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2,260 stories from Chicago Theater Beat

Review: The Long Christmas Ride Home (Strawdog Theatre) by Scotty Zacher

Strawdog Theatre's The Long Christmas Ride Home similarly makes us aware of the multiple journeys with one destination, the importance of the landmarks, of moving on, of pulling back from th…

SOURCE: Chicago Theater Beat at 5:55pm on November 14, 2015

Review: The Lisbon Traviata (Eclipse Theatre) by Scotty Zacher

Eclipse Theatre's production is beautifully done; as attuned to detail and performance as the finest big-budget shows. The talented cast and production team almost compensate for Terrence Mc…

SOURCE: Chicago Theater Beat at 9:19pm on November 10, 2015

Review: Treasure Island (Lookingglass Theatre) by Scotty Zacher

For all its shortcomings, Treasure Island does succeed in spectacle. This is a grand staging of a classic tale that countless contemporary stories have borrowed from. But ultimately, this c…

SOURCE: Chicago Theater Beat at 7:20pm on November 8, 2015

Review: Chapter Two (Windy City Playhouse) by Scotty Zacher

Though some moments verge on sitcom-broad, Chapter Two is a lovely, poignant exploration of love and second chances, and the Windy City Playhouse's production deeply understands and apprecia…

SOURCE: Chicago Theater Beat at 8:34pm on November 6, 2015

Review: Design for Living (Pride Films and Plays) by Scotty Zacher

Ultimately Design for Living still lands with force as a defiant flag planted on the mountain of personal freedom is a testimony to Noel Coward's uncanny knack for finding the universal in t…

SOURCE: Chicago Theater Beat at 6:13pm on November 5, 2015

Review: The Miraculous Journey of Edward Tulane (Chicago Children's Theatre) by Scotty Zacher

This is a sophisticated and inventive production that will charm children and adults in equal measure. Much of the innovation comes from the trunk show and musical sensibilities at the core.…

SOURCE: Chicago Theater Beat at 2:01pm on November 5, 2015

Review: Hershey Felder as Irving Berlin (Royal George Theatre) by Scotty Zacher

A consummate music maker, Hershey Felder has regaled audiences with inside-out portrayals of such composers as George Gershwin, Stephen Foster and Frederic Chopin. This seventh simulation h…

SOURCE: Chicago Theater Beat at 5:19pm on November 4, 2015

Review " R + J: The Vineyard (Red Theater Chicago and Oracle Productions) by Scotty Zacher

Oracle's mission of "public access theater" means that tickets to R+J: The Vineyard are free. All the more reason to step into the company's small Lakeview venue and enter a whole new world.…

SOURCE: Chicago Theater Beat at 3:49pm on November 1, 2015

Review: Charm (Northlight Theatre) by Scotty Zacher

Charm is one of those rare shows that defies superlatives. You can load up a summation of the show with them, but they won't capture the production's power - we can only urge that you see it…

SOURCE: Chicago Theater Beat at 6:28pm on October 31, 2015

Review: Spill (TimeLine Theatre) by Scotty Zacher

Chicago's TimeLine Theatre Company has stepped up to deliver 150 thrilling minutes of action, analysis and accusation regarding BP's Deepwater oil spill. TimeLine brings history to art and …

SOURCE: Chicago Theater Beat at 5:46pm on October 30, 2015

Review: The Play About My Dad (Raven Theatre) by Scotty Zacher

On the 10-year anniversary of Hurricane Katrinea, Raven Theatre gives playwright Boo Killebrew's meta-theatrical play its Midwest premiere. The piece is a good, complex production that dire…

SOURCE: Chicago Theater Beat at 5:20pm on October 29, 2015

Review: Lawd the CVS Is Burning! A Gospel Music Stageplay (MPAACT) by Scotty Zacher

Even with a talented cast, Lawd the CVS is Burning! suffers from source material that has potential but needs more revision. Writer and director Stillwell is tackling a tough topic with humo…

SOURCE: Chicago Theater Beat at 10:01pm on October 28, 2015

Review: The Black White Love Play (Black Ensemble Theater) by Scotty Zacher

If The Black White Love Play is not an especially detailed biography, it's an effective musical tribute to the love this couple certainly must have shared. Thumbs up! (read John Olson's ent…

SOURCE: Chicago Theater Beat at 10:07pm on October 27, 2015

Halloween advice: Don't text and fly! by Scotty Zacher

      

SOURCE: Chicago Theater Beat at 4:52pm on October 27, 2015

Review: All Girl Dracula (The Chicago Mammals) by Scotty Zacher

All Girl Dracula isn't perfect, but I'm intrigued by the Chicago Mammals' unique mission statement. An old story with a new twist, All Girl Dracula is thoughtful, intelligent, and genuinely…

SOURCE: Chicago Theater Beat at 7:56pm on October 26, 2015

Review: 1984 (Steppenwolf for Young Adults) by Scotty Zacher

I've thoroughly enjoyed many Steppenwolf for Young Adults productions in the past, but sadly *1984* falls far short - the script is problematic, the direction lacking and the production valu…

SOURCE: Chicago Theater Beat at 5:46pm on October 26, 2015

Review: Unspeakable (Broadway in Chicago) by Scotty Zacher

In the central role of Richard, Jackson gives an intense performance of nonstop manic energy, as the character demands. He approximates the look and sound of the real Pryor and communicates …

SOURCE: Chicago Theater Beat at 11:00pm on October 24, 2015

Review: The Terrible (The New Colony) by Scotty Zacher

With underdeveloped characters, unmemorable performances, and practically no humor to speak of, The Terrible fails to convey any great message regarding human psychology or behavior. While t…

SOURCE: Chicago Theater Beat at 10:13pm on October 23, 2015

Review: Sylvia (Joffrey Ballet Chicago) by Scotty Zacher

With its heavy symbolism, Sylvia is a departure from the usual Joffrey fare. Technically a full-length ballet, it can also be viewed as three separate but interlocked stories. Even so, Sylvi…

SOURCE: Chicago Theater Beat at 9:10pm on October 23, 2015

Review: The Fairytale Lives of Russian Girls (Trap Door Theatre) by Scotty Zacher

Though Fairytale Lives is too abstract to touch the heart, it does wonderfully illustrate our sense of communal connectivity and the importance of mythological literacy. Recommended. (read …

SOURCE: Chicago Theater Beat at 10:03pm on October 20, 2015

After 8 record-breaking years, Million Dollar Quartet to bid farewell to Chicago by Scotty Zacher

With almost 3,000 performances and now in its eighth year in Chicago, Million Dollar Quartet, Chicago's longest-running Broadway musical, is set to close this coming January.

SOURCE: Chicago Theater Beat at 6:49pm on October 19, 2015

Review: Direct from Death Row " The Scottsboro Boys (Raven Theatre) by Scotty Zacher

Raven co-founder and director Michael Menendian adds a feather to his impressive career with this timely work, keeping this very talented young cast expertly balanced. This heartbreaking hi…

SOURCE: Chicago Theater Beat at 5:01pm on October 17, 2015

Review: Fall Series featuring William Forsythe (Hubbard Street Dance Chicago) by Scotty Zacher

For the first time, Hubbard Street is staging an all-Forsythe program, including a company premiere and a piece that has never been performed in the United States before this weekend. Hubbar…

SOURCE: Chicago Theater Beat at 2:46pm on October 17, 2015

Review: Ride the Cyclone (Chicago Shakespeare Theater) by Scotty Zacher

There's much talent involved with this production, and Lord knows, they haven't been afraid to take risks. But in a week where we saw one more instance of young people being killed before th…

SOURCE: Chicago Theater Beat at 10:23pm on October 14, 2015

Review: No Beast So Fierce (Oracle Theatre) by Scotty Zacher

There's much to unpack in Max Truax's choice of gender swapping Shakespeare's most Machiavellian character. Truax's mash up feels ultimately like a great concept in search of a solid anchor,…

SOURCE: Chicago Theater Beat at 8:12pm on October 14, 2015
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