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6,591 stories from Stage and Cinema

Los Angeles Theater Review: THE ROYALE (Center Theatre Group at the Kirk Douglas Theatre) by Tom Chaits

THE ROYALE PACKS A PUNCH SLAP There are many things to recommend about The Royale, currently making its World Premiere at the Kirk Douglas Theatre. The staging is brilliant, the fight choreo…

SOURCE: Stage and Cinema at 9:00pm on May 16, 2013

Los Angeles Theater Preview: MACK & MABEL (Musical Theatre West) by Tony Frankel

NOW THIS YOU GOTTA SEE Of the 32 shows I attended in Chicago recently, the most charming experiences were with four musical revivals, three from Broadway's heyday — the 1930s through t…

SOURCE: Stage and Cinema at 9:16pm on May 15, 2013

Chicago Theater Review: THE MOTHER (Oracle) by Paul Kubicki

THE MOTHER OF CHICAGO THEATER Workers and theatergoers of Chicago unite! Oracle Theatre is mounting a rousing defense of Karl Marx and the Bolsheviks, and demands your undivided attention. T…

SOURCE: Stage and Cinema at 3:56pm on May 14, 2013

Off-Broadway Theater Review: THE GOLDEN DRAGON (The Play Company at The New Ohio Theatre) by Dmitry Zvonkov

A PLAY CANNOT LIVE ON CONCEPT ALONE Works of art in themselves " namely Nicole Pearce's lighting and Katie Down's sound design and musical compositions — go a long way in helping make …

SOURCE: Stage and Cinema at 5:00am on May 14, 2013

Off-Broadway Theater Review: A FAMILY FOR ALL OCCASIONS (Labyrinth Theater Company) by Dmitry Zvonkov

WHAT MAKES A FAMILY What makes a family? What keeps one together? And what do you do when you're stuck in one that doesn't fit in with how you want yourself or your life to be? These are the…

SOURCE: Stage and Cinema at 6:25pm on May 13, 2013

Los Angeles Theater Review: GOD'S MAN IN TEXAS (Sierra Madre Playhouse) by Jesse Herwitz

AÂ PLAY WHICHÂ FALLS ON ITS FAITH Faith is one of the most prevalent themes in David Rambo's God's Man in Texas, and very likely where you place your faith or where you spend your Sunday m…

SOURCE: Stage and Cinema at 12:17pm on May 11, 2013

Los Angeles Theater Review: JOE TURNER'S COME AND GONE (Mark Taper Forum) by Ashley Evenson

YOU MIGHT ENJOY THE ACTING, BUT WILL YOU BELIEVE IN MAGIC? It's not easy to believe in magic watching Phylicia Rashad's direction of Joe Turner's Come and Gone. While Rashad has a knack f…

SOURCE: Stage and Cinema at 11:02am on May 10, 2013

Chicago Theater Reviews: THE SILENT LANGUAGE (TUTA Theatre Chicago) & THE ELEPHANT AND THE WHALE (Chicago Children's Theatre) by Tony Frankel

A fascinating phenomenon is occurring in the theater, one which was elucidated by many shows that I saw in Chicago over the past couple of weeks. As the art of playwriting (to wit: storytell…

SOURCE: Stage and Cinema at 5:34pm on May 9, 2013

Chicago Theater Review: HENRY VIII (Chicago Shakespeare at Navy Pier) by Lawrence Bommer

THE PLAY’S NOT REALLY THE THING, THE PRODUCTION IS Further earning a proud name, Chicago Shakespeare Theater has produced Henry VIII for the first time in professional Chicago theater …

SOURCE: Stage and Cinema at 9:52am on May 9, 2013

Chicago Theater Review: IF YOU SPLIT A SECOND (Pegasus Players) by Lawrence Bommer

SECONDS WHICH SHOULD BE SKIPPED, NOT SPLIT Within the messy, overwritten and frustrating new script, If You Split A Second, is a potentially interesting premise: In an instant of unthinking …

SOURCE: Stage and Cinema at 8:08am on May 8, 2013

Chicago Theater Review: IVYWILD (The Hypocrites at Chopin Theater) by Tony Frankel

I REMEMBER THE AMUSEMENT PARK BUT FORGOT WHAT THE RIDE WAS ABOUT The more I think about the Hypocrites' latest theater spectacle, Ivywild, the more entranced I feel about the imaginative pro…

SOURCE: Stage and Cinema at 6:31pm on May 7, 2013

Los Angeles Theater Review: HOT CAT (Theatre of NOTE with Theatre Movement Bazaar) by Ella Martin

A CAT IN THE RIGHT DIRECTION Cat on a Hot Tin Roof is a tricky play even before it leaves the page. Nearly sixty years after its first performance, Williams' brilliant poetic language and th…

SOURCE: Stage and Cinema at 6:31pm on May 6, 2013

Chicago Theater Review: OKLAHOMA! (Lyric Opera) by Tony Frankel

CORNOGRAPHY It's been 70 years since Rodgers and Hammerstein ushered in the "golden era" of Broadway musicals with Oklahoma! and some dust has settled on the green corn of the 40s. Well, an …

SOURCE: Stage and Cinema at 2:58pm on May 5, 2013

Chicago Dance Review: OTHELLO (The Joffrey Ballet) by Lawrence Bommer

PLEASE, SIR, I WANT SOME MOOR Alas, this is mainly a review of record: This is the final weekend to savor the triumphant revival of the Joffrey Ballet's Othello. Originally given its world p…

SOURCE: Stage and Cinema at 7:48pm on May 4, 2013

Off Broadway Theater Review: THE GIRL I LEFT BEHIND ME (59E59 Theaters) by Dmitry Zvonkov

THE RIGHT GIRL IN THE WRONG VENUE Created by Neil Bartlett and Jessica Walker, The Girl I Left Behind Me " which is part of the Brits Off Broadway festival " is a tribute to British and Amer…

SOURCE: Stage and Cinema at 4:45pm on May 4, 2013

Stage and Cinema Interview: MICHAEL PERETZIAN (Director of DYING CITY at Rogue Machine in L.A.) by Tony Frankel

DYING TO DIRECT It turns out that a career as a top literary agent at William Morris and CAA served as a solid stepping-stone for Michael Peretzian's dream job: directing in theater. As an a…

SOURCE: Stage and Cinema at 1:24pm on May 4, 2013

Chicago Theater Review: COLLECTED STORIES (American Blues Theater) by Tony Frankel

PERFECTED STORIES Ever since Donald Margulies’ Collected Stories premiered at South Coast Rep in 1996, and especially after it hit the Broadway boards starring Linda Lavin in 2010, the…

SOURCE: Stage and Cinema at 1:05pm on May 4, 2013

Off-Broadway Theater Review: BULL (59E59 Theaters) by Dmitry Zvonkov

WHITE-COLLAR BULLYING Mike Bartlett's play Bull begins with a team of three white-collar salespeople, Tony (Adam James), Isobel (Eleanor Matsuura) and Thomas (Sam Throughton) awaiting the ar…

SOURCE: Stage and Cinema at 11:52am on May 1, 2013

Chicago Theater Review and Commentary: THE EMPEROR'S NEW THREADS (Lifeline Theatre) by Tony Frankel

LEAVE IT TO CHILDREN’S THEATER TO MAKE THE BIGGEST STATEMENT OF ALL The biggest opening in Chicago last week was the behemoth pre-Broadway spectacle Big Fish, but right across to…

SOURCE: Stage and Cinema at 3:43pm on April 30, 2013

Los Angeles Theater Review: PETER PAN: THE BOY WHO HATED MOTHERS (The Blank Theatre) by Samuel Bernstein

THE NEVERLAND AFTER DARK This ain't Mary Martin's Peter Pan. Or Walt Disney's. Or Stephen Spielberg's. With Peter Pan: The Boy Who Hated Mothers, playwright Michael Lluberes' has his own tak…

SOURCE: Stage and Cinema at 4:26pm on April 29, 2013

Chicago Theater Review: THE LAKE EFFECT (Silk Road Rising at Chicago Temple) by Tony Frankel

BLIZZARD TALE In meteorology, the phenomena known as Lake Effect occurs when a cold system glides over the warmer water of a large lake and dumps huge amounts of precipitation, usually snow,…

SOURCE: Stage and Cinema at 2:30pm on April 29, 2013

Los Angeles Theater Review: FALLING FOR MAKE BELIEVE (Colony Theatre in Burbank) by Samuel Bernstein

BEWITCHED, BEGUILED AND THRILLED Mark Saltzman is one smart cookie. He approaches his new bio-musical of the legendary Lorenz Hart with a passionate curiosity about the great man's life and …

SOURCE: Stage and Cinema at 2:15pm on April 29, 2013

Chicago Theater Review: PLOUGHED UNDER: AN AMERICAN SONGBOOK (House Theatre at Chopin) by Tony Frankel

PLOUGHED UNDER BY GOOD INTENTIONS AND BAD SONGWRITING What a great idea: Create modern folk songs to represent Americans whose voices have been given short shrift (or ploughed under) b…

SOURCE: Stage and Cinema at 1:52pm on April 29, 2013

Chicago Theater Review: CORE OF THE PUDEL (Trap Door Theatre) by Tony Frankel

FAUST IN SPACE Just because I recommend Trap Door's latest production doesn't mean that I understand it. Core of the PUDEL (pronounced "poodle") is an Avant Garde/Experimental/Movement Theat…

SOURCE: Stage and Cinema at 2:00am on April 27, 2013

Los Angeles Theater Review: ANNAPURNA (Odyssey) by Tom Chaits

A ROCKY ROCKY MOUNTAIN ROMANCE In mountaineering lingo, "committing" refers to forcing yourself into a place of no return leaving nowhere to go but forward; and so it is with life, loss and …

SOURCE: Stage and Cinema at 7:00pm on April 26, 2013
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