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6,591 stories from Stage and Cinema

Broadway Theater Review: MATILDA THE MUSICAL (Shubert Theatre) by Cris Franco & John McFaul

UNDER THE SPELL OF MATILDA Just as author Roald Dahl's child-heroine "Matilda" is a magical mix of unexpected brilliance, youthful exuberance and solid common sense — so is the Royal S…

SOURCE: Stage and Cinema at 2:00am on June 18, 2013

Los Angeles Theater Review: A MAN OF NO IMPORTANCE (Elephant Stages / Hollywood Fringe) by Tony Frankel

A SHOW OF GREAT IMPORTANCE An anomaly of the Hollywood Fringe Festival has arrived. A gem which alone justifies the Fringe's existence. A nascent troupe named Good People Theater Company is …

SOURCE: Stage and Cinema at 10:41pm on June 17, 2013

Los Angeles Opera Review: THE ELIXIR OF LOVE (Center Stage Opera in Canoga Park) by Barnaby Hughes

FALLING FOR DONIZETTI'S VALLEY GIRL Opera in Los Angeles seems to be thriving these days. In addition to established companies like LA Opera and Long Beach Opera, there are smaller companies…

SOURCE: Stage and Cinema at 5:21pm on June 17, 2013

Off Broadway Theater Review: DIRTY GREAT LOVE STORY (59E59 Theaters) by Dmitry Zvonkov

LOVE, SEX AND POETRY Thoroughly delightful and hilarious throughout, Dirty Great Love Story, which is part of the Brits Off Broadway festival at 59E59 Theaters, is just what its admittedly c…

SOURCE: Stage and Cinema at 1:58pm on June 16, 2013

San Francisco Theater Review: ABIGAIL'S PARTY (San Francisco Playhouse) by Patricia Schaefer

THEATER TO THE MAX What's to love about the 1970s?  As SF Playhouse's presentation of Mike Leigh's acclaimed Abigail's Room shows, quite a bit.  Director Amy Glazer offers a cornucopia…

SOURCE: Stage and Cinema at 1:31pm on June 16, 2013

Los Angeles Theater Review : THE RUBY BESLER CABARET (Asylum Theatre / Hollywood Fringe Festival) by Tony Frankel

DON'T COME TO THE CABARET It's the first time I have ever seen someone on stage in flop sweat. Poor Anastasia Barnes had a rough go in her opening of The Ruby Besler Cabaret. One would suppo…

SOURCE: Stage and Cinema at 9:04pm on June 15, 2013

Los Angeles Theater Review: EXORCISTIC: THE ROCK MUSICAL PARODY EXPERIMENT (Orgasmico Theatre Company at the Hollywood Fringe) by Paul Birchall

A HEAD SPINNINGLY GOOD EXORCIST ROMP THAT DOESN'T SUCK C#CKS IN HELL A year or two back, wily producers crafted a stage version of the chilling 1970s horror flick, The Exorcist, and gave it …

SOURCE: Stage and Cinema at 3:40pm on June 14, 2013

Chicago Theater Review: THE PRIDE (About Face Theatre at Victory Gardens) by Lawrence Bommer

GAY PRIDE AND PREJUDICE The Pride is an invaluable offering for Pride Month, or any other for that matter. Deeply textured and perfectly enacted, this Olivier Award-winning script by Brit…

SOURCE: Stage and Cinema at 1:15pm on June 14, 2013

Los Angeles Theater Review: NEVA (Kirk Douglas Theatre, South Coast Rep, and La Jolla Playhouse) by Ella Martin

FOGGY BUT FASCINATING Neva by Guillermo Calderón opens like a Beckett play, with a woman sitting alone in the darkness.  Once she is illuminated, she begins to speak with the pace and …

SOURCE: Stage and Cinema at 2:58am on June 14, 2013

Los Angeles Theater Review: YES, PRIME MINISTER (Geffen Playhouse in Westwood) by Jason Rohrer

YES, EVERYONE Yes, Minister and Yes, Prime Minister were BBC television shows that ran on American PBS stations when I was a kid; I resented them for not being Monty Python, and dismissed th…

SOURCE: Stage and Cinema at 9:19pm on June 13, 2013

Los Angeles Theater Review: GIRL CRAZY (Musical Theatre Guild) by Tony Frankel

GIRL, PLEASE! Prior to curtain at Musical Theatre Guild's concert staging of Girl Crazy, we were warned that the Gershwin brothers' 1930 musical was written before "the code" (read: censorsh…

SOURCE: Stage and Cinema at 10:15pm on June 12, 2013

Off-Broadway Theater Review: REASONS TO BE HAPPY (MCC Theater at Lucille Lortel Theatre) by Dmitry Zvonkov

REASONS TO SEE THIS SHOW Neil LaBute's explosive and wildly funny new comedy Reasons to be Happy, which Mr. LaBute also directs, starts off with a bang as Steph (Jenna Fischer), having stalk…

SOURCE: Stage and Cinema at 2:59am on June 12, 2013

San Francisco Opera Review: LES CONTES D'HOFFMANN (THE TALES OF HOFFMAN) (SF Opera) by Barnaby Hughes

OFFENBACH'S REQUIEM Just as Wolfgang Amadeus Mozart died in the middle of writing his famous Requiem so did Jacques Offenbach die composing his fantastical opera Tales of Hoffmann. Both work…

SOURCE: Stage and Cinema at 2:09am on June 12, 2013

Los Angeles Theater Review: BOB: A LIFE IN FIVE ACTS (Echo Theater Company at Atwater Village Theater) by Tony Frankel

BOBBING FOR APPLES While perusing through a Peanuts anthology recently, I found my mind beginning to wander after about 15 panels. Regardless of Schultz' insightful social commentary and uni…

SOURCE: Stage and Cinema at 3:05pm on June 11, 2013

Off Broadway Theater Review: CORNELIUS (Finborough Theatre at 59E59 Theaters) by Dmitry Zvonkov

SOME PLAYS ARE "FORGOTTEN" FOR A REASON Part of the Brits Off Broadway festival at 59E59 Theaters, Finborough Theatre's classic staging of J.B. Priestley's Cornelius, under Sam Yates' expert…

SOURCE: Stage and Cinema at 2:00pm on June 11, 2013

Los Angeles Theater Review: HERCULES FURENS (THE MADNESS OF HERCULES) (Not Man Apart at Miles Memorial Playhouse in Santa Monica) by Tony Frankel

THE FRUSTRATING LABORS OF A FASCINATING COMPANY It is said that Roman Philosopher and Playwright Seneca's Hercules Furens (c. 54 CE) was never produced but only read in Seneca’s lifeti…

SOURCE: Stage and Cinema at 11:50am on June 11, 2013

Chicago Theater Review: THE THREE MUSKETEERS (Lifeline Theatre) by Samantha Nelson

OPULENT PLOT, THRILLING FIGHTING, AND A STUDLY D’ARTAGNAN While it’s brought to film more than a dozen times, Alexandre Dumas' The Three Musketeers is a tough work to adapt. It&#…

SOURCE: Stage and Cinema at 4:45pm on June 10, 2013

Los Angeles Theater Review: ME LOVE ME (Hollywood Fringe Festival at Open Fist Theatre) by Jason Rohrer

ME NO LIKE Brandon Baruch’s new play answers the question, What if a tedious dipshit got cloned?  Failed actor and drunken doofus Tuck (Benjamin Durham) sponges off his girlfriend G…

SOURCE: Stage and Cinema at 4:12pm on June 10, 2013

Chicago Theater Review: AIN'T NO CRYING THE BLUES (IN THE MEMORY OF HOWLIN WOLF) (Black Ensemble Theater) by Lawrence Bommer

EVERY NIGHT A FULL MOON Looking back on his life and sounds from his death in 1976, Chester Arthur Burnett, now forever called Howlin Wolf, is the complex crooner at the heart of Jackie Tayl…

SOURCE: Stage and Cinema at 3:40pm on June 10, 2013

Chicago Theater Review: H.M.S. PINAFORE (Light Opera Works in Evanston) by Lawrence Bommer

SHIPSHAPE PRODUCTION TAKES SAIL Still subversive as it both condemns and confirms class snobbery, this smash hit from 1878 fuses Romeo and Juliet and Punch into a role-reversing romp where l…

SOURCE: Stage and Cinema at 4:39pm on June 9, 2013

Los Angeles Theater Review: A MIDSUMMER SATURDAY NIGHT'S FEVER DREAM (Troubadour Theater Company at the Falcon Theatre) by Ella Martin

MADCAP MIDSUMMER To say that Shakespeare's A Midsummer Night's Dream is oft-produced would be an understatement.  The 1595 text is very much in the public domain, free and available to an…

SOURCE: Stage and Cinema at 3:18am on June 9, 2013

Chicago Theater Review: A COLE PORTER SONGBOOK (Theo Ubique Cabaret Theatre) by Lawrence Bommer

KISS ME, COLE Just the songs are blessing and bounty enough in A Cole Porter Songbook, Theo Ubique Cabaret Theatre’s all-singing, much-dancing salute to Broadway's suavest purveyor …

SOURCE: Stage and Cinema at 11:36am on June 8, 2013

San Francisco Cabaret Review: TRIBUTE TO MARVIN HAMLISCH (Bay Area Cabaret at the Venetian Room) by Stacy Trevenon

MARVIN HAMLISCH GETS A WARM-HEARTED, STAR-FILLED MUSICAL TRIBUTE You had the feeling you were watching the cream of musical theater history come fully, wholeheartedly alive on the evening of…

SOURCE: Stage and Cinema at 4:23pm on June 7, 2013

Los Angeles Theater Review: HEART SONG (Fountain Theatre) by Tony Frankel

CHICK 'N' SCHTICK THEATER It's no small feat when a play inspires me to do something with my life. While watching Stephen Sachs' Heart Song at the Fountain, I felt compelled to join a Flamen…

SOURCE: Stage and Cinema at 1:03pm on June 5, 2013

Los Angeles Theater Review: IONESCOPADE (Odyssey) by Jesse Herwitz

OVER THE (ABSURD) MOON The show begins in darkness with a musical overture blazing through the air. Slowly the glow of a yellow moon appears in the background, a man's face superimposed on i…

SOURCE: Stage and Cinema at 5:52pm on June 4, 2013
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