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8,108 stories from DC Theatre Scene

Review: The Jungle Book, a new musical written for Creative Cauldron's young cast by Jill Kyle-keith

The Jungle Book by Rudyard Kipling is the quintessential coming-of-age story: Mowgli, abandoned as an infant in the jungles of India, is raised by a pack of wolves and other creatures, who t…

SOURCE: DC Theatre Scene at 3:18pm on November 12, 2019

Review: Agnes of God, Factory 449's devastating look at religious faith and science by Tim Treanor

In a convent of cloistered Catholic nuns, a baby lies in a wastebasket. She has lived for less than an hour, before being strangled with her own umbilical cord. In another part of the room, …

SOURCE: DC Theatre Scene at 4:48pm on November 11, 2019

Review: Lovers' Vows. Will they? Won't they? A delightful farce from We Happy Few by Kelly McCorkendale

Abstinence and sex. Sex and abstinence. They've long vexed the masses, from noble to peasant as far back as the 1700s, when British writer Elizabeth Inchbald translated a German play roughly…

SOURCE: DC Theatre Scene at 11:42am on November 11, 2019

Review: White Pearl, a blistering satire on racism in the skin care industry by Missy Frederick

In White Pearl, playwright Anchuli Felicia King quickly throws the audience into a keenly contemporary conflict: a viral social media PR crisis, with a company accused of racism. Inspired by…

SOURCE: DC Theatre Scene at 11:42am on November 11, 2019

Review: The Havel Project: A tribute to Czechoslovakia's dissident playwright and president by John Geoffrion

To mark and honor the thirtieth anniversary of Czechoslovakia's Velvet Revolution, the Alliance for New Music-Theatre is presenting two one-act plays to honor the revolution's leader, the di…

SOURCE: DC Theatre Scene at 7:06pm on November 8, 2019

How 1970's culture clashes played out on two Washington DC stages by Blair A. Ruble

By 1970, Washington, DC had long been a major college town; home to tens of thousands of young people who were trying to define their generation in opposition to the dominant values of their…

SOURCE: DC Theatre Scene at 4:06pm on November 8, 2019

Review: Sea from Scena Theatre by Missy Frederick

Jon Fosse's Sea is a tricky play to connect with. Its inhabitants seem at times to be on a boat ("I am the Shipmaster!" one insists, over and over), but it's clear early on that the setting'…

SOURCE: DC Theatre Scene at 4:06pm on November 8, 2019

Review: Veils. A moving, inspired look at women from the civil rights era that deserves your attendance by Gregory J. Ford

Imagine that you are a child and you are exploring your grandmother's closets.  Or you're an adult whose grandmother has died and it's your responsibility to go to their home and sort thr…

SOURCE: DC Theatre Scene at 4:06pm on November 8, 2019

Review: Signature's A Chorus Line, with new choreography, still dazzles by Meaghan Hannan Davant

A Chorus Line is known as one of the most pared-down, starkly intimate "song-and-dance shows" in the Broadway canon. On a barren stage"devoid of any scenery or set but for a wall of floor to…

SOURCE: DC Theatre Scene at 4:06pm on November 8, 2019

Cyrano Review: Peter Dinklage Sings, Without a Fake Nose or Much Panache by Jonathan Mandell

Peter Dinklage's singing voice would not normally qualify him for a role in a musical, unless in a Disney animated movie as a singing rhinoceros. But Rex Harrison couldn't really sing either…

SOURCE: DC Theatre Scene at 7:12pm on November 7, 2019

Review: Mozart's whimsical The Magic Flute from Washington National Opera by Daniella Ignacio

Wild things abound in this production of  Washington National Opera's The Magic Flute, currently playing at the Kennedy Center. With Maurice Sendak's artwork at its forefront, the opera's…

SOURCE: DC Theatre Scene at 1:03pm on November 7, 2019

Review: Dhana and the Rosebuds, an intriguing but unsuccessful drama on the plight of Syrian refugees by Alexander C. Kafka

In theory, Dhana and the Rosebuds, a theater-dance hybrid about a Syrian emigree seeking her refugee grandmother, should be compelling. It is topical. Its wedding of abstract and ritualized …

SOURCE: DC Theatre Scene at 1:03pm on November 7, 2019

Bella Bella Review: Harvey Fierstein As Rep. Bella Abzug, Gutsy and Adorable by Jonathan Mandell

Bella Abzug spoke at my junior high school graduation, until Donna Florio's mother told her to shut up. "This is my daughter's graduation, not a political rally."  Abzug paused, apologize…

SOURCE: DC Theatre Scene at 11:36pm on November 6, 2019

Only Queen Latifah's fabulosity kept ABC's The Little Mermaid Live! afloat by Mercedes Hesselroth

In 2013, NBC made a splash in event television by airing The Sound of Music Live!, attracting over 18 million viewers to a live telecast of the Rodgers and Hammerstein stage musical. Ever si…

SOURCE: DC Theatre Scene at 7:03pm on November 6, 2019

HEARTSPACE from The Welders. 3.2 million year old Lucy to speak about our changing climate by Julian Oquendo

Annalisa Dias, member of The Welders playwrights collective, is not one to shy away from multiple, deeply involved, projects. When we spoke on the phone, she had just returned from London, a…

SOURCE: DC Theatre Scene at 4:24pm on November 6, 2019

Shakespeare Theatre Company's Lansburgh Theatre renamed for Michael R. Klein by Lorraine Treanor

The Lansburgh Theatre is now the Michael R. Klein Theatre, Shakespeare Theatre Company announced at its Gala on November 4, 2019. The new name recognizes local philanthropist Michael R. Klei…

SOURCE: DC Theatre Scene at 11:48am on November 6, 2019

Review: Blue Camp. Debut play reveals hidden story of queer injustice in the 1960's military by John Bavoso

"History does not always repeat itself," wrote science fiction writer and editor of Astounding Science Fiction, John W. Campbell Jr. "Sometimes it just yells, 'Can't you remember anything I …

SOURCE: DC Theatre Scene at 11:36am on November 5, 2019

Review: E2. British royals behaving badly. Bob Bartlett's ambitious play gets a sexy production at Rep Stage by Jayne Blanchard

You'd think the big perk of being king is being able to do whatever you want. That is tragically not the case with Edward II, the duty-bound and defiant monarch of E2, an ambitious and sober…

SOURCE: DC Theatre Scene at 11:36am on November 5, 2019

Signature Theatre will produce Mamma Mia! at The Anthem this summer. by Lorraine Treanor

The Arlington-based Signature Theatre announced today that it will add a brand new production of Mamma Mia! to its season, and produce the show The Anthem, one of the major concert venues in…

SOURCE: DC Theatre Scene at 12:24pm on November 1, 2019

"Young people are rising up to shape the world they want to live in." Joe Montoya, Crutchie in Newsies by Keith Loria

Newsies, the movie, established a cult following in 1992, with a pre-Dark Knight Christian Bale playing Jack Kelly, a 17-year-old newspaper hawker in New York City who leads the 1899 newsboy…

SOURCE: DC Theatre Scene at 12:24pm on November 1, 2019

Review: Conor McPherson's confessional Port Authority from Quotidian Theatre by Roy Maurer

A doleful ballad fittingly eases you into Quotidian Theatre Company's (QTC's) lovingly rendered production of Conor McPherson's Port Authority. Three generations of Irishmen then introduce t…

SOURCE: DC Theatre Scene at 11:36am on October 31, 2019

Review: Theory at Mosaic Theater, freedom of speech on a college campus rings true by Daniella Ignacio

If you were given free reign to say whatever you want about anything you want…how far would you go? And if you were the moderator of that kind of environment, at what point would you inter…

SOURCE: DC Theatre Scene at 11:33am on October 30, 2019

Freestyle Love Supreme Review: Lin-Manuel Miranda's improv rappers on Broadway by Jonathan Mandell

Freestyle Love Supreme is not so much Lin-Manuel Miranda's Broadway follow-up to Hamilton as it is a subsidiary of Lin-Manuel Inc. The hip-hop improv group that Miranda co-founded 16 years a…

SOURCE: DC Theatre Scene at 6:24pm on October 29, 2019

Review: Right to Be Forgotten debuts at Arena Stage by Hannah Berk

What takes precedent: individual privacy, or public information? Right to Be Forgotten, making its world premiere at Arena Stage, is remarkably nuanced in its exploration of the big debates …

SOURCE: DC Theatre Scene at 12:33pm on October 29, 2019

In eight months, Emily Tyra went from fighting brain cancer to dancing Denis Jones' brand new choreography for A Chorus Line by Keith Loria

It was March in Los Angeles when actress and dancer Emily Tyra was out jogging and she was unnerved by a feeling she had never felt before. She immediately went home and told her husband, an…

SOURCE: DC Theatre Scene at 12:33pm on October 29, 2019
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