Lifetime in the limelight by BLAKE GREEN
Brooke Shields has spent virtually her entire life in the public eye. Here are some highlights.
Brooke Shields has spent virtually her entire life in the public eye. Here are some highlights.
Brooke Shields' star power had kept 'Wonderful Town' going after Donna Murphy left the musical. Is it time for a show of her own now?
"The Immigrant" unabashedly aims to tug at the heartstrings. The new musical is so good-natured that even those of us inclined to call it sappy will have trouble holding much of a grudge aga…
It would be a pleasure to report that Tiny Ninja Theater is more than a novelty. Based on the evidence of its "Hamlet," however, it looks as though the mini-cult performances presented by Ti…
"Sin" and "Antigone Project."
Audiences will decide if the new production of '12 Angry Men' - 1 hour and 45 without intermission - is a hit
"Kikker."
Mario Cantone irritates as many people as he delights.
If bright, fresh talent and infectious pop-and-soul music could overcome a ludicrous story and cornball lyrics, the show that opened last night at the Plymouth Theatre might not make a mere …
In 'Jewtopia,' a sketch grown into a play, a Catholic lad learns how to be Jewish
From the first moments of the new play "Trying," actor Fritz Weaver creates an arresting depiction of an obstinate man aging.
Hoping that a serious operetta won't be tagged as just gospel song-and-dance
Most of the opening night elecricity so far this season is being generated in London, not New York
Her dancing is good enough, her singing is good enough and, except for the impulse to mug her reaction shots, she uses her formidable body with the confident abandon of a woman unafraid to l…
In its six-part documentary, a valentine to Great White Way musicals, PBS covers the boards from Irving Berlin to Mel Brooks
One of those ongoing collaborative projects that bubble to the surface every so often, the Pumpkin Pie Show is the off-kilter brainchild of Clay McLeod Chapman.
Despite the firm-handed consistency of Mark Brokaw's direction, the unrelenting, catastrophic winsomeness feels more like cartoon than fable.