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6,804 stories from Stage and Cinema

Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (La Mirada Theatre) by Nick McCall

SWEENEY TODD SLICES DEEP " EVEN WITH A FEW MISSTEPS Jason Alexander's ambitious concept does not blunt the impact of a blisteringly performed revival McCoy Rigby Entertainment has been doing…

SOURCE: Stage and Cinema at 4:30pm on February 2, 2026

Theater Review: LAUGHTER ON THE 23RD FLOOR (Desert Theatreworks in Indio) by Frank Arthur

COMEDY UNDER PRESSURE A writers' room in early television on deadline, and a production that hits every punchline Neil Simon's Laughter on the 23rd Floor fictionalizes the writers' room behi…

SOURCE: Stage and Cinema at 1:50am on February 2, 2026

Theater Review: POETRY FOR THE PEOPLE: THE JUNE JORDAN EXPERIENCE (Fountain Theatre) by Ernest Kearney

POETRY AS ACTIVISM, MEMORY, AND INVITATION A moving, participatory tribute to June Jordan that insists poetry still matters June Jordan was a seminal feminist poet and essayist who"beyond ge…

SOURCE: Stage and Cinema at 3:00am on February 1, 2026

HOW BEATVIZ IS REDEFINING THE AI MUSIC VIDEO GENERATOR FOR FILM AND STAGE ARTISTS by Lamont Washington

For decades, music videos have been a meeting point between sound and image"a space where rhythm becomes motion and emotion takes visual form. From experimental cinema to theatrical performa…

SOURCE: Stage and Cinema at 2:00am on February 1, 2026

Theater Review: JOB (SpeakEasy Stage Company) by Lynne Weiss

A PRESSURE COOKER OF A PRODUCTION A thriller that examines the effects of social media Josephine Moshiri Elwood (Jane) and Dennis Trainor Jr. (Loyd) pull out all the stops in Job, an 80-minu…

SOURCE: Stage and Cinema at 1:50am on February 1, 2026

Theater Review: GILDED SPINDLE (Stephanie Feury Studio Theatre) by Ernest Kearney

ZANDER RAPHAEL SPINS PUPPETRY INTO GOLD Gilded Spindle offers Shannon L. Reagan's retelling of the Rumpelstiltskin tale with a slight #MeToo twist. While the talents and artistry of Reagan, …

SOURCE: Stage and Cinema at 2:17pm on January 31, 2026

Theater Review: KIND STRANGER … A MEMORY PLAY (Zephyr Theatre) by Ernest Kearney

Kind Stranger … A Memory Play, conceived and performed by Rick Simone-Friedland is successful as a historical rendering of Playwright Tennessee Williams' life. It is also successful as a r…

SOURCE: Stage and Cinema at 1:00am on January 31, 2026

Dance Review: GRAHAM100 (Martha Graham Dance Company at The Auditorium Theatre, Chicago) by C.j. Fernandes

About midway through Martha Graham's powerful Chronicle, performed last Saturday at the Auditorium Theatre in Chicago, I realized that the elevated platform at center stage was not just a pl…

SOURCE: Stage and Cinema at 9:08pm on January 30, 2026

Obituary: CATHERINE O'HARA (1954-2026) by Michael M. Landman-karny

THE ACTRESS WHO MADE THE RIDICULOUS PROFOUND Catherine O'Hara, who has died aged 71, could make you laugh and break your heart in the same scene. Most performers pick a lane; she moved betwe…

SOURCE: Stage and Cinema at 8:04pm on January 30, 2026

Theater Review: SOME LIKE IT HOT (National Tour, Broadway in Boston) by Lynne Weiss

A REIMAGINING OF A HOLLYWOOD CLASSIC Frothy fun with an affirmingly progressive perspective The art deco sets (Scott Pask, scenic design), broad-shouldered plaids (Gregg Barnes, costumes), a…

SOURCE: Stage and Cinema at 1:59am on January 30, 2026

Off-Broadway Review: DATA (Lucille Lortel Theatre) by Alex Simmons

ALGORITHMS, ETHICS, AND THE COST OF INFORMATION A sleek, jargon-charged tech thriller that trades in privacy, prediction, and moral gray zones Between ownership battles over data-rich social…

SOURCE: Stage and Cinema at 5:54pm on January 29, 2026

Theater Interview: DAVID ZIPPEL (Artistic Director of rePLAY at the Plaza Theatre in Palm Springs) by Jason Mannino

OSCAR WILDE, REWIRED FOR NOW David Zippel brings star power and modern snap to Palm Springs Tony-winner for Liza's at the Palace, David Zippel"one of Broadway and Hollywood's sharpest comic …

SOURCE: Stage and Cinema at 7:03pm on January 27, 2026

Theater Review: BIRDS OF NORTH AMERICA (A Red Orchid Theatre) by C.j. Fernandes

A DELICATE CHAMBER PIECE THAT WILL BREAK YOUR HEART One of the advantages of a small performance space is that, in the right hands, one can set the mood even before the play has begun. In th…

SOURCE: Stage and Cinema at 9:00pm on January 26, 2026

Concert Review: ISABEL LEONARD AND FRIENDS (Carnegie Hall) by Rob Lester

A VARIED AND VOLUPTUOUS NIGHT OF SONG A night at Carnegie Hall always feels special and elegant, and the evening of January 15 was no exception. Applause was plentiful, cheers resounded, and…

SOURCE: Stage and Cinema at 8:11pm on January 26, 2026

Theater Review: DONNA ORBITS THE MOON (Scripps Ranch Theatre) by Milo Shapiro

A NEIGHBORLY NICE LADY" WITH BUZZ ALDRIN IN HER HEAD Susan Clausen shines in Ian August's funny, surreal one-woman ride Reading the press blurb about Donna Orbits the Moon left me scratching…

SOURCE: Stage and Cinema at 7:27pm on January 26, 2026

Theater Review: DISPERSION OF LIGHT (Desert Ensemble Theatre) by Jason Mannino

Desert Ensemble Theater's world premiere of Rich Rubin's Dispersion of Light opened this past Friday at the Palm Springs Cultural Center, and it's a fascinating dive into the 1930s art world…

SOURCE: Stage and Cinema at 6:04pm on January 26, 2026

Theater Review: BROWNSTONE (Open Fist Theatre Company at Atwater Village) by Tony Frankel

THREE ERAS, ONE MISSED OPPORTUNITY Brownstone collapses under unfocused, baffling staging Catherine Butterfield's Brownstone (2008) is built around a solid, even enticing idea: we have three…

SOURCE: Stage and Cinema at 11:57am on January 26, 2026

Theater Review: A STREETCAR NAMED DESIRE (The Streetcar Project Tour at A.C.T. in S.F.) by Chuck Louden

EVEN MORE TO DESIRE A stripped-down Streetcar that proves Tennessee Williams needs no scenery. Since struggle for power among the classes is one of the central themes in Tennessee Williams' …

SOURCE: Stage and Cinema at 1:00am on January 26, 2026

Theater Review: CAMELTON (Stephen Cole's One-Man Show About One Man's Wild Ride) by Rob Lester

THERE'S NO BUSINESS LIKE SHOW BUSINESS IN THE MIDDLE OF THE MIDDLE EAST Stephen Cole's backstage Qatar saga is stranger than fiction"and just as entertaining In the story category of "truth …

SOURCE: Stage and Cinema at 3:25pm on January 25, 2026

Theater Review: THE TRIP TO BOUNTIFUL (Lamb's Players Theatre) by Milo Shapiro

TENDERNESS IS BOUNTIFUL IN LAMB'S PRODUCTION A Horton Foote gem, staged with patience, grace, and heart The Trip to Bountiful began as a staged-for-TV play in early 1953 and then had a very …

SOURCE: Stage and Cinema at 2:57pm on January 25, 2026

Theater Review: THE TRAGEDY OF HAMLET (Eddie Izzard; International Tour; Hollywood’s Montalbán) by Ernest Kearney

A SOLO HAMLET BUILT ON PRECISION AND VELOCITY Inside the White-Box World of Izzard: One Performer, Twenty-Two Roles, No Safety Net Suzy Eddie Izzard"formerly known as Eddie Izzard until 2023…

SOURCE: Stage and Cinema at 6:21pm on January 24, 2026

Cabaret Interview: JASON BROCK (Appearing in IF THIS IS LOVE, "Help Is on the Way" REAF Benefit) by Tony Frankel

REAF'S IF THIS IS LOVE " A ONE-NIGHT CABARET VALENTINE Big voices, big heart, and Jason Brock right in his element Since 1995, REAF (Richmond/Ermet AIDS Foundation) has been bringing amazing…

SOURCE: Stage and Cinema at 2:59am on January 24, 2026

Theater Review: EUREKA DAY (TimeLine Theatre Company at Broadway Playhouse) by C.j. Fernandes

A PRIVILEGED PTA CIRCUS, THEN A VAXNADO The funniest ten minutes onstage, ever, flanked by a modestly amusing satire. In Jonathan Spector's Eureka Day, five concerned parents gather around a…

SOURCE: Stage and Cinema at 3:00am on January 23, 2026

Theater Review: AN ARK (The Shed) by Gregory Fletcher

THEATRE THROUGH GOGGLES A 47-minute VR encounter turns a gallery into the closest "front row" imaginable. How would you like to attend a play starring Ian McKellen"and be seated front row ce…

SOURCE: Stage and Cinema at 7:00pm on January 21, 2026

Theater Review: GREEN CORRIDORS (Trap Door Theatre in Chicago) by C.j. Fernandes

FOUR UKRAINIAN REFUGEES NAVIGATE WAR'S AFTERSHOCKS IN A NIGHTMARE OF BUREAUCRACY Natalka Vorozhbyt's darkly funny, deeply bruising play finds Trap Door Theatre at its most urgent"and most hu…

SOURCE: Stage and Cinema at 1:58am on January 21, 2026
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