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6,591 stories from Stage and Cinema

Los Angeles Theater Preview: INSTANT FAIRY TALES: THE LONGEST WINTER (Rachel Rosenthal Company) by Tom Chaits

EXPECT THE UNEXPECTED For over half a century, Rachel Rosenthal has been surprising audiences with her unique take on the theatrical experience. A master of performance art, she was recently…

SOURCE: Stage and Cinema at 1:02pm on January 21, 2014

Los Angeles Theater Review: NIGHTMARES (Zombie Joe's Underground Theatre Group) by Tony Frankel

THAT AIN’T THE WAY TO HAVE FUN, SON One of the most exciting events to come out of Los Angeles theater in the last few years was Zombie Joe's Urban Death, a naturalistic horror show…

SOURCE: Stage and Cinema at 3:55pm on January 20, 2014

Off-Broadway Theater Review: THE CLEARING (Theatre at St. Clement's) by Dmitry Zvonkov

BROTHERS' BOND Josh Hecht does an outstanding job directing Jake Jeppson's effective new play The Clearing, about two brothers who suffer from a dark secret they've shared for the past 17 ye…

SOURCE: Stage and Cinema at 2:06am on January 20, 2014

Los Angeles Theater Review: THE STRANGE UNDOING OF PRUDENCIA HART (Broad Stage in Santa Monica) by Mia Bonadonna

GO DRUNK OR DON'T GO AT ALL The Strange Undoing of Prudencia Hart, David Greig's ghostly, song-filled tale of a mousy academic in search of artful Scottish balladry, is running at the Broad …

SOURCE: Stage and Cinema at 9:32pm on January 18, 2014

Los Angeles Theater Review: JASON AND THE ARGONAUTS (The Wallis in Beverly Hills) by Jason Rohrer

A TRIP Your average 4 to 12 year old carries enough infectious optimism and joie de vivre to put even a theater critic in a good mood.  But childless people who like children notice thing…

SOURCE: Stage and Cinema at 3:53pm on January 17, 2014

Los Angeles Theater Review: PENNY PLAIN (Ronnie Burkett Theatre of Marionettes at UCLA) by Tom Chaits

STRINGS ATTACHED A worldwide pandemic has already claimed the lives of hundreds of millions of humans and the apocalypse is near.  An intriguing plot line to be sure but hardly one you wo…

SOURCE: Stage and Cinema at 12:57pm on January 17, 2014

Chicago Theater Review: MR. SHAW GOES TO HOLLYWOOD (MadKap Productions at Greenhouse) by Lawrence Bommer

A BARD OUT OF WATER Here's what we know for sure is the background for MadKap Production's Midwest premiere: In 1933 Nobel laureate and, in his own estimation, the greatest writer in the wor…

SOURCE: Stage and Cinema at 12:00pm on January 17, 2014

Off-Broadway Theater Review: KING LEAR (Harvey Lichtenstein Theater at BAM) by Dmitry Zvonkov

LEAR, BECAUSE IT'S THERE A friend commented to me once that as hard to take as Orthodox Jews might seem to us secular ones, it is largely thanks to them and their stubborn adherence to the o…

SOURCE: Stage and Cinema at 3:01am on January 17, 2014

Off-Broadway Theater Review: I AM THE WIND (59E59) by Dmitry Zvonkov

A WIND OF DISAPPOINTMENT Having seen some months ago Paul Takacs's outstanding staging of a two-character play called Tender Napalm, I was very much looking forward to watching his imagining…

SOURCE: Stage and Cinema at 8:13pm on January 16, 2014

Los Angeles Theater Review: AN ILIAD (Broad Stage in Santa Monica) by Jason Rohrer

YOU SEE A poet out of time, an ancient soul yet our contemporary, has come to sing to us of quarrel.  He comes shabby from the road, dusty and reluctant.  It is a killing effort for th…

SOURCE: Stage and Cinema at 2:45pm on January 16, 2014

Los Angeles Opera Review: THE TURN OF THE SCREW (Pacific Opera Project) by Barnaby Hughes

A TURN FOR THE BETTER A Henry James novella first published in 1898, The Turn of the Screw tells one of the most ambiguous ghost stories ever written. It involves a brother and sister (Flora…

SOURCE: Stage and Cinema at 2:58am on January 16, 2014

Los Angeles Theater Review: RX (Lost Studio) by Paul Birchall

A SHOW THAT'S BETTER THAN PROZAC Been to the drugstore lately?  Sick of taking semi-useless pills three times a day every day?  You've got your Losartan and your Lisinopril.  You've…

SOURCE: Stage and Cinema at 5:07pm on January 15, 2014

Chicago Theater Review: SOLSTICE (A Red Orchid) by Lawrence Bommer

ANOTHER BRIDGE TOO FAR Solstice offers a disturbing look at a chaotic class-ridden conflict, and British playwright Zinnie Harris delivers some ugly goods: She imagines"and A Red Orchid Thea…

SOURCE: Stage and Cinema at 12:51pm on January 14, 2014

Los Angeles Theater Review: THE LAKE HOUSE PROJECT (Hudson Guild Theatre in Hollywood) by Tom Chaits

FEAR THE HYPHENATE If a person is lucky enough, they will discover their passion in life and be able to fine tune and truly excel at that skill. Others flounder about, trying a bit if this a…

SOURCE: Stage and Cinema at 7:24pm on January 13, 2014

Los Angeles Theater Review: I'LL GO ON (Kirk Douglas Theatre in Culver City) by Jason Rohrer

AND HE DOES In the 1980s, Barry McGovern and Gerry Dukes collaborated to cut three novels by Samuel Beckett (Molloy, Malone Dies, The Unnamable) into a few monologues, divided by lighting cu…

SOURCE: Stage and Cinema at 4:09am on January 13, 2014

Chicago Theater Review: THE MANDRAKE (Commedia Beauregard at the Raven Theatre Complex) by Lawrence Bommer

DISREGARD BEAUREGARD Much in the spirit of Ben Jonson's salacious Volpone and Giovanni Boccaccio's same-titled lascivious tale of irrepressible lust, Niccolò Machiavelli…

SOURCE: Stage and Cinema at 2:53am on January 13, 2014

Off-Broadway Theater Review: THE SURRENDER (Clurman Theatre on Theatre Row) by Dmitry Zvonkov

DIARY OF A PRETENTIOUS NITWIT The Woman in the one-woman show The Surrender, adapted for the stage by Isabelle Stoffel and Toni Bentley from Ms. Bentley's book The Surrender, An Erotic Memoi…

SOURCE: Stage and Cinema at 2:15am on January 13, 2014

Los Angeles Theater Review: TAKE ME OUT (Plus One Productions at the Flight Theatre) by Tom Chaits

A SWING AND A MISS Theater, like baseball, is a team sport. To reign triumphant and put a tick in the "W" box, all the players must be at the top of their game. When everyone hits a home run…

SOURCE: Stage and Cinema at 3:21pm on January 12, 2014

Los Angeles Theater Review: ABE LINCOLN'S PIANO (Geffen Playhouse) by Paul Birchall

SIC SEMPER BORE-ANNUS This solo musical effort by musician performer Hersey Felder has all the trappings of a work that is rich with worthy subject matter and culture.  Peppered with song…

SOURCE: Stage and Cinema at 1:45am on January 12, 2014

Regional / Chicago Theater Review: END OF THE RAINBOW (Milwaukee Rep) by Matthew Reddin

A FOGGY PLAY IN LONDON TOWN Should a play seemingly designed and targeted specifically for Judy Garland devotees have the right to be held to a different standard than a play for the public …

SOURCE: Stage and Cinema at 9:13pm on January 11, 2014

Los Angeles Dance Review: LES BALLETS JAZZ DE MONTRÉAL (The Wallis in Beverly Hills) by Tony Frankel

MORE JAZZ, PLEASE Interestingly, the work that opened Les Ballets Jazz de Montréal's program last night at the Bram Goldsmith Theater in the brand new Wallis Annenberg Center for the Perfor…

SOURCE: Stage and Cinema at 1:11pm on January 11, 2014

Los Angeles Theater Review: BUNK (Son of Semele) by Jason Rohrer

UNFINISHED BUSINESS Son of Semele’s 4th annual Company Creation Festival presents new works by nascent Los Angeles troupes.  The festival’s first offering, Bunk, is what you&#…

SOURCE: Stage and Cinema at 1:08pm on January 10, 2014

Cabaret Review: LAURA BENANTI: IN CONSTANT SEARCH OF THE RIGHT KIND OF ATTENTION (Catalina Bar & Grill in Hollywood) by Tony Frankel

ATTENTION MUST BE PAID The two most important aspects of the right kind of cabaret act are the singer and the songs. But when you go to see Laura Benanti's new cabaret In Constant Search of …

SOURCE: Stage and Cinema at 6:46pm on January 9, 2014

Chicago Theater Review: GHOST " THE MUSICAL (National Tour at the Oriental Theatre) by Lawrence Bommer

PARANORMAL PASSION Love can conquer death. That potent wishful thinking was why audiences gobbled up the popular 1990 film Ghost. It also explains why it was turned into a musical, which has…

SOURCE: Stage and Cinema at 4:31pm on January 9, 2014

Los Angeles/Regional Theater Preview: CHANCE THEATER'S 2014 SEASON (Chance Theater in Anaheim) by Tony Frankel

TAKE A CHANCE Merrily We Roll Along is a notoriously difficult musical to get right. Even with Sondheim's magnificent score, the nature of the show"its lopsided cynicism and moving-back-in-t…

SOURCE: Stage and Cinema at 3:29pm on January 8, 2014
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