The Guardian at 2:06pm on November 16, 2022

Jerry Sadowitz: Not for Anyone review " an evening of incessant offence by Brian Logan

Hammersmith Apollo, LondonAfter his show was pulled from the Edinburgh fringe, the comic continues his efforts to outrage, resulting in deep discomfort as well as bleak brilliance "Winner of…

SOURCE: The Guardian at 2:06pm on November 16, 2022

Auto-Engrain review " nightmarish tale of the slow creep of domestic abuse by Anya Ryan

King's Head theatre, LondonHelena Collins O'Connor writes and performs a monologue that makes a powerful statement about this stubborn and horrific issue "I'm going to rant for a bit," says …

SOURCE: The Guardian at 9:48am on November 16, 2022

'An acutely difficult time': companies respond to Arts Council funding decisions by Harriet Sherwood, Chris Wiegand and Lucy Knight

In our third set of case studies exploring the impact of Arts Council England's new funding round, we hear from Eclipse in Leeds, Oldham Coliseum and Hexham's Bloodaxe Books Organisations he…

SOURCE: The Guardian at 9:48am on November 16, 2022

The Sex Party review " spiky comedy fails to satisfy by Arifa Akbar

Menier Chocolate Factory, LondonThere's tension in Terry Johnson's tale of four couples meeting for sex and nibbles but the unruly debate isn't deep enough At first, The Sex Party looks like…

SOURCE: The Guardian at 9:48am on November 16, 2022

'It's relatable' … The Crown's Emma Corrin on playing gender-swapping, time-travelling Orlando by Claire Armitstead

The actor and the director Michael Grandage talk about how relevant their staging of Virginia Woolf's classic work of gender fluidity feels " and remember their own queer battles Emma Corrin…

SOURCE: The Guardian at 3:32pm on November 15, 2022

Mark Thomas: Black and White review " soft targets and hard feelings by Brian Logan

Cambridge JunctionThe political comedian's new touring show takes on Liz Truss and the Tories but too often swaps subtlety for stridency Mark Thomas's last show drew on his lifetime of polit…

SOURCE: The Guardian at 12:12pm on November 15, 2022

Sara Pascoe: 'I got told not to wear skirts on stage " but you can be hysterical and wear a nice dress' by Interview By Liam Pape

The comedian and author on performing at Hugh Grant's birthday party, the problem with being labelled a 'feminist vegan', and her new show Success Story Why did you start doing standup?I rea…

SOURCE: The Guardian at 4:32am on November 15, 2022

Roy Orbison musical from & Juliet creators to open at Leeds Playhouse by Chris Wiegand Stage Editor

In Dreams, a jukebox show written by David West Read, will use back catalogue of 'the Big O' to tell fictional story of female singer A new musical using the songs of Roy Orbison, created by…

SOURCE: The Guardian at 1:18am on November 15, 2022

Richard the Second review " a pared-down study of patriarchal power by Arifa Akbar

Omnibus theatre, LondonAnna Coombs strips out two-thirds of the characters to deliver an intimate and intense adaptation of Shakespeare's play There is no sign of courtly pomp or ceremony i…

SOURCE: The Guardian at 5:42pm on November 14, 2022

Timothy Hutton on The Sex Party: 'Do I think it will be controversial? I don't know …' by Sarfraz Manzoor

He won an Oscar at 20 for Ordinary People, acted with the 'brat pack' and worked with Polanski and Lumet. As the star makes his London stage debut, he looks back " and anticipates giving aud…

SOURCE: The Guardian at 9:03am on November 14, 2022

Matthew Modine:​ ​'I didn't want to do Stranger Things but ​t​he Duffer Brothers kept ringing me up' by Sarah Crompton

The actor and environmentalist on playing Atticus Finch, the character's importance today, and why he dyed his hair white for Stranger Things Actor Matthew Modine, born in California in 1959…

SOURCE: The Guardian at 6:54am on November 14, 2022

A new start after 60: I became an actor " and I've never made so much money by Paula Cocozza

Anabel Graetz has always known she had an interesting and unusual face. At the age of 80, it's now paying the bills Anabel Graetz has always worked in the arts, but she won her first screen …

SOURCE: The Guardian at 6:54am on November 14, 2022

Thrilled, relieved, perplexed: three Arts Council funding verdicts by Chris Wiegand, Imogen Tilden and Harriet Sherwood

In our second set of case studies exploring the impact of Arts Council England's new funding decisions, we hear from Balbir Singh Dance Company, Britten Sinfonia and Little Bulb Organisation…

SOURCE: The Guardian at 6:54am on November 14, 2022

Jellicle clown: Frankie Thompson on her unmissable feline fever dream Catts by Chris Wiegand

Her cat-tastic stage show is a riff on Andrew Lloyd Webber's musical that swerves into emotionally raw territory. The Edinburgh fringe sensation talks about trauma, taboos and the importance…

SOURCE: The Guardian at 3:36am on November 14, 2022

'I want people to walk away with a sense we can triumph together': the making of Mandela the musical by Sarah Crompton

Two South African brothers have spent seven years developing a musical about Nelson Mandela's younger, radical years. His family are supportive, but political musicals are high risk… We ta…

SOURCE: The Guardian at 11:18am on November 13, 2022

'It has added political resonance this year': why Charles Dickens's A Christmas Carol still strikes a chord by Vanessa Thorpe

Audiences can choose from a glut of Ebenezers this festive season, with the infamous miser a more pointed character than ever in these hard times This Christmas, whatever the weather, it wil…

SOURCE: The Guardian at 11:18am on November 13, 2022

Richard the Second review " an unfinished but promising production by Clare Brennan

Taunton Brewhouse, and touringTangle Theatre's dynamic five-actor staging features a dazzling debut from Daniel Rock Founded in 2009, Tangle Theatre Company's aim is to champion African and …

SOURCE: The Guardian at 9:06am on November 13, 2022

Harriet Kemsley review " a smutty uprising against idealised femininity by Brian Logan

Palace theatre, SouthendThe manic 35-year-old riffs on pregnancy, childbirth and how she can make the world a less sexist place for her 10-month-old daughter The comedian reconsidering her l…

SOURCE: The Guardian at 9:06am on November 13, 2022

The week in theatre: Not One of These People; Not Now; Super High Resolution " review by Susannah Clapp

Royal Court; Finborough; Soho theatre, LondonQuestions of who can speak for whom animate both Martin Crimp's new AI work and David Ireland's brilliant Belfast dialogue. And a star is born in…

SOURCE: The Guardian at 5:54am on November 13, 2022

'People now trust that my ideas work': is this Australia's most acclaimed theatre director? by Elissa Blake

Kip Williams has revolutionised the stage with his use of 'cine-theatre', in shows such as The Picture of Dorian Gray and Jekyll and Hyde. Ahead of his take on The Tempest, he talks about hi…

SOURCE: The Guardian at 12:24pm on November 12, 2022
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