Market to New Audiences
4 tips for bringing theatre marketing into the 21st century.
4 tips for bringing theatre marketing into the 21st century.
Don't have a policy to accommodate people with disabilities, both backstage and in the house? You need one.
You've got to make concessions to your theatregoers' tastes for food and drink.
Diversifying personnel is important, but a more fundamental step might be to change the ways we teach theatre.
Recruiting and retaining people who will support your mission, but not take over your theatre, is key.
How can institutions confront inequity and entrenched privilege in their hiring and workplace policies? Transparency is a good start.
How to make sure your shows are truly inclusive.
New memoirs by British directors Nicholas Hytner and Dominic Dromgoole run the gamut, and the Globe.
Friendman will leave the Ohio company at the completion of the 2018-19 season.
It's the one-year-anniversary of this podcast! To celebrate, the critics discuss jukebox musicals, in particular 'Girl From the North Country,' and why there are so many Brits on Broadway.
The former 'Daily Show' correspondent revives 'Sakina's Restaurant' after 20 years, marking how far we've come in Asian representation, and how far we've yet to go.
Meet the driving force behind the institution that would become Milwaukee Repertory Theater.
The report provides information about education and engagement programs at theatres across the country.
The Philadelphia-based writer took the $25,000 honor for a play inspired by the killings of unarmed black men.
From a summer festival to a year-round company, this community-based theatre brings plays and musicals to the home of John Steinbeck.
Moving from Baltimore's Center Stage to the Repertory Theatre of St. Louis, Sharif gives impressions of both cities and the work ahead.
Greg Longenhagen succeeds a.d. Robert Cacioppo, who was fired in April for alleged bullying.
Kalke, who succeeds playwright Lee Nowell, will join the company starting Oct. 22.
In her boundary-breaking, civically engaged play, Heidi Schreck shows that a woman telling her story is a political, and powerful, act
Ubuntu Theater Project gambled on a name-your-price subscription model"and it worked.
The writer of 'Skeleton Crew' and 'Pipeline' will receive $625,000 over 5 years.
A quiet fixture of L.A.'s theatre scene, Ong wrote a wide variety of plays and showed up to support even more.
Bleu Beckford-Burrell, Sarah Einspanier, Keelay Gipson, and Else C. Went will serve 9-month fellowships at the New York City company.
From Jane Addams's co-founding of Chicago's Hull House to Jane Alexander as a fictional first female Supreme Court justice, October has been a notable month for theatre.
From a director of patron services in D.C. to a dramaturg in Illinois, here are some theatre folks you should have on your radar.