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6,591 stories from Stage and Cinema

Chicago Theater Review: ELEGY (Victory Gardens) by Lawrence Bommer

GONE BUT NEVER SILENT Commemorating the 75th anniversary of "Kristallnacht," the terrible nights of November 9-10, 1938 when Nazi thugs unleashed their most public assault on Jewish life and…

SOURCE: Stage and Cinema at 1:12pm on November 6, 2013

Los Angeles Theater Review: GIDION'S KNOT (Furious Theatre Company at the Carrie Hamilton in Pasadena) by Jason Rohrer

OF KNOTS AND TANGLES Johnna Adams’ 2012 play Gidion’s Knot, now receiving its premiere Los Angeles staging by the Furious Theatre Company, lends itself to spoilers.  To know m…

SOURCE: Stage and Cinema at 2:58am on November 5, 2013

Chicago Theater Review: WHITE RABBIT RED RABBIT (Museum of Contemporary Art) by Erika Mikkalo

THE SPECIFIC ENIGMA OF A BUNNY A play is generally defined as "a staged representation of a story " see: DRAMA." A circle ensues, because drama is explained to be "a piece of writing that te…

SOURCE: Stage and Cinema at 2:52am on November 5, 2013

Los Angeles Dance Review: THE GROUNDSKEEPERS (Heidi Duckler Dance Theatre) by Tony Frankel

A DANCE PIECE THAT'S A KEEPER The frequency of site-specific events continues to grow exponentially in the City of Angels, but Heidi Duckler has been doing it for many years, creating unique…

SOURCE: Stage and Cinema at 7:47pm on November 4, 2013

Chicago Theater Review: THE NORMAL HEART (TimeLine Theatre at Stage 773) by Lawrence Bommer

COMPASSION PLAY Forgetting the ineptitude of Larry Kramer's 1988 farce Just Say No, it's ripe to revive his 1985 masterwork about how a health crisis defined the gay community–as much …

SOURCE: Stage and Cinema at 4:29pm on November 4, 2013

Los Angeles Theater Opening: WALLIS ANNENBERG CENTER FOR THE PERFORMING ARTS (Beverly Hills) by Tony Frankel

HIT THE WALLIS A brand new theater has opened its doors in Beverly Hills, but nothing could have prepared me for its magnificence in contemporary construction and design. The 500-seat Bram G…

SOURCE: Stage and Cinema at 3:24pm on November 4, 2013

San Diego Theater Review: SHE-RANTULAS FROM OUTER SPACE-IN 3D! (Diversionary Theatre) by Milo Shapiro

CAMPY SHE-RANTULAS HAS QUITE A BITE Dictionary.com defines “camp” as “something that provides sophisticated, knowing amusement, as by virtue of its being artlessly mannered…

SOURCE: Stage and Cinema at 2:53pm on November 3, 2013

Los Angeles Theater Review: THE MYSTERY OF IRMA VEP (Falcon Theatre in Burbank) by Tom Chaits

DREADFUL AT ANY PRICE Back in the1800s, the Industrial revolution was in full swing in merry ole England. The working class was becoming more educated and printing was becoming more affordab…

SOURCE: Stage and Cinema at 12:00pm on November 3, 2013

Los Angeles/Regional Dance Preview: DIANA VISHNEVA: ON THE EDGE (Segerstrom Hall) by Tony Frankel

BALLET SUPERSTAR RETURNS TO SEGERSTROM The title of two world premiere dance pieces at Segerstrom Hall this week could not be more apt: Diana Vishneva of the Mariinsky Ballet and American Ba…

SOURCE: Stage and Cinema at 3:46pm on November 2, 2013

Chicago Event Review: BUILT TO AMAZE! (Ringling Brothers and Barnum & Bailey Circus) by Lawrence Bommer

A TITLE THAT LIVES UP TO ITS NAME The circus has rolled into Rosemont again, and the fall classic is worth running off to join (it moves to the United Center after Allstate Arena). This 1…

SOURCE: Stage and Cinema at 1:48pm on November 2, 2013

Chicago Theater Review: BEST MUSICAL! (Porchlight Music Theatre at Up Comedy Club) by Samantha Nelson

FORMULAIC IN A GOOD WAY In The Book of Mormon, Trey Parker and Matt Stone proved that subject matter in musical theatre is a lot less important than sticking to the structural formula. There…

SOURCE: Stage and Cinema at 6:24pm on November 1, 2013

Off-Broadway Theater Review: GOOD PERSON OF SZECHWAN (The Public Theater) by Victoria Linchong

MUCH BETTER THAN GOOD The last thing that Brecht would have wanted is the audience to identify with his characters. But that's where the Foundry Theatre's production of Good Person of Szechw…

SOURCE: Stage and Cinema at 8:36pm on October 29, 2013

Off-Broadway Theater Review: THE NORWEGIANS (The Drilling Company) by Dmitry Zvonkov

OOFTA, INDEED The premise of C. Denby Swanson's black comedy The Norwegians is that two women Minnesotan women, Texas transplant Olive (Veronica Cruz) and Kentucky transplant Betty (Karla He…

SOURCE: Stage and Cinema at 12:07pm on October 28, 2013

Los Angeles Theater Review: THE HOMOSEXUALS (Celebration Theatre at Atwater Village Theatre) by Tom Chaits

ROLE REVERSAL For its inaugural production at its new temporary home in Atwater Village, the Celebration Theatre has mounted The Homosexuals (pun intended). As one might glean from the title…

SOURCE: Stage and Cinema at 2:59am on October 28, 2013

Los Angeles Theater Review: DR. JEKYLL AND MR. HYDE (Actors Co-op in Hollywood) by Tom Chaits

HYDE IN PLAIN SIGHT Actors Co-op does it again! Last year’s re-imagining of The World Goes ‘Round was musical perfection and this year's Ah, Wilderness! was a sentimental d…

SOURCE: Stage and Cinema at 2:11pm on October 27, 2013

Los Angeles Theater Review: EVITA (National Tour at Hollywood Pantages) by Tony Frankel

A HIGH FLYING, ADORED REVIVAL Composer Sir Andrew Lloyd Webber and lyricist Tim Rice released the Evita "rock opera concept album" in 1976, a few years before the first theatrical production…

SOURCE: Stage and Cinema at 2:37am on October 27, 2013

Los Angeles Theater Review: SHOTSPEARE PRESENTS MACBETH (Fake Gallery) by Jason Rohrer

IS THIS A KEGGER I SEE BEFORE ME? The morning after the Thane has killed his king, and one of those epic, omen-riddled Shakespearean storms has ravaged the countryside, Macbeth snaps out my …

SOURCE: Stage and Cinema at 1:52pm on October 26, 2013

Chicago Dance Review: GIORDANO DANCE CHICAGO (Fall Program at the Harris Theater) by Lawrence Bommer

FAST, FURIOUS AND FUNKY Ending tonight at the Harris Theatre, the latest balletic blast from the newly renamed Giordano Dance Chicago delivers six hyper-kinetic pieces. This generous outpour…

SOURCE: Stage and Cinema at 11:40am on October 26, 2013

Los Angeles Theater Review: A STRANGE DISAPPEARANCE OF BEES (Raven Playhouse) by Tony Frankel

A STRANGE DISAPPEARANCE OF ACTING Last August, Time's cover story, "A World Without Bees," brought to light a frightening occurrence: In recent years, there have been mass deaths of honeybee…

SOURCE: Stage and Cinema at 1:55pm on October 25, 2013

Los Angeles Theater Review: KISS ME, KATE (Cabrillo Music Theatre in Thousand Oaks) by Tony Frankel

A CLOSED-MOUTH KISS There are so many sexual allusions and situations in Cole Porter's Kiss Me, Kate that it is remarkable the musical came out in 1948. I surmise the reason that Porter got …

SOURCE: Stage and Cinema at 8:53pm on October 24, 2013

Off-Off-Broadway Theater Review: DEAR MR. ROSAN (777 Theatre) by Paul Birchall

DEPRESSING DEPRESSION ERA DRAMA What a time!  Folks standing on line for charity handouts, companies closing down, destitution and despair all around.  Surprise, though, we're not talk…

SOURCE: Stage and Cinema at 2:57pm on October 24, 2013

Los Angeles Theater Review: INVISIBLE CITIES (The Industry and L.A. Dance Project at Union Station) by Tony Frankel

SEEING WHAT’S INVISIBLE In describing Invisible Cities, allow me to paraphrase Gore Vidal's critique of Italo Calvino's 1972 novel of the same name on which this production is based: O…

SOURCE: Stage and Cinema at 2:23am on October 24, 2013

Off-Off-Broadway Theater Review: THE OTHER MOZART (Cherry Lane Theatre) by Paul Birchall

MOZART'S SISTER: POSSIBLY MORE TALENTED, DEFINITELY BETTER LEGS In many one person shows that are biographies of historical personages, there's the risk of Wikipedia syndrome, in which the p…

SOURCE: Stage and Cinema at 1:07pm on October 23, 2013

Chicago Theater Review: WE WILL ROCK YOU (National Tour at Cadillac Palace Theatre) by Lawrence Bommer

REINVENTING ROCK A huge West End hit for over a decade, this compilation jukebox musical does for Queen what Mamma Mia! did for ABBA, Buddy for Buddy Holly and the Crickets, and Jersey Boys …

SOURCE: Stage and Cinema at 12:11pm on October 23, 2013

Off-Broadway Theater Review: EAGER TO LOSE (Ars Nova) by Dmitry Zvonkov

EAGER FOR MORE A farcical, semi-interactive burlesque fairytale " complete with girls in g-strings and tassels, a pun-spewing, corny joke-telling MC, a Jazz combo, and a working bar inside t…

SOURCE: Stage and Cinema at 8:00pm on October 22, 2013
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