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6,591 stories from Stage and Cinema

Chicago Theater Review: BELLEVILLE (Steppenwolf) by Lawrence Bommer

ISOLATION AND INSANITY There's a good reason for no intermission in this devilishly deceptive Belleville. It's taut to a torque as it depicts a young American couple's disintegration in an e…

SOURCE: Stage and Cinema at 5:53pm on July 10, 2013

Los Angeles Theater Review: THE JUDY SHOW: MY LIFE AS A SITCOM (Geffen Playhouse in Westwood) by Tom Chaits

IT IS WHAT IT IS Set your "expectation meter" in the mid-range and you will probably enjoy The Judy Show: My Life as a Sitcom starring comedienne Judy Gold. However, if you enter the theater…

SOURCE: Stage and Cinema at 2:20am on July 10, 2013

Chicago Theater Review: SIMPATICO (A Red Orchid Theatre) by Lawrence Bommer

THE ENSEMBLE IS HOT, THE PLOT IS NOT Sam Shepard loves to level, if not to topple, his characters. In the treacherous course of True West, two brothers exchange identities: The Hollywood hot…

SOURCE: Stage and Cinema at 4:49pm on July 9, 2013

Chicago Theater Review: DEATH AND HARRY HOUDINI (The House Theatre of Chicago) by Paul Kubicki

HOUSE THEATRE PULLS A RABBIT OUT OF ITS HAT The House Theatre has, once again, remounted its wildly successful Death and Harry Houdini at the Chopin Theatre " and why not? It's still as fres…

SOURCE: Stage and Cinema at 12:55pm on July 8, 2013

Los Angeles Theater Review: A VIEW FROM THE BRIDGE (Pacific Resident Theatre) by Jason Rohrer

IN PLAIN SIGHT Eddie Carbone (Vince Melocchi) is a good man whose frustration at not getting everything he deserves -  in this case his adopted niece Catherine (Lisa Cirincione) – c…

SOURCE: Stage and Cinema at 2:37pm on July 7, 2013

Bay Area Theater Review: THIS IS HOW IT GOES (Aurora Theatre in Berkeley) by Tony Frankel

IF ONLY IT WENT LIKE THIS MORE OFTEN I can't call Neil LaBute's works timeless, but both his plays and films (In the Company of Men) are a product of our time. As America holds herself to be…

SOURCE: Stage and Cinema at 11:23pm on July 5, 2013

Chicago Theater Review: THE JUNGLE BOOK (Goodman Theatre) by Lawrence Bommer

FIRST DISNEYFIED AND NOW ZIMMERMANNED, THIS MUSICAL CAN’T SEE THE JUNGLE FOR THE TREES Not one of the great animations to grace the Disney studio, 1967's The Jungle Book was certainly …

SOURCE: Stage and Cinema at 5:46pm on July 4, 2013

Chicago Theater Review: THE BURDEN OF NOT HAVING A TAIL (Sideshow Theatre Company) by Paul Kubicki

THE BURDEN OF NOT HAVING A GOOD SCRIPT Having now seen Sideshow Theatre's The Burden of Not Having a Tail, I can report that, despite its billing, it did little to prepare me for the apocaly…

SOURCE: Stage and Cinema at 7:46pm on July 3, 2013

Los Angeles Theater Review: ALCESTIS (Theatre @ Boston Court in Pasadena) by Jason Rohrer

SELFISHNESS AND SACRIFICE Alcestis is the old Greek story of a man who allows his wife to sacrifice her life for his.  As interpreted by Euripides, T.S. Eliot and others, it has much to s…

SOURCE: Stage and Cinema at 1:02am on July 3, 2013

Chicago Theater Review: BIG LAKE BIG CITY (Lookingglass) by Lawrence Bommer

BIG LAKE BIG CITY BIG TURKEY Chicago to the broken bricks and bone, playwright Keith Huff was at his storytelling best in A Steady Rain, a big hit about a conflicted cop and his crooked cron…

SOURCE: Stage and Cinema at 12:12pm on June 30, 2013

Chicago Theater Review: TARTUFFE (Court Theatre) by Lawrence Bommer

THE IMPOSTER HITS HYDE PARK HARD Because religious hypocrisy — specifically "affected zeal and pious knavery" — never goes out of fashion, Tartuffe is forever. Continuing and com…

SOURCE: Stage and Cinema at 1:29pm on June 29, 2013

Chicago Theater Review: A CLOWN CAR NAMED DESIRE (The Second City e.t.c.) by Samantha Nelson

SHOOTING EASY TARGETS As is often the case at Second City shows, an early musical number explains the theme of A Clown Car Named Desire. Reality is filled with disappointment, hardship and b…

SOURCE: Stage and Cinema at 4:51pm on June 27, 2013

Los Angeles Dance Review: FOREVER FLAMENCO! AT THE FORD (Ford Theaters in Hollywood) by Tony Frankel

FOUNTAIN'S FANTASTIC FLAMENCO FIESTA While classic and modern dance seem to be continually reinventing themselves, Flamenco remains a bedrock of the moving arts. As Forever Flamenco! at the …

SOURCE: Stage and Cinema at 8:24pm on June 24, 2013

Off Broadway Theater Review: BUYER & CELLAR (Barrow Street Theatre) by Dmitry Zvonkov

HELLO, GORGEOUS Jonathan Tolkin's keen and tremendously funny new show Buyer & Cellar, performed by Michael Urie, imagines what it would be like for Alex More, a young gay man struggl…

SOURCE: Stage and Cinema at 6:49pm on June 24, 2013

San Francisco Opera Review: THE GOSPEL OF MARY MAGDALENE (San Francisco Opera) by Patricia Schaefer

THE ISHTAR OF OPERA What if the real historical Jesus was someone quite different from what we've been told?  What if he was born a bastard, kept a lover and then married her? What if Mar…

SOURCE: Stage and Cinema at 2:30pm on June 24, 2013

Los Angeles Theater Review: WATSON AND THE DARK ART OF HARRY HOUDINI (Sacred Fools) by Tom Chaits

JEKYLL AND HYDE DIRECTION MAKES THE MAGIC DISAPPEAR IN WATSON AND THE DARK ART OF HARRY HOUDINI Writer/Director Jaime Robledo follows up his award-winning smash hit Watson: The Last Great Ta…

SOURCE: Stage and Cinema at 1:02pm on June 24, 2013

Chicago Theater Review: SHAKESPEARE'S CYMBELINE: A FOLK TALE WITH MUSIC (First Folio) by Lawrence Bommer

A LONG HIKE IN THE THEM THAR HILLS OF SHAKESPEARE Along with its companion piece The Winter's Tale, Shakespeare's late-blooming "romance" Cymbeline is usually treated as a fairy tale. Rightl…

SOURCE: Stage and Cinema at 11:15am on June 23, 2013

Los Angeles Opera Review: MACBETH (Independent Opera Company) by Barnaby Hughes

VERDI ON THE VERGE Hearing Giuseppe Verdi's Macbeth is a rather disorienting experience, at least at the beginning. The difference is that we're used to Shakespeare's English, even if it is …

SOURCE: Stage and Cinema at 3:17pm on June 22, 2013

Los Angeles Dance Review: HUBBARD STREET DANCE & ALONZO KING LINES BALLET (Dorothy Chandler) by Tony Frankel

LITTLE MORTAL JUMP TURNS OUT TO BE THE BIGGEST THING OF THE NIGHT The lineup at the Dorothy Chandler Pavilion begins with the respected and always impressive Hubbard Street Dance Chicago as …

SOURCE: Stage and Cinema at 2:16am on June 22, 2013

Los Angeles / Regional Theater Preview: AN EVENING OF CLASSIC LILY TOMLIN (Segerstrom Hall) by Tony Frankel

PARADISE LILY My fanaticism with Lily Tomlin started with her 1972 comedy album This is a Recording. I immediately felt a kinship with Ernestine Tomlin, Ma Bell's switchboard operator and…

SOURCE: Stage and Cinema at 7:12pm on June 21, 2013

Chicago Theater Review: JASON AND (MEDEA) ((re)discover theatre) by Lawrence Bommer

FLEECING A LEGEND The tickets are free in (re)discover theatre's generously-meant new work by company member Jessica Shoemaker. Their too-fresh offering is an anachronistic, two-act take on …

SOURCE: Stage and Cinema at 1:35pm on June 21, 2013

Los Angeles Theater Review: REVOLVER (Celebration Theatre in Hollywood) by Paul Birchall

NOT JUST A GAY BAR ANY MORE It is the unfortunate nature of some gay dramas to hammer home or leadenly evangelize a theme with a heavy hand.  You know the sort of thing I am talking about…

SOURCE: Stage and Cinema at 6:10pm on June 20, 2013

Film / Theater Review: THE AUDIENCE (National Theatre Live at L.A.'s Downtown Independent, Chicago's Music Box and various other venues) by Tony Frankel

MAJESTERIAL MIRREN Although she is a politically neutral monarch, The Queen of England retains the ability to give a weekly audience to a Prime Minister (PM) during his or her term of office…

SOURCE: Stage and Cinema at 5:30pm on June 20, 2013

Off Broadway Theater Review: MANNA-HATA (Peculiar Works Project at the James A. Farley Post Office) by Victoria Linchong

TITLE Soaked to the skin and wrestling with a flimsy umbrella, I splashed across Eighth Avenue while reading the inscription on the James A. Farley Post Office, "Neither snow nor rain nor he…

SOURCE: Stage and Cinema at 7:38pm on June 19, 2013

Los Angeles Theater Review: PHILOSOPHY IN THE BOUDOIR (Theatre Asylum / Hollywood Fringe Festival) by Tony Frankel

PHALLUS IN BLUNDERLAND Who has been accused of being a Sexual Reprobate? Satirist? Socialist? Philosopher? The precursor to Freudian psychology and existentialism? Woman-hating pornographer?…

SOURCE: Stage and Cinema at 2:28am on June 18, 2013
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