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6,591 stories from Stage and Cinema

Los Angeles/Regional Theater Review: THE PARISIAN WOMAN (South Coast Repertory in Costa Mesa) by Jesse David Corti

THE PETITE POLITIQUE Few playwrights have it as good as Beau Willimon at the moment; he's a critical and commercial success on all three major platforms"stage, screen, and stream. His play F…

SOURCE: Stage and Cinema at 6:54pm on April 26, 2013

Chicago/Tour Theater Review: ANYTHING GOES (Palace Theatre) by Lawrence Bommer

PORTER IS THE ONE WHO CARRIES THIS SHOW H.M.S. Titanic, they say, was unsinkable, but the S.S. American " the setting for Cole Porter's Anything Goes, his biggest hit before Kiss Me Ka…

SOURCE: Stage and Cinema at 10:26am on April 26, 2013

Chicago Theater Review: YELLOW MOON (Writers' Theatre in Glencoe) by Tony Frankel

ALMOST A FULL MOON The theater has been sorely affected by electronic communication. Since the advent of the internet, at least, the cumbersome amount of news bits and twittering has infecte…

SOURCE: Stage and Cinema at 12:48am on April 26, 2013

Chicago Theater Review: PAJAMA GAME (The Music Theatre Company in Highland Park) by Lawrence Bommer

WHEN UNIONS RULED THE EARTH Outrageously overdue for revival (the last one was at Marriott Theatre in 2004), this irresistible 1954 Broadway classic harks back to a time when producers could…

SOURCE: Stage and Cinema at 4:46pm on April 25, 2013

Chicago Theater Review: PAL JOEY (Porchlight Music Theatre at Stage 773) by Lawrence Bommer

CHICAGO CAD MAKES BAD LOOK GOOD Sassy and brassy Pal Joey is a wondrous rouser that spins the tale of a roué gone rotten in Depression-era Chicago. Porchlight Music Theatre gained the ex…

SOURCE: Stage and Cinema at 4:22pm on April 23, 2013

Chicago Theater Review: THE HAPPIEST SONG PLAYS LAST (Goodman Theatre) by Lawrence Bommer

SEVEN CHARACTERS IN SEARCH OF A PLAY Undernourished as this commissioned play may feel, it is, in fact, the last of the "Elliot Trilogy" by Quiara Alegría Hudes (bookwriter for In the Hei…

SOURCE: Stage and Cinema at 11:55am on April 23, 2013

San Diego Opera Review: AIDA (San Diego Opera) by John Todd

EYEING AMNERIS IN AIDA In this well-loved 150-year-old Guiseppe Verdi classic of Grand Opera, it may be heretical to question the relationship of the principle characters and their so-cal…

SOURCE: Stage and Cinema at 3:46am on April 23, 2013

Chicago Theater Review: STILL ALICE (Lookingglass Theatre Company) by Lawrence Bommer

ALICE FALLS THROUGH AT LOOKINGGLASS "I miss myself." That's the plaintive cry from the titular character of Still Alice, adapted from Lisa Genova's book, and presented by Lookinggla…

SOURCE: Stage and Cinema at 1:19am on April 22, 2013

Los Angeles Theater Review: WILD UP: BROOKLYN | BRIDGE TO PALM (REDCAT) by Jesse David Corti

PASSION OVER PERFECTION wild Up is an electric ensemble of twenty-two twenty-somethings who vigorously perform a maelstrom of eclectic musical works ranging from J.S. Bach to They Might Be G…

SOURCE: Stage and Cinema at 10:28pm on April 21, 2013

Chicago Theater Review: BIG FISH (Pre-Broadway World Premiere at the Oriental Theatre) by Lawrence Bommer

A FISH OUT OF WATER Ten years ago, the Tim Burton film Big Fish with Ewan McGregor and Albert Finney, based on Daniel Wallace's 1998 "novel of mythic proportions," charmed audiences with its…

SOURCE: Stage and Cinema at 11:37am on April 20, 2013

Chicago Theater Review: THE BRIG (Mary-Arrchie) by Lawrence Bommer

THEATER OF CRUELTY (TO THE AUDIENCE, THAT IS) A blast from the past, this 1963 curiosity from the once-living Living Theatre is a tribute to author Kenneth H. Brown's total recall and recrea…

SOURCE: Stage and Cinema at 1:13pm on April 19, 2013

Los Angeles Theater Review: SEVEN BRIDES FOR SEVEN BROTHERS (La Mirada Theatre for the Performing Arts) by Tony Frankel

OH BROTHERS! Seven Brides for Seven Brothers: Talk about a musical with a strange history! It begins with the Ancient Roman legend "The Rape of the Sabine Women" " attributed to Plutarch " f…

SOURCE: Stage and Cinema at 10:48am on April 18, 2013

Los Angeles Theater Review: AMERICAN MISFIT (Boston Court in Pasadena) by Jason Rohrer

HISTORY AS MYTHOLOGY AS ROCK AND ROLL Dan Dietz’s American Misfit is the kind of smart, provocative entertainment that stimulates the best part of an audience: its appreciation.  As…

SOURCE: Stage and Cinema at 1:50am on April 17, 2013

Chicago Theater Review: CREDITORS (Remy Bumppo) by Lawrence Bommer

COMPRESSED CRUELTY IN A SMALL STRINDBERG SHOCKER August Strindberg, the "father of modern psychological drama," told his publisher that Creditors, a drama that he prized as much as he did hi…

SOURCE: Stage and Cinema at 1:00pm on April 16, 2013

Los Angeles Theater Review: SLIPPING (Lillian Theatre in Hollywood) by Jesse David Corti

NO SLIPS HERE After previous productions in Chicago and New York, Daniel Talbott's first play Slipping touches down in Los Angeles and serves as both the inaugural production of Rattlestick …

SOURCE: Stage and Cinema at 2:09am on April 16, 2013

Los Angeles Opera Review: THE MARRIAGE OF FIGARO (Pacific Opera Project) by Barnaby Hughes

A MARRIAGE MADE IN HEAVEN Less than a month after its pop-up production of The Barber of Seville, Pacific Opera Project (POP) continues Beaumarchais' trilogy with Mozart's The Marriage of Fi…

SOURCE: Stage and Cinema at 8:13pm on April 15, 2013

Los Angeles Theater Review: MAD FOREST (Open Fist Theatre in Hollywood) by Ella Martin

A DARK, RIVETING AND WORTHY TRIP TO THE FOREST An undeservedly small house took in Friday's performance of Caryl Churchill's brilliant, unsettling Mad Forest.  Commissioned in 1990 in res…

SOURCE: Stage and Cinema at 4:18pm on April 15, 2013

Los Angeles Theater Review: A CHORUS LINE (Musical Theatre West in Long Beach) by Tony Frankel

THE MUSICAL WITH LEGS Musical Theatre West's (MTW) exuberant production of A Chorus Line proves that the musical is as fresh as the day it appeared almost forty years ago, when the standard …

SOURCE: Stage and Cinema at 1:06pm on April 15, 2013

Los Angeles Theater Review: AMERICAN BUFFALO (Geffen Playhouse in Westwood) by Jesse David Corti

THE GEFFEN PRODUCTION OF AMERICAN BUFFALO PREFERS TO GRAZE RATHER THAN STAMPEDE The script of David Mamet's assaulting and brutal American Buffalo still packs bite after thirty-eight years. …

SOURCE: Stage and Cinema at 1:27pm on April 14, 2013

Chicago Theater Review: HEAD OF PASSES (Steppenwolf Theatre Company) by Lawrence Bommer

YOU GOTTA HAVE FAITH The adventurous playwriting of Tarell Alvin McCraney, who wrote the successful "Brother/Sister Plays" (In the Red and Brown Water, The Brothers Size, and Marcus),�…

SOURCE: Stage and Cinema at 11:49am on April 14, 2013

Los Angeles Theater Review: THE BEAUX' STRATEGEM (A Noise Within in Pasadena) by Jesse David Corti

RESTORED RESTORATION Northern Irish playwright George Farqhuar died at the tender age of 30, in 1707. However, he finished writing one last play before his passing, The Beaux' Stratagem, a r…

SOURCE: Stage and Cinema at 8:14pm on April 13, 2013

Los Angeles Theater Review: ROUND ROCK (Theatre Unleashed at Studio/Stage) by Jesse Herwitz

WE'RE GONNA NEED A BIGGER ROCK Since the first ship landed, since the first boot heel dug into the earth, since the first wagon ventured west, the American frontier has stirred the word's im…

SOURCE: Stage and Cinema at 7:03pm on April 13, 2013

Los Angeles Theater Review: OUR CLASS (Son of Semele at Atwater Village Theatre) by Tony Frankel

SO MANY ATROCITIES IN ONE EVENING When stories appear which elucidate the carnage during WWII, many look to heaven and ask, "Why?" But the script and execution of Our Class, about a true-lif…

SOURCE: Stage and Cinema at 4:06pm on April 13, 2013

Regional Theater Review: SMOKEFALL (South Coast Repertory in Coast Mesa) by Ashley Evenson

SMOKEFALL GETS IN YOUR EYES The most amazing thing about Noah Haidle's world premiere of Smokefall at South Coast Rep is Marsha Ginsberg's scenic design of a simple yet beautifully crafted t…

SOURCE: Stage and Cinema at 5:04pm on April 12, 2013

Chicago Theater Review: LET THEM EAT CHAOS (The Second City) by Samantha Nelson

FORGING COMEDY FROM CHAOS Early in The Second City’s 101st revue Let Them Eat Chaos, the excellent Second City veteran Katie Rich sits on the stage alone and alternately chats with the…

SOURCE: Stage and Cinema at 12:16pm on April 11, 2013
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