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Carothers wrote the book for the 1996 stage musical "Busker Alley," which starred Tommy Tune and toured the nation.
Neither character is appealing. They are off-putting and fascinating at the same time. Sort of like the play itself.
"The Pirate Queen" remains a dry history lesson, a musical that presents the past in such a perfunctory manner that Grace O'Malley sinks in a sea of ordinary.
Yet despite the star's formidable presence, "Magical Thinking" still works better on the page than on the stage.
If "history lesson" sounds dry as dust, don't be worried. This is lively stuff, often quite funny and buoyed by an excellent cast of nine actors and the propulsive direction of Trip Cullman.
It's a blissful, often very funny celebration of a bygone era, a theater world that has largely disappeared.
Clocking in at about three hours, this revival of "King Hedley II" remains an exhausting journey, but its lengthy path is still worth taking.
JUNEAU, Alaska - Battles are waged to the beat of drums, witches as land otters slink across the stage and Banquo's ghost dons a raven mask in a Tlingit language adaptation of Shakespeare's …
Craig Lucas' "Prelude to a Kiss" is a small comic fantasy with a big heart.
Kevin Kline usually exudes such a vital, robust stage persona that it's a puzzlement to watch his pale transformation into the mad monarch at the center of director James Lapine's slow, stra…
They could have sung all night. And we would all have stayed put.
The play, which opened Sunday at the Mitzi E. Newhouse Theater, is personal, intimate even, yet its themes could not be more all-encompassing and its emotional impact more affecting.
If "Howard Katz" seems more like a portrait than a full-fledged play, it's because the man's diatribes pretty much take over at the expense of plot. In Katz's bleak, dead-end world, argument…
