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35,705 stories from The Guardian

The Nutcracker review " the Royal Ballet's winter warmer by Lyndsey Winship

Royal Opera House, LondonThis sumptuously designed production is a treat if you don't dwell on the dramatic flaws and just enjoy the magical music and performances The Nutcracker ballet is f…

SOURCE: The Guardian at 12:18pm on December 7, 2022

Hex review " musical Sleeping Beauty casts a darkly dazzling spell by Arifa Akbar

Olivier theatre, LondonNo theatrical effect is spared in this emotional show, which returns to Charles Perrault's grisly and grief-ridden fairytale for inspiration This musical twist on Slee…

SOURCE: The Guardian at 11:12am on December 7, 2022

Cheryl to make West End theatre debut in 2:22 " A Ghost Story by Chris Wiegand

The star formerly known as Cheryl Tweedy will play Jenny, who believes her new home is haunted, in the hit play by Danny Robins The former Girls Aloud singer Cheryl is to follow in the foots…

SOURCE: The Guardian at 11:12am on December 7, 2022

Ricky Gervais: Armageddon review " smug, macho, playground bants by Brian Logan

Apollo, ManchesterThere's ample room in comedy to tease at woke over-earnestness but this weak and boorish set fails to engage Ricky Gervais gives us a little lecture after curtain call toni…

SOURCE: The Guardian at 11:12am on December 7, 2022

Ruination review " you'll laugh and cry at this 'Christmas show' Medea by Lyndsey Winship

Linbury theatre, Royal Opera House, LondonBen Duke brings fresh life to the classics again with deft movement between tragedy and comedy Is entering the afterlife like being stuck in a telep…

SOURCE: The Guardian at 10:06am on December 6, 2022

Orlando review " Emma Corrin is glorious in a giddy, heartfelt show by David Jays

Garrick theatre, LondonIn Neil Bartlett's adaptation of Virginia Woolf's wild-goose chase through time, Corrin shines as the hero who falls asleep as a man and wakes as a woman Emma Corrin's…

SOURCE: The Guardian at 8:24pm on December 5, 2022

Beauty and the Beast review " precision engineered panto by Mark Fisher

King's theatre, GlasgowKathryn Rooney's slick production has flawless comic banter and lavish dance routines, providing impressive festive entertainment It is tempting to grumble about the s…

SOURCE: The Guardian at 7:03pm on December 5, 2022

Ain't No Mo review " absurdist and uneven satire about race in America by Gloria Oladipo

Belasco Theatre, New York Jordan E Cooper's lively and provocative Broadway debut has moments of insight and wit but some of its targets feel dated "Ain't no mo tears to be shed. Ain't no mo…

SOURCE: The Guardian at 7:03pm on December 5, 2022

Tales of the Brothers Grimm review " sparky journey through fairytale world by Arifa Akbar

Sherman theatre, CardiffAs the characters in the classic tales revolt against their narrative bounds, a zesty cast make this imaginative rewrite very nearly brilliant It's fitting that a mu…

SOURCE: The Guardian at 7:03pm on December 5, 2022

Truss, Holly and Phil and MPs inspire UK's best Christmas cracker jokes by Jim Waterson

In keeping with tradition, jokes chosen by Gold TV poll more likely to elicit groans of despair than laughter Jokes about Phil Schofield, Liz Truss, and the cost of living crisis are among t…

SOURCE: The Guardian at 6:48am on December 5, 2022

Choose your favourite UK theatre show of 2022 by Guardian Community Team

Tell us about your standout stage production of the year " we'll feature a selection of your favourites later this month We would like to hear about your favourite theatre shows of 2022. Whi…

SOURCE: The Guardian at 6:48am on December 5, 2022

A Christmas Carol review " festive classic gets a British Sign Language update by Mark Fisher

Hull Truck theatre, HullScrooge not only exploits Bob Cratchit but cruelly cuts him out of the conversation in this innovative, satisfying production Jack Lord is the meanest of Scrooges. To…

SOURCE: The Guardian at 1:24am on December 5, 2022

The Wind in the Willows review " furry friendships triumph in a naturalistic show by Mark Fisher

Derby theatreRatty, Mole and the rest are subtly portrayed in this tuneful production of Kenneth Grahame's classic They are a timid lot, the creatures in Trina Haldar's staging of The Wind i…

SOURCE: The Guardian at 4:48pm on December 4, 2022

Second Grenfell Tower inquiry play to put Eric Pickles in spotlight by Robert Booth Social Affairs Correspondent

Exclusive: Stage sequel to focus on then housing secretary, fire chief and two families devastated by 2017 fire A play dramatising the "merry-go-round of buck-passing" at the Grenfell Tower …

SOURCE: The Guardian at 9:06am on December 4, 2022

The week in theatre: Othello; Baghdaddy " review by Kate Kellaway

Lyttelton; Royal Court, LondonOpposite Giles Terera's dynamic yet vulnerable Othello, Rosy McEwen's forthright Desdemona is a revelation. Elsewhere, a personal tale of the Iraq war that prea…

SOURCE: The Guardian at 9:06am on December 4, 2022

Press review " a dodgy journalist has a Damascene conversion by Arifa Akbar

Park theatre, LondonSam Hoare's one-hour monologue, half of a double bill, is tense and engaging in its story about the dangers of eroding press freedoms A hustler stands by his pint and tel…

SOURCE: The Guardian at 9:06am on December 4, 2022

Tunnels review " subterranean escape attempt gets bogged down by Arifa Akbar

Park theatre, LondonOliver Yellop's East Berlin drama, half of a double bill, captures the claustrophobia of digging under the Wall, but never quite breaks free Two cousins are desperately t…

SOURCE: The Guardian at 9:06am on December 4, 2022

The Nutcracker review " modernised magic by Clare Brennan

Bristol Old VicThe final production from outgoing artistic director Tom Morris draws fresh weirdness from ETA Hoffmann's source story Tom Morris takes his last bow as the Bristol Old Vic's a…

SOURCE: The Guardian at 9:06am on December 4, 2022

Israel Galván: La Consagración de la Primavera review " Stravinsky's Rite reborn by Sarah Crompton

Sadler's Wells, LondonThe flamenco star reinvents Stravinsky's 1913 ballet in a stunning solo show that seems to take over his entire body Israel Galván slinks on to the stage from the op…

SOURCE: The Guardian at 4:48am on December 4, 2022

Peter Kay review " from tried and tested everyman routine to jaw-dropping pageant by Brian Logan

Manchester ArenaAfter 12 years away from the stage, the slimmed-down entertainer is more unapologetically nostalgic than ever No hotcake ever sold in greater quantity than tickets for Peter…

SOURCE: The Guardian at 7:48pm on December 2, 2022

'We bring something fresh': the theatre companies exploding myths about disability by Ella Braidwood

Not Your Circus Dog's new show is a riotous upending of audiences' preconceptions of disability and neurodivergence. It joins a swelling movement of similar collectives rewriting the stage r…

SOURCE: The Guardian at 1:06pm on December 2, 2022

Mother Goose review " a feather in Hackney Empire's cap by Ryan Gilbey

Hackney Empire, LondonClive Rowe gives a masterly performance as he shapes the high jinks while wearing fabulous frocks in this infectiously funny panto It's worth flocking to this triumphan…

SOURCE: The Guardian at 6:42am on December 2, 2022

Bridgerton's Adjoa Andoh to explore societal prejudices by playing Richard III by Nadia Khomami Arts and Culture Correspondent

Bridgerton actor, who will also direct the production, says she wants to talk about 'body pathologising' Was Richard III inherently evil? Or was he othered, excluded and pathologised because…

SOURCE: The Guardian at 5:42am on December 2, 2022

Alice in Wonderland review " dive down a sublime theatrical rabbit hole by Mark Fisher

New Vic theatre, Newcastle-under-LymeLewis Carroll's fantastical classic is transposed into the world of stage magic in this gloriously hallucinatory show Forget about rabbit holes and mirro…

SOURCE: The Guardian at 5:42am on December 2, 2022

The Kola Nut Does Not Speak English review " slow-bloom show full of familial love by Anya Ryan

Bush theatre, LondonThe conflicts of not fully knowing your family's language are to the fore in writer and actor Tania Nwachukwu's play Plants are central to Tania Nwachukwu's play about cu…

SOURCE: The Guardian at 5:42pm on December 1, 2022
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