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35,700 stories from The Guardian

Alessandra Ferri: 'Dancing with Nureyev​,​ I swear he had an energetic aura around him' by Sarah Crompton

The principal ballerina on portraying Virginia Woolf, why she's so enthusiastic about ageing, and what she learned from the greats Born in Milan in 1963, Alessandra Ferri was a principal wit…

SOURCE: The Guardian at 4:30am on February 26, 2023

Dada Masilo's The Sacrifice review " deeply moving and astonishingly fresh by Sarah Crompton

Brighton Dome and touringThe South African choreographer transforms The Rite of Spring using the music, rhythms and rituals of her Tswana background The South African choreographer Dada Masi…

SOURCE: The Guardian at 4:00am on February 26, 2023

Sunday with Lucy Beaumont: 'I only take CBD oil when my husband's here, because I pass out' by Rich Pelley

The comedian shares her thoughts on Sunday roasts, winding down peacefully and doing whatever her daughter tells her Up early or lie-in? I'd love a lie-in, but for the past six years we've h…

SOURCE: The Guardian at 1:45am on February 26, 2023

The Walworth Farce review " tyranny and fantasy at the Elephant and Castle by Chris Wiegand

Southwark Playhouse Elephant, LondonThere is comical swagger and escalating threat but Nicky Allpress's revival of Enda Walsh's play is strongest in its fragile moments What a choice for a t…

SOURCE: The Guardian at 1:00am on February 25, 2023

Tim Dowling: I'm revisiting my worst ever moment on stage " a Christmas panto by Tim Dowling

I was dressed as a series of comic book characters while the ugly sisters sang Holding Out for a Hero I was recently given an award at an event organised by the Americana Music Association U…

SOURCE: The Guardian at 1:00am on February 25, 2023

Katherina Radeva: 40/40 review " joyful dance in defiance of convention by Lyndsey Winship

The Place, LondonRadeva delivers a gloriously uncomplicated and deeply felt performance that is a delight to watch There is a breed of performance, usually a solo show, that is not about pre…

SOURCE: The Guardian at 3:00pm on February 24, 2023

Will Young: 'I'm locked out of my social media because I get drunk and slag people off' by Michael Segalov

The singer has temporarily traded in pop stardom for a challenging theatre role. He discusses why he wants to quit music at 50 and why he's no longer 'ashamed' of being single Just days befo…

SOURCE: The Guardian at 9:00am on February 24, 2023

Afghanistan Is Not Funny: the comedian transformed by the war on terror by Brian Logan

Henry Naylor travelled to Afghanistan in 2003 to research his fringe farce Finding Bin Laden. His sobering new show takes stock of the country's fate since Was Henry Naylor's agent right whe…

SOURCE: The Guardian at 5:37am on February 24, 2023

Grenfell: System Failure review " sobering unpicking of a tragedy by David Jays

Playground theatre, LondonWriter Richard Norton-Taylor and director Nicolas Kent's almost anti-theatrical play uses residents' testimonies and gives the bereaved a much-needed voice Staged a…

SOURCE: The Guardian at 7:01pm on February 23, 2023

The Winter's Tale review " the Globe's two-venue telling loses its way by Kate Wyver

Sam Wanamaker Playhouse and Shakespeare's Globe, LondonAs this ambitious production switches between stages, and deaths pile up like dishes, neither the comedy nor the tragedy have room to b…

SOURCE: The Guardian at 11:00am on February 23, 2023

An anonymous, pro-Brexit play about Dominic Cummings? Classic Dom! | Mark Lawson by Mark Lawson

Partially based on verbatim texts from Boris Johnson's former chief adviser, a new play which lists no dramatist veers from Ted talk to pantomime At this play about Dominic Cummings, the not…

SOURCE: The Guardian at 10:07am on February 23, 2023

Patti Love obituary by Michael Coveney and David Edgar

Actor best known for her stage work and acclaimed for her portrayal of Mary Barnes in the title role of David Edgar's 1978 play Patti Love, who has died aged 75, was an actor of supreme tale…

SOURCE: The Guardian at 9:56am on February 23, 2023

Women, Beware the Devil review " bizarre comedy horror is like Bridgerton on acid by Arifa Akbar

Almeida, LondonLulu Raczka's new play, directed by Rupert Goold, is beautifully designed but the plot " and the point " is puzzling. Maybe the joke's on us? This confounding play is nothing …

SOURCE: The Guardian at 8:04am on February 23, 2023

Charlotte and Theodore review " agonised academics knee-deep in culture wars by Ryan Gilbey

Ustinov Studio, BathRyan Craig's play stars Eve Ponsonby and Kris Marshall as a couple tearing themselves apart over cancel culture and other hot-button topics Think male-female two-hander i…

SOURCE: The Guardian at 6:48am on February 23, 2023

Beginning review " touching after-party tale of the last two left standing by Chris Wiegand

Royal Exchange theatre, ManchesterDavid Eldridge's insightful play about a pair of singletons sizing each other up is relocated for a funny and moving revival New light was cast on David Eld…

SOURCE: The Guardian at 3:00am on February 23, 2023

'Is it antisemitic? Yes': how Jewish actors and directors tackle The Merchant of Venice by David Jays

Tracy-Ann Oberman's Shylock, who has been relocated to 1930s Britain, is inspired by her tough great grandma " while Henry Goodman felt shame after losing himself in Shakespeare's most notor…

SOURCE: The Guardian at 12:28pm on February 22, 2023

Derek Jacobi and Arlene Phillips picked for career-crowning Olivier awards by Chris Wiegand

The actor is to get the lifetime achievement honour and the choreographer the special award at this year's theatre prizes in April Sir Derek Jacobi and Dame Arlene Phillips are to be honoure…

SOURCE: The Guardian at 9:23am on February 22, 2023

Romeo and Julie review " a sweet spin on Shakespeare by Arifa Akbar

Dorfman theatre, LondonGary Owen's tale of star-crossed, working-class lovers in modern Cardiff offers existential questions and awkward encounters Writer-director team Gary Owen and Rachel …

SOURCE: The Guardian at 8:00am on February 22, 2023

Maxine Peake hits out at threat to 'vital, vibrant' Oldham Coliseum by Safi Bugel

Actor accuses government of 'further dividing communities' as 138-year-old theatre faces closure after losing £1.8m grant The actor Maxine Peake has accused the government of "further d…

SOURCE: The Guardian at 6:27am on February 22, 2023

Don't Think, Dear by Alice Robb review " the beauty and cruelty of ballet by Fiona Sturges

A former student at the School of American Ballet dissects an art form that too often plays host to obsession and bullying When Alice Robb was little, she wanted more than anything to be a b…

SOURCE: The Guardian at 4:00am on February 22, 2023

I've worked front of house in 40 theatres " and audiences behaved terribly in all of them | Bethany North by Bethany North

Managers need to have the confidence to eject customers, and trust their staff. Two strikes, and the rowdies should be out I have been working front-of-house jobs in theatres more or less si…

SOURCE: The Guardian at 3:00am on February 22, 2023

Who's laughing now? The Dalit comedians punching up against India's caste system by Asma Hafiz and Kamran Yousuf In Mumbai

Once the butt of others' standup routines, comics from the lowest social strata are turning the tables, with humour as their weapon On a wooden chair on a makeshift stage at Cat Café Studio…

SOURCE: The Guardian at 2:00am on February 22, 2023

Trouble in Butetown review " humanity and heroism in wartime Cardiff by Arifa Akbar

Donmar Warehouse, LondonWhile Diana Nneka Atuona's deft script could do with a final polish, its heart, humour and spirit sing in the hands of a luminous cast The Donmar's last production, W…

SOURCE: The Guardian at 8:57am on February 21, 2023

Akedah review " sisters at sea in taut but frustrating Troubles drama by Claire Armitstead

Hampstead theatre, LondonTwo women disinter a trauma from their past in Michael John O'Neill's allegorical play set in an evangelical church Two sisters circle each other in the antechamber …

SOURCE: The Guardian at 7:57am on February 21, 2023

Boldly not going: zero-travel 'touring' play paves the way for eco theatre by Natasha Tripney

Using local creatives and actors, director Katie Mitchell's A Play for the Living in a Time of Extinction is a narrative response to the climate crisis and an experiment in sustainability Ka…

SOURCE: The Guardian at 6:45am on February 21, 2023
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