An Acton NY Theater Review: The Firebird Project's Frankenstein; Or A Modern Prometheus By Acton A compact theater space becomes an icy sea in an instant, as director Zoe Senese-Grossberg's …
The Toronto Theatre Review: Riot King's Red By Ross Beautiful classical music floats in, transporting us to New York City in 1958, where a cigarette is lit in the dark, illuminating and draw…
The Toronto Theatre Review: Studio 180 Theatre's A Public Display of Affection By Ross Feeling both flattered and insulted at the same time, Jonathan Wilson (My Own Private Oshawa), writer a…
The Broadway Theatre Review: Steppenwolf Theatre Company's Purpose By Ross There is a slow buzz swarming around the Helen Hayes Theater, and the feeling of tension and a certain kind of stin…
The Broadway Theatre Review: Broadway's Buena Vista Social Club By Ross The stage fills up quickly, with musicians and characters feeling the music and the beat of the Buena Vista Social Clu…
The Off-Broadway Theatre Review: The Public Theater's Sumo By Ross Drums, manned from above the ring, summon those willing to step forward into the circle with pride and purpose. This is the…
The Off-Broadway Theatre Review: A Streetcar Named Desire at BAM By Ross Against the rotating cackling and chattering of New Orleans, this riveting, electric, and thoughtfully pounding A Str…
The Off-Broadway Theatre Review: The Jonathan Larson Project By Ross Those first "525,600 minutes, 525,000 moments so dear. 525,600 minutes " how do you measure..." measure the beautiful fee…
The Broadway Theatre Review:Â Operation Mincemeat By Ross It begins with a radio broadcast straight out of every World War II movie in existence, with England standing firm against the ons…
The Off-Broadway Theatre Review: Conversations with Mother By Ross "I hate camp." A plea made in the first few moments of the sentimental charmer written lovingly by playwright(er) Matthew L…
The Off-Broadway Theatre Review: Vanya By Ross A quiet flies fast over the excited crowds that have gathered in downtown NYC at the Lucille Lortel Theatre, as Andrew Scott (Veracity Digital'…
The Off-Broadway Theatre Review: MTC's Dakar 2000 By Ross It's a thoroughly clever initial engagement that ignites Rajiv Joseph's fascinating journey through a story within a story, a time w…
The Off-Broadway Theatre Review: Henrik Ibsen's Ghosts at the Lincoln Center Theater By Ross The third time's a charm, I guess, as this condensed new adaptation by Mark O'Rowe ("Normal Peopl…
The Off-Broadway Theatre Review: Natalie Margolin's All Nighter By Ross "Do better," one of the young women states, emphatically to another, as they gather around a hypnotically oblong table…
The Toronto Theatre Review: Buddies in Bad Times/Native Earth Performing Arts' The Born-Again Crow By Ross (Mohawk/Scottish) The actual, full title is a meaningful mouthful, much like the pl…
The Toronto Theatre Review: Red Snow Collective's Carried by the River By Ross The piano plays a sweet arrangement as the shadows dance behind the gentle white draping, courtesy of scenic &a…
The Toronto Theatre Review: HOUSE + BODY's Measure For Measure by Ross They gather together around a long split white table, filled to overflowing with black sound props and four microphones…
Frontmezzjunkies reports: Mitch Wood! My Impression of a LONDON Show! has a One-NightToronto Engagement Ahead of West End Premiere Comedy sensation Mitch Wood, who has accumulated an e…
The Toronto Theatre Review: Trident Moon By Ross There is a sort of chanting (or is it prayer?) that fills the air as a sharp, jagged red light cracks the space open, dividing it into two, w…
The Toronto Theatre Review: Outside the March's Performance Review By Ross Walking down the quiet streets of Toronto, looking for the entrance to the Dundas West's Morning Parade coffee b…
Frontmezzjunkies reports on: The 20th Annual Toronto Sketch Comedy Festival By Ross I didn't really realize it until I was inside The Theatre Center on Queen Street West in Toronto that I ha…
Frontmezzjunkies reports: The 2025 Olivier Award Nominations By Ross Nominations were announced yesterday morning by Olivier Award winners Nicole Scherzinger and Tom Francis, who won Best Ac…
Frontmezzjunkies reports: The Grand Theatre in London, Canada, announces its New Season, which will include the London Premieres of Disney's Frozen and Come From Away. March 4, 2025 " London…
The Toronto Theatre Review: Vivian Chong's Blind Dates By Ross There's a strong and engaging "I'm here" energy emanating from the Theatre Passe Muraille Backspace stage, brought forth in abu…
This "Filthy, Hilarious and Lewd" 7-part miniseries just simply sounds like a whole lotta fun. Written and starring Paul Pecorino, THE DESTRUCTION OF JANE is set to debut April 29th on their…