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6,591 stories from Stage and Cinema

Chicago Theater Review: THE TEMPEST (City Lit) by Lawrence Bommer

ENCHANTED FORGIVENESS When the sorcerer Prospero discards his magic staff and abjures his spellbinding ways, it is, of course, Shakespeare's swan song too. (The play will no longer be the th…

SOURCE: Stage and Cinema at 1:14pm on February 4, 2014

Los Angeles Theater Review: A CAT NAMED MERCY (Casa 0101 Theater) by Tony Frankel

KILLER PUSSY Suicide! Euthanasia! Incest! Health Care! Racism! Old age! Corporate America! Spirits! The afterlife! Prison! Duplicity! Playwright Josefina López (Real Women Have Curves) is…

SOURCE: Stage and Cinema at 9:58pm on February 3, 2014

Chicago Theater Review: THE MOTHER (Oracle) by Lawrence Bommer

AN EVICTION NOTICE FOR THE 1% This is Brecht's real Mother Courage, not "Canteen Anna," the pointless survivor of the cautionary later play who thrives on war (which as, Brecht implies, capi…

SOURCE: Stage and Cinema at 12:00pm on February 2, 2014

Los Angeles / Tour Dance Review: GISELLE (Royal New Zealand Ballet at the Dorothy Chandler Pavilion) by Tony Frankel

GISELLE'S GAZELLES First staged in 1841, Giselle is one of the oldest surviving ballets still in the international repertory, especially because the lead role is a showcase for the world's l…

SOURCE: Stage and Cinema at 7:02pm on February 1, 2014

Los Angeles Theater Review: LET'S MISBEHAVE (International City Theatre in Long Beach) by Tony Frankel

MAKE IT ANOTHER OLD-FASHIONED PLEASE It's something of a shocker, really. I had a great time watching Let's Misbehave, a jukebox musical slim on both premise and reality. It's actually more …

SOURCE: Stage and Cinema at 3:52pm on February 1, 2014

San Diego Theater Review: THE FOREIGNER (Lamb's) by Milo Shapiro

THE FOREIGNER HAS GOOD REASON TO STAY PUT Some theatre is staged to raise our awareness.  Some theatre is designed to tell a story that will move us emotionally.  Some theatre is inten…

SOURCE: Stage and Cinema at 1:19pm on February 1, 2014

Chicago Theater Review: LUNA GALE (Goodman) by Lawrence Bommer

PARENTAL RIGHTS, GRANDPARENTAL WRONGS As with her hit debut drama Spinning Into Butter (1999), Rebecca Gilman's newest agitation Luna Gale, directed by Robert Falls at Goodman Theatre, puts …

SOURCE: Stage and Cinema at 1:15pm on January 30, 2014

Off-Broadway Theater Review: INTIMACY (The New Group at the Acorn Theatre) by Dmitry Zvonkov

MASTURBATING IN THE SUBURBS As directed by Scott Elliott, Thomas Bradshaw's ironically titled new comedy Intimacy is not for the squeamish. A male character literally masturbates to internet…

SOURCE: Stage and Cinema at 11:20pm on January 29, 2014

Los Angeles Theater Review: PASSION PLAY (Odyssey) by Paul Birchall

AN OCEAN OF TIME If you ever climb to the top of the Granite Park Chalet trail in Montana, you will find at the end of the hugely winding, desperately steep pathway a log book containing ent…

SOURCE: Stage and Cinema at 10:41pm on January 29, 2014

Chicago Theater Review: ROSE AND THE RIME (The House Theatre of Chicago) by Samantha Nelson

A PLAY THAT PUTS YOU INTO THE COLD TAKES YOU OUT OF THE COLD When The House Theatre of Chicago decided to bring Rose and the Rime back to the stage this winter, they couldn’t have pred…

SOURCE: Stage and Cinema at 9:32pm on January 29, 2014

Los Angeles Theater Review: SE LLAMA CRISTINA (The Theatre @ Boston Court in Pasadena) by Trevor Thomas

NO COMPRENDO CRISTINA I'm throwing in the towel, giving up the ghost, packin' up my mules and headin' West. Lord knows I tried.  I watched attentively, I took notes, I came home and read …

SOURCE: Stage and Cinema at 8:41pm on January 29, 2014

San Diego Theater Review: MAPLE AND VINE (Cygnet) by Milo Shapiro

A TWISTED TRIP DOWN MEMORY LANE Imagine yourself transported back to 1955:  Forming values in the image of Father Knows Best; solving family problems as cleanly as Ozzie and Harriet; and …

SOURCE: Stage and Cinema at 2:32pm on January 29, 2014

Bay Area / Tour Theater Review: MAN IN A CASE (Berkeley Repertory Theatre) by Stacy Trevenon

A CASE OF HIGH-TECH FUSION This production is described by Berkeley Rep as "high-tech fusion" and that, I found, indeed is what it is. Two Anton Chekhov circa-1898 short stories, "Man in a C…

SOURCE: Stage and Cinema at 11:55am on January 29, 2014

Los Angeles Opera Review: QUEENIE PIE (Long Beach Opera in San Pedro) by Tony Frankel

QUEENIE WHY? When George C. Wolfe first tried adapting Duke Ellington's unfinished work Queenie Pie in 1986 it was subtitled "A Jazz Operetta in the Key of Make Believe." Ellington called it…

SOURCE: Stage and Cinema at 10:04pm on January 28, 2014

Off-Broadway Theater Review: iLUMINATE (New World Stages) by Dmitry Zvonkov

A DANCE OF LIGHT IN DARKNESS A delight for both kids and adults, the clever and inventive entertainment iLuminate brings to mind the image of dancing graffiti. Wearing black body suits equip…

SOURCE: Stage and Cinema at 8:16pm on January 28, 2014

Chicago Theater Review: THE LARK (Promethean Theatre Ensemble at Athenaeum Theatre) by Lawrence Bommer

AN EXALTATION OF LARK We all know Lillian Hellman's The Little Foxes, Another Part of the Forest, and The Children's Hour, even the 1977 film Julia, based on her book Pentimento. But The Lar…

SOURCE: Stage and Cinema at 2:54pm on January 27, 2014

Los Angeles Theater Review: A WORD FROM OUR SPONSORS (Son of Semele in Silverlake) by Mia Bonadonna

SKETCHY THEATER Velvet Pile's comedic look at identity and commercial branding, A Word from Our Sponsors, is running as part of the Son of Semele Company Creation Festival. Comprised of come…

SOURCE: Stage and Cinema at 3:01pm on January 26, 2014

Chicago Theater Review: GIDION'S KNOT (Profiles) by Lawrence Bommer

NO CLOSURE EVER A tangle of shifting sympathies and treacherous turns, Johnna Adams' spare 75-minute, two-hander one-act teeters on a knife edge during every burning second. Its setting and …

SOURCE: Stage and Cinema at 1:36pm on January 26, 2014

Los Angeles Opera Review: THE MERRY WIDOW (Independent Opera Company) by Barnaby Hughes

ONE STEP FORWARD, TWO STEPS BACK To open their second season, the Independent Opera Company (IOC) is performing Franz Lehar's 1905 operetta The Merry Widow. It appears to be a scaling back a…

SOURCE: Stage and Cinema at 9:18pm on January 25, 2014

Los Angeles Dance Review: FAR (Wayne McGregor | Random Dance at Royce Hall) by Tony Frankel

FAR OUT The Los Angeles premiere of British choreographer Wayne McGregor's FAR opened at Royce Hall last night, and you are advised to cancel all plans and catch the last performance tonight…

SOURCE: Stage and Cinema at 3:05pm on January 25, 2014

Los Angeles Theater Review: A WORD OR TWO (Ahmanson Theatre) by Tony Frankel

WHEN A WORD OR TWO WILL NOT DO A Word or Two is an apt title for Christopher Plummer's solo show about Christopher Plummer and Christopher Plummer's love of language. He wants to celebrate l…

SOURCE: Stage and Cinema at 7:22pm on January 24, 2014

Chicago Theater Review: YOUNG FRANKENSTEIN (Drury Lane Theatre in Oakbrook Terrace) by Lawrence Bommer

DONE TO DEATH A ton of fun gets dumped in this calculated musical spinoff from Mel Brooks' funniest film. As with The Producers, Brooks' expanded version of Young Frankenstein (with his own …

SOURCE: Stage and Cinema at 3:50pm on January 24, 2014

Los Angeles Theater Review: S.M.S.I.W.O.O.F. (Poor Dog Group at Son of Semele) by Mia Bonadonna

WHAT A DOG Poor Dog Group's S.M.S.I.W.O.O.F. (SaveMySoul In a WorldOfOddFoices) or 8 bottles of vodka is a dance-centric, multimedia performance based on text messages sent between the membe…

SOURCE: Stage and Cinema at 3:48pm on January 23, 2014

Chicago Theater Review: CABARET (Marriott Theatre) by Lawrence Bommer

DO TELL MAMA TO COME TO THIS CABARET Just as Buffalo Bill's Wild West Show swallows Annie Get Your Gun, the Kit Kat Klub engulfs a backstage story that becomes a show within a show in Cabare…

SOURCE: Stage and Cinema at 8:50pm on January 22, 2014

Los Angeles Theater Review: ELECTRA (Archway) by Paul Birchall

STATIC ELECTRA Your college classics teacher be damned:  For all the talk about the Greek literary themes of hubris and arête, the Greek tragedies are just gussied up soap operas, with…

SOURCE: Stage and Cinema at 5:43pm on January 21, 2014
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